🎸 Statement from FIXED

To support the next generation of creators, FIXED will upload iconic instrument tracks — free to use and download.
This is Gen X passing the torch to Gen Z — entering a new creative era with respect, tools, and authenticity.

Artists from past decades created timeless music without AI — work that must not be lost. By offering royalty-free recordings of iconic instruments, we honor those artists and keep their legacy alive — not sampled, but respected.

❗ You may not use original artist material without proper registration or permission.
🎼 Want to reference or sample a classic artist? Get an IPI or BMI number and formally request permission.
📜 In our case, BumaStemra can split royalties fairly (e.g., 50/50 or 75/25), based on agreements.

✅ This also ensures that artists will share royalties on their work and benefit from the future as well.
It is up to the original artist to agree with the royalty split.
If they do not agree, you CANNOT use it — and must delete the content immediately.
Let that be absolutely clear.

📩 Have questions about IPI, BMI, or rights management? Just DM us.

Let’s build the future of music — without forgetting its roots.

🎛 How to Include the Famous Strat in Your Music

Bring the soul of the Fender Stratocaster into your tracks — Hendrix-inspired and fully yours to shape.

1. Open Your AI Music Platform

Examples: Audacity, Ableton 12, Suno AI, Soundful, Boomy, or any tool that supports:

Audio uploads

Instrument setup

Lyrics input

AI-assisted composition

2. Upload the Free Fender Strat File

Go to your Library or Assets, and upload a 3-minute Strat-only track:
🎸 Royalty-free solo guitar audio
🎸 Not sampled from a commercial release
🎸 Pure Fender Strat tone (distorted or clean)
🎸 Hendrix-style preferred

3. Create a New Track

Click “New Project” or “Create Song” — use the Strat as your song’s foundation.

4. Add Your Music Elements

Input:

🎤 Vocal Style (e.g., Lead female vocal)

🎸 Instruments

🎶 Lyrics (full or theme)

🎵 Genre / Mood (e.g., symphonic rock, ambient, blues rock, etc.)

5. Define the Instrument Setup Clearly

Be specific. Example:

Lead female vocal  
Fender Stratocaster (distorted, expressive solo)  
Heavy drums (rock kit)  
Bass riff (syncopated)  
Atmospheric pads (ambient)  
Strings (orchestral layer)


✅ IMPORTANT: Always list “Fender Stratocaster” — this tells the AI to use your uploaded file in the arrangement.

6. Add Your Lyrics

Paste lyrics and use structure tags if supported:
[Verse], [Chorus], [Bridge], etc.

7. Click "Cover" (or Similar Option)

This tells the system to:

Match your music to the Strat file

Automatically sync and adapt tempo, even if the Strat has no rhythm track

8. Generate the Track

Click Generate — and let AI build around your Strat.

🏁 Final Result:

You get a complete track featuring:

🎸 The iconic Fender Strat tone

🎤 Custom vocals and lyrics

🥁 Full arrangement, locked and ready

🎧 A finished, shareable song

⚠️ Monetizing Ethically

Always credit instrument sources:

“This track features the legendary tone of the Fender Stratocaster — honoring Jimi Hendrix.”

If monetizing:
👉 Sign up at Voice-Swap.com
Link it to SoundCloud or distribution
They detect royalty-bearing content for you

✅ Stay clean. Respect fellow artists. Create fairly.

🎨 Why This Matters

Music is more than content — it’s legacy.
Using AI + instruments like the Strat means passing on emotion and artistry, not just generating sound.

So play fair, give credit, and let the Strat speak again.

📩 DM us if you need help or have questions.

Famous Iconic Instrument samples

Fender Stratocaster (G minor) Free Download

Hendrix Fender Stratocaster (G minor)  Free Download 1

out in June through Lynn and Boyce Hatti
---
https://soundcloud.com/ly_nn

Trait [Time Is When, CD-r 2017]

Glucidoid

Excerpt of B2 from

Eks - Echo Courts - C20

Out September 28th on Archivio Diafonico

www.archiviodiafonico.org
archiviodiafonico.bandcamp.com

Eks - Echo Courts - B2 (excerpt)

Live excerpt @Festival Baignade Interdite

A Field of Social Tension, taken from the forthcoming album Unabled Form by Li Yilei. Pre-order now at https://www.ltrrecords.com/buy/unabled-form-lp

Unabled Form

A Field of Social Tension

Li Yilei - A Field of Social Tension

Taken from 'Critique + Prosper', Ecka Mordecai's debut release, out now on Takuroku.

Ecka Mordecai is a relatively new figure in the London experimental music scene. After a nomadic creative life in the North of England, forming relationships with the likes of Andrew Chalk, Tom Scott, Holly Jarvis and Kate Armitage, 'Critique & Prosper' is her first solo album and presents the most recent development of her solo practice. Melodic mantras, wandering improvised passages and refracted blues vocalisations find each other in her domestic world, revealing glimmers of sensual songcraft that opens outward.


