Name: Comparison - Monosynth Version by Cain Doherty
Duration: 1 min 40 s
Description: All sounds (except drums) come from a Crave analog synth.

Mira tú qué telemático pero no no no me pone a mí.
Mira tú qué problemático pero no no no me pone a mí.
Mira tú qué acrobático pero no no no me pone a mí.
						
¿Quién sí tiene algo para decir?
¿Quién no? Mueve el dedo deslizador.

Mira tú qué automático pero no no no me pone a mí.
Mira tú qué tecnocrático pero no no no me pone a mí.
Mira tú qué carismático pero no no no me pone a mí.

¿Quién sí tiene algo para lucir?
¿Quién no? Mueve el dedo deslizador.

Mira tú qué cinemático pero no no no me pone a mí.
Mira tú qué diplomático pero no no no me pone a mí.
Mira tú qué sicopático pero no no no me pone a mí.

¿Quién sí tiene algo para sufrir?
¿Quién no? Mueve el dedo deslizador.

Voz: Maranta
Música y letra: Derzu

Telemático

All sounds (except drums) come from a Crave analog synth.

Comparison - Monosynth Version

twister by painzilla
bloody tears from castlevania

This is an original fantrack for mij from twister exile/TT styled after megalovania

Mij's Rage

Lyrics

Hello, where's my kiss at
Hold up, it's been a day, where have you been
Chilling with some friends on the west end
She said I saw you in a story with that one chick
You know the one that you got drunk with
When we started dating you were being reckless
Look babe, it's not what you think
She pulls away and pours another drink, yeah yeah

Gotta find my way to you
Even though you are next to me
No matter what I do
Your heart is drifting out of reach
Head underwater, I'm swimming harder 
Trying to keep this alive
Gotta find my way to you,
Now that our love has capsized

--Chorus
And it's hard to get over
such a beautiful lie
when I still want you closer, hmhmmm
I am longing for closure
And I'm wondering why?
No, no matter what I do, 
I keep on falling for you
--End Chorus

I never saw it coming
I couldn't read the signs
I don't know why I let you in,
This time I must be blind,
I guess I couldn't trust you,
cause all you did was lie,
Oh no I have to get you off my mind 
Cause of you
I'm wired up
I don't want you
It's time for you to go
Oh, you
I had enough
I don't want you,
It's time for you to go

Now that our love has capsized
--Chorus
And it's hard to get over
such a beautiful lie
when I still want you closer, hmhmmm
I am longing for closure
And I'm wondering why?
No, no matter what I do, 
I keep on falling for you
--End Chorus

Capsized

Look forward to the tough parts of your life, even if they're hard. They can help you learn and grow. Don't be afraid, try to enjoy spicy challenges - yummy ;)

yummy

LYRICS:

Not long ago
The ice and snow
lay in sheets on the ground
But it's too late now
The seeds of doubt
have taken root all around

The air's a little bit colder today
The day's a little bit longer they say
We'll grow a little bit older this way

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

You gotta know how know how to hold it
Know how to hold it in

I'll never run from the fading sun
So move your tired lungs
in inflated tones
and sing for me
When all we've done
is the sum of exactly 1
I'd never number the days
in the month of February

The Sum of Exactly 1

Patch us up with a band aid. 

Prod. Hersuasion 
Mix/master by Max Gowan

band aid

6 melodica tracks
1 chalumeau track
1 acoustic bass track
2 djembe tracks
1 fist-against-the-bass percussion track
1 kalimba track
1 spinning-deodorant-bottlecap percussion track

Original from The Legend Of Zelda: Ocarina Of Time

With enough reverb, patience, lung volume and overlays, you can make a pipe organ out of a melodica!

This is my humble attempt at recreating this magnificent video game theme from the legend himself, Koji Kondo. The masterpiece it's from was released on Nintendo 64, meaning the original track is heavily synthesized, which does not allow it to tap its full potential. I wish an official re-recording happened someday.

Covering What Should Be Shared

Spirit Temple [Koji Kondo acoustic cover]

Percussive textures with two synchronized Black VCO SINE signals, each processed with its own filter
and effect and strongly modulated by Black CV Tools, whose modulation sources are the Black
Modulator and Black EG signals. The pitch and the duration of the modulations are controlled and
modulated by the Joystick in RND mode by modulating the Black VCO Pitch with the x signal and by
modulating the frequency of the Black Modulator with the Y signal. The frequency of the Black VCF is
modulated by the Sample&Hold signal and the resonance is modulated by the Black VCO Pulse signal.

Black System III Burum

2 6-string guitar tracks
1 12-string guitar track
1 bass guitar track
1 chalumeau track
1 melodica track
4 hand clap tracks
6 vocal tracks

Originals from King Gizzard & The Lizard Wizard's album, Flight b741.

I had A LOT of fun recording the vocal tracks for this thing. The idea was to stick to 6 tracks, to pay homage to the amazing cohesion of this band's six members. I wanted to make it sound like 6 guys having fun playing music in a room. No reverb was added to this whatsoever. You could put 6 clones of me in a room and they would sound exactly like this.

Mirage City / Le Risque [King Gizzard & The Lizard Wizard cover]

I Can't Wait To Come Down

Australian in the Netherlands.
Alternative in style blending jangly guitars, mwah bass and spacey synth.
Actively writing and recording a series of solo EPs (latest #7 2024).

Comparison - Monosynth Version

Cain Doherty

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