On the occasion of the passing of Jon Hassell.

Fanfare (for Jon)

“Still Lives” is the third solo full length by the Finnish composer Marja Ahti, following a pair of releases on the Hallow Ground imprint. As a collection, it may be seen as a series of studies on the liminality of the listening act and an investigation into the physicality of sound. Ahti forges vivid electroacoustic environments from field recordings, analog synthesizers, acoustic feedback, magnetic tape and digital processing, resulting in a set of articulate, prickly, and surprising compositions. In the artist’s words, “These pieces could be conceived of as vanitas paintings of a kind – selections of mundane or archetypal objects, sounds that have their own distinct qualities, but exist only by virtue of being temporary events. From another angle, one could think of them as shrines – objects assembled and set in a particular relationship to each other, charging each other in their given constellations.” Marja Ahti (b. 1981) is a musician and composer based in Turku, Finland. Originally from Sweden, Ahti has been a part of the Finnish experimental music scene for more than ten years in different constellations. She is currently active in the duo Ahti & Ahti with her partner and as a member of the Himera artist/organizer collective.

LP/Digital available 10/7/21

In Ictu Oculi

TR190 - Patrick Ward - 'Retroflexion'

Air, in both its stillness and its movements, is what compels INVASIVA, the latest release by multidisciplinary artist Dorian Wood.

In early 2022, Dorian set out to investigate the root of her anxiety—and how her breathing is both affected by, and complicit to, her mental state—during an artist's residency at Loghaven in Knoxville, Tennessee. Upon touring the campus, she learned of the Whittle House, an abandoned cabin on the grounds that had not been inhabited for many years, set apart by the other nearby, fully-restored cabins. In encountering this site, Dorian connected with the idea of isolation as a catalyst for disrepair. She came to understand how separation could trigger a fear of losing self-awareness and the inability to escape. 
 
INVASIVA is a document of the artist meandering physically and mentally between two forms of confinement: "mandated" and "self-imposed". Like an abandoned house, the composition is filled with a stillness that seems both uninhabited and anticipatory. Gradual shifts in tone build an atmosphere of meditation, and droning notes are sustained like a deeply held breath. And yet, despite the fear of quiet isolation which permeates the piece, INVASIVA swells with slow respiration, revels in the wind, and echoes with gentle reminders of outside life. 
 
The work is one that emulates a contemplative state which is constant threat—and perseveres.  Comprised of the recorded stillness within the Whittle House, and sounds captured in the office lobby of Dorian's breathing specialist in Los Angeles, INVASIVA is a quiet, ethereal triumph over suffocating loneliness. It is a piece that is filled with inhalation, anticipation, reflection,  exhalation, release—it is filled with air.

Invasiva

Dorian Wood - Invasiva (excerpt)

available via IMPREC.com
release date: 12.9.22

Tony Rolando "Shared System" - tape - available: 12.9.22

Lamina - Hyphe

Along A Wall (Digital Bonus)

Jean-Luc Guionnet - Electric Organ & Alto Sax
Will Guthrie - Drums & Microphones
Released on Superpang records, Italy

https://willguthrie.bandcamp.com/album/electric-rag-live

Electric Rag Live Edit

You can find more music here: https://oxygenstatus.wordpress.com/ 

if you like the song check the video: https://www.youtube.com/@OxygenStatus/videos

Pollution

TA: Buchla Series 200, Serge Modular, contact microphone.
No plugins or other DSP. 

Recorded at EMS, Stockholm.

Thanks to Mats Lindström, Gabrielle Karlsén, Daniel Araya, Jan Rohlf, Marcus Gammel, Fernando Sixto and Marion Innocenzi.

Serge & Buchla (excerpt, recorded at EMS Stockholm)

Quitratue

As you can imagine we are under huge pressure at the moment and are working flat out to ensure Cafe OTO survives this. The impact of this situation is extremely acute for small venues like ours and we need all the support we can get to pull through. Please donate what you can, if you can. Thank you. 

Cafe OTO opened in April 2008 with the aim of providing a home for creative new music that exists outside of the mainstream. It comprises one large cafe/performance space open during the day serving food and drink with an evening programme of live music almost seven nights a week. 

OTOROKU is part of OTOProjects - a not-for-profit Community Interest Company (CIC) that has been set up to manage the programme at Café Oto. Any profits from OTOROKU are put back into supporting what we do and will help us to continue programming the best musicians and performers from all over the world.

www.cafeoto.co.uk

TR190 - Patrick Ward - 'Retroflexion'

cafeOTO

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