Rise of Nebula

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08 Record 8

Bookworms - VieUntitled

Taken from:
Serpente - Parada Lp & Download [Ecstatic Recordings, 28/06/19] 

Lisbon-based Bruno Silva enacts pure voodoo with extended, restless LinnDrum workouts that take Prince’s distinctive LM-1 signatures as a starting point for loose-limbed tribal jams that flow with the colour of the Brazilian carnival and the rhythmic psychedelia of hardcore jungle.

The title ‘Parada’ cannily nods both to Prince’s ‘Parade’ album and the percussion of carnival parades, speaking to a plurality of polyrhythms in a tradition of fusion music that seeks to meld myriad forms of communal, ritualistic and ecstatic music - not a million miles from the bare carnival funk of ‘Parade’s’ ’New Position’.

In six parts ranging from extended runs of drumkit-falling-down-stairs to nimble junglist mutations and rapid, darting concisions, Serpente spells out a heavily intoxicating and intuitive sort of rhythmic psychedelia that lives up to a broad palette of influences ranging from Haitian voodoo ceremonies and central African drum circles, through to the Sun Ra Arkestra and Alan Silva’s Celestial Communion Orchestra, via Keith Hudson’s dub transcendence, and the rude modernism of UK rave and virulent styles currently coming from Lisbon ghettos on the Príncipe label.

In attempting to untie and unite these worldly references, an asymmetric percussive friction and hypnotically unresolved tension naturally emerges from Serpente’s flux of machine made patterns. It’s there in the restlessly gnashing, swingeing brilliance of ‘Nivel de Chama’ and the exceptional mix of detuned Linn drums and reticulated jungle breaks in ‘Trama’, while the B-side probes this idea in three subtly agitated, but more space-out ’Símbolo’ parts, and finally with a sublime tension between his twitchy percussive saccades and celestial synth pads in ‘Nivel de Cinza.’

‘Parada’ is pure body music in a minimalist/maximalist way that acknowledges both physical and spiritual needs, and requires a dancing or thinking body in order to properly unlock its purple magick.

BUY!

Serpente - Nível de Chama [ELP044]

from the "Alone In The Dark" compilation 
https://hotreleases.bandcamp.com/album/alone-in-the-dark

Glochids - Rust Pipe

TR038 - aircode - 'tunnel vision' [sample]

abrasive dubs, cross genre chops, critical perspective,
re-orchestrated conversations, slowed to (perfection)

w/ @mary_2 (@spiritual_combat) + @valclipp

initially aired via https://offcenter.online

Community Podcast #17 w/ Mary

TR082 - Michael Speers - 'Voice'

172 — obe

Thirst idea fire company/SahelSounds of Sahara/Gordon Hempton Solitude/Genggong II David Attenborough/Ocigam Trazom Christina Kubisch/Pierre Mariétan Rose Des Vents IIB Camp 2 Gir Jenssen/ 3 Hour Delay Packed Inside the Plane (Shenzen/Hong Kong) Grzegorz Bojanek/Joe McPhee Graham Lambkin Chance Meeting /Voices From Possessed Children (1978) Okkulte Stimmen/ EX HK. Side B Hans Kruesi+Endless Humiliation The Gerogerigegege/Halim El-Dabh Leiyla Visitations 2/Desert Lizards & Insect Solo G Hempton/Mahalid Destin Manambitamby/Aaron dilloway mudwalk, more Thirst idea fire,K&K Shots/Jeph Jarman Recording of Hail/Arno Peeters Elements/Incident at Ras Oumlil Jos Smolders/ Jag en gök Hans Appelqvist/John Tilbury, Keith Rowe, Kjell Bjørgeengen Sissel/Tom Didn’t Get the Right Gift Mechanical Sterility/Sheep Wind Fence Flute recorded on Dartmoor 1971 David Toop/Tomoyuki Aoki, Harutaka Mochizuki, & Hasegawa-Shizuo Enka Moods/Jem Finer Water and Birds/Birds Pauline Oliveros + Andrew Deutsch/World Trade Center 1999: Processing Sound through a window on the 91st floor, facing North  - Stephen Vitiello

DISSOLVE IN THE PRESENT

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR038 - aircode - 'tunnel vision' [sample]

cafeOTO

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