Woodnesse

dies irae

a fast journey thru our forthcoming album on Entr`acte

HLVT230SNIP

info: https://radio.syg.ma/episodes/tkani-perila
https://soundcloud.com/perila

PERILA

TKANI – Perila

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9octobre - lylradio

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@lsma_rds
@lyl_radio

Artwork: David Schleinkofer

We find two druids: Momor and Atepomar walking quickly along the winding spirals of a country road, leading towards to the magic hill of ravens - Lugdun, located at the confluence of two mighty rivers - Ron and Son...Sunrise is just slowly emerging, slicing darkness of the night with sword of light...Feels still cool...Cause of this they wrapped deep in decorated with embroidery of sacred symbols mantles that are almost cover their eyes...On the way sages actively discuss various aspects of the practical approach at musical practices which they study and share in their almanac - D.A.T.S.A., published by the LYL library of the Lyon...

Among their reasoning, possible to hear a variations of how the smooth integration of cultures into each other, creates completely new ways of interacting with the space surround, thereby allowing to see what was not previously reflected in the mirror of reality...

With discussion, the trees quietly began to thin and a small clearing opened before the eyes...Bordered with stones of various heights, with ogamic inscriptions and a huge oak tree rising in the middle...As soon as the druids took to the stage, one of the mighty branches was taken by a huge raven, glancing at the guests with his unblinking eyes...As if evaluating whether they can be here or not...Having convinced himself of the legitimacy, he set off...From under their mantles Momor and Atepomar took out different flasks and a thermos, made fire, collected mistletoe and sat under a tree...Looking to the East, they started their ceremony, which became the new chapter of amateur exotic`s mix-tales!

SOICHI DATSA - AMATEUR EXOTIC'S D.A.T.S.A. RESEARCH PROGRAM

Lucy Railton / cello

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"...What is it about the telling that provides comfort or consolation? Perhaps it's partly in the curative power of naming, an act that can bring our experience into relief and ward off the depressive forces of nothingness, formlessness, and monstrous plasticity. There are also other forms of telling that are not lexical, and our too-easy separation of sound and speech, music and words, belies the existence of something deeply healing and transformational that grounds and unifies them both." - Sofie Fetokaki  

This music was improvised and recorded on April 31st in the quiet bunker-esque venue, Ausland, just 20 doors down from where I live in Berlin. Additional processes and editing were competed on May 2nd 2020. Special thanks to Cafe Oto, Billy Steiger, Petter Eldh and Sophie Fetokaki for their part in the making of this work.

TR014 - Lucy Railton "First Lament"

Swedish-Finnish composer/sound artist Marja Ahti and Australian cellist/composer Judith Hamann developed Portals collaboratively from their respective lockdown spaces in Finland, sending recordings back and forth across the eastern most arm of the Baltic sea from Turku to Suomenlinna. Their lines of acoustic & electronic sound pull each other through different composite terrains, revealing imaginary scenery and creating a palimpsest of geographies and time. Akin to film-maker Andrei Tarkovsky's focus “on the pressure of time", Marja and Judith give weight to each frame of sound’s internal narrative, letting each move slowly from land to island, sea to forest, mundane to remarkable, domestic to public, as if caught in dream motion. As the title suggests, the release offers frames, or windows into Marja and Judith's combined hearing, into spaces they've created together during this time: simultaneously near and distanced.

TR016 – Marja Ahti & Judith Hamann – 'Portals' [sample]

Emmanuel Kueng, OneFootStep DJ & Producer from Fribourg Switzerland. Working on a solo project and collaborative project (4POTR & Spaceship Travelers). Organizing parties around Switzerland: Kik Bar since 7 years at Fri-Son and part of the following festival : Backslash (Zurich), Lausanne Space Dance & Duplex (R.I.P). Also part of the SMEM.

Emmanuel Kueng [07.10.2020]

Premiering the stunning work of Ahza Ahza's new release on Emmanuel Vincent Presents. Read here what the artist himself has to say about the work:

Black Power Ambience was made during a time of great stress for us as Black people. This was around the time of Korey Gaines, Sandra Bland, Philando Castile, Mike Brown, Tamir Rice, Trayvon Martin, Eric Garner and countless others. The Eric Garner one hit especially hard for me, having gone to school in that area. Eric was someone I had always seen around the way and on the day he was killed I had just arrived back home. I walked past the scene and saw the lights and just figured it was the usual, I didn't know what happened until I got to my friends house up the block. All of this death broadcasted on the internet was a constant stream of trauma and it became heavy fast. It's nothing new to me, the idea that my life could end violently has always been in my mind. I wonder what it's like to not think like that?

So during all this my good friend Dave asked me to perform at one of his shows. At the time I was only rapping so I had to make something that would fit the bill.

This is how Black Power Ambience was born. My feelings are captured in it, and the vocal samples from my ancestors serve as a connection to the things that matter. I hope you enjoy it, I know I still do to this day. It gave me relief and I am thankful to the field for giving me the chance to channel this energy this way. Enjoy

-Ahza Ahza

Premiere :: AHZA AHZA BLACK POWER AMBIENCE SIDE A

Luke Fowler - Everything Is Permitted(5/3/21)

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR016 – Marja Ahti & Judith Hamann – 'Portals' [sample]

cafeOTO

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