Space Choir Laraaji
Sylvia Plath reading Ariel
Immersion Ryo Murakami
Acétal Constructions Des Temps Modernes
Liquid Metal Machine Woman
Sirens Call Myra Davies / Beate Bartel
Celtfunk John T. Gast
Young Girls Surrender To Powder Vallmo
Fearlings Bonaventure feat Hannah Black
Raindance O Yuki Conjugate
Der Virus Im System Abu Ama
Black Rapids Boreal Massif
Ereškigal, Rise from your throne Herbst9
A Strange Wedding El Cartel Del Sangria
Kapkowa Księżyc

https://soundcloud.com/melodieblaison
https://www.instagram.com/melodieblaison/?hl=fr

La Mare Au Diable / Melodie Blaison

+all tracks from enmossed and enmossed x psychic liberation (enxpl) catalogues, including some upcoming/unreleased

+debuted April 29 2021 by 00185fm (https://www.newweirditalia.eu/00185fm) as part of Misto Mame collective's anniversary (https://www.newweirditalia.eu/misto-mame)

+tracklisting
MARV - Stable Mate
Osawa Tome - Fern Knee (ENXPL)
Horoscope - Magenta (ENXPL)
Secret Boyfriend - Ladies Who (ENXPL)
Russian Tsarlag - Partially Recycled (ENXPL)
Sachi Kobayashi - Don't Fall Asleep Again At The Hotel In The Morning (ENXPL)
Glyn Maier - Vale Apotheosis (Chaperone Remix 3) (unreleased)
Yeong Die - Statue 19
Nazanin Noori - IMAGINE ALL IN A HALL (excerpt)
David Wesley Sutton - In Suspension Of The Other (excerpt)
Julien Malaussena -  Concerning articulated sound energy

enmossed mix for 00185fm

TR149 - Lao Dan - 'Solo 2'

For the season finale, Hidden Rhythms is honored to host this month Ice_Eyes. Based in Athens, the duo develops throughout his mixes and productions a singular sound aesthetic. Driving between highly rhythmic tracks, to a bass doped with breaks from outta space, this mix is not for the weak hearted and invite to let go. All pleasure no pressure

Hidden Rhythms Show #39 - Slodki Invite Ice_eyes - 03/06/2021

Happy to share @synalegg's Patchwork-02, a mixtape built from forgotten sound material, generated during phases of musical research, coming from different patches, different methods, different periods.

@synalegg is a French electronic musician who explores sound matter by designing his own digital tools. He mainly uses Puredata software to build musical environments that combine algorithmic sequencing, granular synthesis, sound and visual data processing.

Synalegg - Patchwork-02

https://soundcloud.com/systemma1/sets/ue-clairvoyance

Mountain cries for her children, elegy. 
Bitter, snow-covered solitude. 
The Quest Of Life is to rule upon the Matter. 
Now, when the answer is finally mine, 
I don't need it anymore.

Drown in acoustic innerscapes, 
I realise myself in the dawn of times. 
Salt waters, 
Metaborn.

I do not feel anxious.

You and I in a dance of hertzes, 
Structured pace. 
Have we been here before?

Star Alliance, mission in unity.

The Earth is expanding, so is alive. 
She is whole, conscious, and panpsychistic. 
And I don't need anything anymore.

Album credits in no particular order: J. Borges, one half-human cat, 716, S. Orbe, Roi Roman, Noon Chi, Poliq, Maxim Sydorenko, Ecology, all система crew, Vika&Gosha, mom&dad, Goenka S. N.

clouds born from Tethys (from ‘Clairvoyance' EP)

``Kan Jij Goed Overweg Met Een Mooie Single Vrouw Uit Local Area?``



― Naughty Date

Local Area

Bookworms - VieUntitled

Presented as a re-creation of two live sets performed in 2019, Patrick Gallagher deftly melds field recordings, a "fairly standard" synthesis toolkit, and prepared electric guitar into two peerless electro-acoustic compositions comprising his debut album for ENXPL (enmossed x psychic liberation).

As the album's title implies, "Set In the Bardo" embraces indeterminacy in all respects. An extreme range of timbrel variety and complexity is employed, from pure sine waves to nearly-incomprehensible sonic blasts. With a formal education in mathematics, Gallagher's astute arrangements modulate between smooth glissandos and abrupt interruptions, reflecting the compositional process used: salvaging hitherto-abandoned recordings and live snippets from the artist's archive. Post-processing was eschewed on the album in order to preserve the improvisatory nature of a live performance, giving an organic quality to the album which is often lost in academic compositions.

While "Set In the Bardo" was created in pre-pandemic times, it also functions well at this particular juncture of history. We have been 'set in the bardo' ourselves, and Gallagher has made an engrossing set of pieces - encapsulating and unfolding sonic uncertainties as we venture through trying times. Well worth many listening sessions; high volume and high fidelity during playback are recommended.

---

Patrick Gallagher is a sound artist and composer currently residing in Philadelphia, PA. He cut his teeth in the North Carolina avant-garde underground, perfecting his composition processes with numerous live performances as well as releases on Tone Log, Hot Releases, Refulgent Sepulchre, and other independent labels. 

releases January 29, 2021

mastering :: Jack Callahan

cover artwork :: Autumn Casey

design ++ layout :: Robin JM Vanderheyden

a portion of Side A was recorded live at Rhizome (Washington, DC) by Steve Sanford

all proceeds to The Youth Art & Self-Empowerment Project (Philadelphia, PA) :: www.yasproject.com

Set In The Bardo

Patrick Gallagher - Untitled [Set In The Bardo Side B Excerpt] (ENXPL05)

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

https://blinxhq.bandcamp.com/releases

released February 5, 2021

music produced, recorded, and mixed
summer of 2020 by mos fet & eustress
guitar on track 6 by Cameron Gulley
tapes on track 7 by Tom Lageveen
design by mos fet & eustress
mastered by Pheek

mos fet & eustress - Oology [blinx001] (snippets)

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR149 - Lao Dan - 'Solo 2'

cafeOTO

Recent comments

ASOA XXX2.55555 

Related tracks