4:00 is this a sample of screaming dialog from the movie Plain Dirty?

lorn

Plain Dirty

plain dirty

Ethel Cain ~ Dust Bowl (Live)

everything you said was wrong
everything you said was wrong

you don’t see me at all 
you only use me to cuM

you don’t know how to feel

cum machine (demo)

Tammy Faye - Ethel Cain (Cover)

Posted on her Tumblr 10/11/2024.

*hayden anhedonia, angel diaz of vyva melinkolya on vibraphone, and ryan brewer of good night and good morning on guitar*

Music owned by Hayden Anhedönia.

-Lyrics-

I was an angel, though plummeting
I watched it get dark
I'm playing it tough
The worst that could happen
Is happening to me
Another round of shots
For the boys on TV
I was an angel, but they made me leave
With stars in my eyes
Crying as I wheel
As I hit the lake
I prayed it'd be green
It's all that I need
I deserve it, I think
I loved an angel, and it made me weak

Ethel Cain- Punish (Practise Demo)

𝐄𝐭𝐡𝐞𝐥 𝐂𝐚𝐢𝐧 ~ Key Studies/Punish (Demo) (feat. Goodnight & Goodmorning)

A soft clarity settles, the kind that comes when two people understand each other without words. The thoughts are no longer questions, but promises: “We’ll keep this safe. We won’t let go this time.” The past and present blend, creating something new—memories still to be made, together.

we’ll remember together

Strangers (Vyva Melinkolya Demo)

my cover/rendition of Ethel Cain's "Etienne." everything is recorded by myself, apart from two samples. one being the drums, which I sampled from Boogie with Stu, and the isolated vocals of NIN closer. this track is very dear to me, and likely always will be.  

etienne cover

Punish (Demo II)

Piano M 7969 3:32 09-08-2025

Deep Sleep Twenty Three

Drift, aka Alessandro Ferrario, defines his style as “Slow-motion electroacoustic sound paintings”, this definition comes from the tempo he uses, 40 BPM with 4/4 time signature, the main instrument he uses, an upright piano, and the layers crafted using the instruments you can find in orchestra, cello, viola, violin and double bass most of the times. He then elaborates all the patterns, adding modern era VSTs to create layers, like a painter does with paint.

In “Fragments of a Distant Now”, the artist explored time and memories, unfolding slow rhythms and digital manipulation to create textured atmospheres, which, like memories, can convey either relaxation or tension. Using delays, echoes, reverbs, and distortions, he crafts a sense of glitch in sound that mirrors the imperfections of fading memories.

Produced, mixed and mastered by Alessandro Ferrario (Drift)
Cover artwork by Alessandro Ferrario
Cover design by Dionis Afonichev (Dionisaf)

plain dirty

delilah 🐍

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