00:00-01:00
Excerpt from 'Without', performed by Erik Carlson (violin) and Greg Stuart (percussion), composed by Clara de Asís. Released in October 2018 on Elsewhere.

01:00-02:00
Excerpt from 'Comme de loin', 2020. Commande de l’Etat du Ministère de la Culture, France. Produced by GMEA - Centre National de Création Musicale d'Albi-Tarn. Électroacoustique sur support seul. Released on Blank Mind as part of the homonym compilation.

02:00-03:00
Excerpt from 'De ce côté-ci', from the album 'Sans Nom Ni Forme'. Recorded in Berlin, 2019. Released on Pilgrim Talk, 2020.

03:00-04:00
Excerpt from 'double points; reflected', Clara de Asís & Rebecca Lane, 2021.

04:00-05:00
Excerpt from 'Present Omission', from the album 'Repetition of the same dream' featuring works by Clara de Asís & Mara Winter. Released on Another Timbre, 2020.

Excerpts 2018-2021

"Tracker" is a 4 song project created using only the Dirtywave M8 Tracker. The songs are a mix of different styles, some of which I wouldn't normally produce. The M8 forced me to step outside of my comfort zone and is an absolute joy to use. Happy listening!

Available for streaming and digital download @ cepheid1.bandcamp.com/album/tracker

Tracker

Saucy Mixo

Combined DIY hydrophone recordings from the workshop sessions "Something to Say" organised by Lakeland Arts at Windermere Jetty Museum, August 2022. Many thanks to Amy, Ian and the team!

Something To Hear Underwater

NoxinpatchRec - 221008 - 2

SenSen - SnowBoy

Far from the extended still lifes and mises en abîmes of their acclaimed Penultimate Press debut A Sunset for Walter (PP43, 2019), Noetinger & Pateras’ 15 Coruscations weaves frequencies & stirs data into an agitated series of deft psychoacoustic miniatures. Employing electronics as a deformed mirror reflecting joyous lacerations & interweavings, 15 Coruscations borrows from both brut & skilled musical practises, emerging from the current despair to blister light across the moribund horizontalities of post-surveillance musical product. 

Jérôme Noetinger (Marseille, 1966) is one of the most respected composer/performers of electronic music working today. Discovering the ReVox B77 as a powerful tool for live electro-acoustic creation in the mid 1980s, he has developed a singular performance language unmatched in agility & invention. 

Anthony Pateras (Melbourne/Naarm, 1979) works at an evolving nexus of notation, improvisation, electro-acoustics + keyboard instruments. Active since the late 90s as both a composer of concert music and independent bandleader, he has created a unique body of work across multiple genres & contexts. 

Noetinger & Pateras’ working relationship began in 2009 in the Thymolphthalein quintet (Editions Mego, 2011), extending through to the development of the 6-channel tape part for Pateras’ percussion sextet Beauty Will Be Amnesiac Or Will Not Be At All (Immediata, 2017). Establishing their duo in 2018 with A Sunset For Walter, they have performed across Europe in both piano/tape and pure electronic configurations. 15 Coruscations is their latest testament to their quest for the unheard, deploying tape, computer, samplers, garbage, environmental recordings, lo-fi electronics, hi-fi circuitry and a deep love of all things concrète.

Jérôme Noetinger & Anthony Pateras - Coruscation 1

Solidarity I

This is the culprit. I just watered it and heard a strange sound from the wall up where it stands. I thought it was a radio in my neighbour's apartment or something. When I lifted up the pot the sound almost stopped (very quiet). Somehow a vibration from the pot carries through the surface it stands on like a tuning fork. I put the plant on this little glass table and put two DPA 4660s next to it. It was not a loud sound but clearly audible to the naked ear. Input level at +60db on the MixPre recorder. I de-noised the file slightly in RX but the rest is untouched. I recorded at 192KHz to see if anything strange was happening above 20KHz, but that space was empty. After about 7 minutes the sound ended. I really can't comprehend how it was produced.

Recording of the sound of a potted plant after being watered

snf10 : reizen "works, 2020" extract

TR102 - Lia Mazzari & Tom White - 'The Unending Attraction of a Crowd'

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As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR102 - Lia Mazzari & Tom White - 'The Unending Attraction of a Crowd'

cafeOTO

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