"Compass needle frantically spins near irregular electric fields of ghosts, and phones too. Receiving metallic frequencies of interconnected ghosts, stroked by scratchy fingers 1. astroturf melts into tufty faux fur. Strands of memory vibrate towards an open wound, lightly tapping on the soft box that withholds 2. mouth-a-boundary, finding space across fibres of a dried throat. The closure of lips contains a transcending hum, sealed an inhale but released an exhale into sweaty sticky-crisp air. Rubbery skins rub against each other in attempt to open 3. hot tarmax. We have to acknowledge skin as our biggest organ, shields against the losing of the individual, forming pockets of space in arrangement of skipping stones stirred into a dark glistening puddle. Before we notice, we are thrown off gravity and stuck onto some unknown surface, breathing with inflamed lungs. Outer fear unleash the voice of 4. critique + prosper to disjoin the cells of inner comfort. With wind brushing our eyes, we found a few hairs on the largest grassy rug, traces of inhabitation or passing. Consistency of domination. Air that passes through our head phones and ears, 5. did begun we hear or listen. Transmitting signals to the cell tower - Unarmed! Dismantle! 6. Show up or shut up in our library. Clashes of volatile shells, nails, the undead in the transparent vessel of bodily fluids

TR042 - Ecka Mordecai - 'Mouth-a-boundary'

Anything to do with crisps (especially Tyrells) gets our resounding support here at OTO. Two of the most mischievious experimentalist in our community - Louie Rice & Luciano Maggiore - share with us an extended piece cyborg text piece that acts as an instructory rhythmic prompt to munch on the salty snack. Florian Hecker has experimented with similar computer voicings before, but there's not quite anything comparable to this gloriously dry, candid and obscene opus. Concrete poetry for the flaccid digital age (and for fans of crisps).

"58 minutes of music assembled using recordings of an online digital voice synthesiser reciting an exhaustive list of permutations of the words NO PA PA ON. Pauses in speech are punctuated with a bass tone and could act as a prompt to eat a crisp.

NO PA / PA ON is a performance series that started in Cafe OTOs project space and is often mispronounced."

Text generated using
https://textmechanic.com/text-tools/combination-permutation-tools/combination-generator

Synthesised voices generated using
http://onlinetonegenerator.com/voice-generator.html

Additional audio material generated using
http://onlinetonegenerator.com/frequency-sweep-generator.html

Synthesised voices and low frequencies to eat crisps with

TR040 - Luciano Maggiore & Louie Rice - 'Synthesised voices...' [sample]

Cara Tolmie's practice centres itself upon the voice, the body and the complex ties between the two. At once subjective as well as socially determined, she explores voice and body as two codependent entities able to prompt as well as contradict one another. 

Here, on her debut release, her vocal ruminations explore a practice of sounding on both the inhale and exhale as well as a self-soothing touch strategy she developed in reaction to symptoms triggered by post-concussion syndrome. In an attempt to displace vocality towards and through parts of the body extraneous to the mouth, Cara lets sounds forge paths and encircle the body's inner topography, soaking her voice through a labyrinth of pumping blood, organs and the touch of skin.

The result is a music that offers snapshots of the body tempered by different conditions; resting, moving, listening, pleasure, strain and sensitivity. Cara invokes waves of sound; sometimes calm and meditative, sometimes teetering on discomfort; sometimes falling into an anxious refrain. 'Lit by a Car' offers the space and time to come to terms with these feelings and give them life - letting the breath of voice twist and turn in compellingly peculiar new directions.

TR071 - Cara Tolmie - 'towards a party (of 3 or 4 or 5)'

Track commissioned for the exhibition ‘Now Accepting Contactless - Design in a Global Pandemic’ V&A Dundee as part of a mix by David Blamey for British Earways to be played on a loop in the gallery.

- - 

A couple of months before lockdown, the housing block where Tom White lives got covered in scaffolding. Residents were left in a building veiled by translucent white netting for months on end. This composition was made in this specific urban lockdown context: the fridge whirs, birds chirp on scaffold poles, electromagnetic activity & tape loops reverberate on the eardrums, within the home and out into the world.

Composed of archive and site specific sounds. 
London Spring 2020

Medina Vibrations (2020)

Hey there, Feeling so safe now. Do you feel safe yet? Not yet?
Here is a dinnerpartymix of jorengthericecake 🍚🍰 What a pleasant sound. Perfect for a risotto. Just before Music For Safe Spaces. 

special thanks to https://soundcloud.com/jorengthericecake

buy the release @ https://musicforsafespaces.bandcamp.com/

SSR Release Mix by Jorengthericecake

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR042 - Ecka Mordecai - 'Mouth-a-boundary'

cafeOTO

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