I'm So Fucking Angry At You

MATHS ROCKS. 1hour challenge. What maths rock by someone who doesn't know what that is sounds like.

48 Minutes challenge: Minimal Gabba.
Personal verdict: Failed attempt.

48 minute challenge - Minimal Gabber

18 minutes of pure indulgent creation. Made possible thanks to electricity.

Cain Craven - 18 Minute Challenge - Power Electronics by someone who doesn't know what that is.

So I pushed and pushed for a while, and after 30 Minutes this pooped this out.

30 Minute challenge - dnb

Everything is shit. An elaborate sociopolitical experiment by Cain Craven, into the social manipulations by Fakebook and other large evil corporations.

And why does a corporation have MORE rights than an actual human under current copyright laws and other areas of IP?

Everything is shit.

Uses some samples of Menthol Slim, Serial Killer from Soundcloud - https://soundcloud.com/mentholslim

PLEASE LIKE MY PAGE HERE TO HELP THE EXPERIMENT: 
https://www.facebook.com/pages/Cain-Craven/690363441044583 ,AND IF YOU WOULD REALLY LIKE TO HELP, POST THIS AND MY OTHER TRACKS THERE.

(I CANNOT REPLY OR DO THIS MYSELF, I CAN'T GET INTO MY ACCOUNT AT THE MOMENT. MORE DETAILS LATER.)

THANKS FOR YOUR SUPPORT.

Also, some of the lyrics are originally from this page:
http://www.webpronews.com/apparently-facebooks-news-feed-algorithm-isnt-too-hard-to-game-2014-09

Everything Is Ship - An Elaborate sociopolitical experiment

Thanks for all the fun Rotterdam. Also thanks to https://soundcloud.com/nowhk for some of the kicks. Big ups to Free Jazz. Keepin it raw since '64.

Heimlich Manouevre

untitled67856855645968967686 - Reggae is shit

Nontitled Mess - (Intellectual music is shit)

A connoisseur (French traditional (pre-1835) spelling of connaisseur, from Middle-French connoistre, then connaître meaning "to be acquainted with" or "to know somebody/something.") is a person who has a great deal of knowledge about the fine arts, cuisines, or an expert judge in matters of taste. In many areas the term now has an air of pretension, and may be used in a partly ironic sense, but in the art trade connoisseurship remains a crucial skill for the identification and attribution to individual artists of works, where documentary evidence of provenance is lacking. The situation in the wine trade is similar, for example in assessing the potential for ageing in a young wine through wine tasting.

Connoisseurship in Art[edit]
"The ability to tell almost instinctively who painted a picture is defined as connoisseurship".[1] Connoisseurs evaluate works of art on the basis of their experience of the style and technique of artists. Judgment informed by intuition is essential, but it must be grounded in a thorough understanding of the work itself. On the basis of empirical evidence, refinement of perception about technique and form, and a disciplined method of analysis, the responsibility of the connoisseur is to attribute authorship, validate authenticity and appraise quality. These findings are crucial for the valuation of works, and can be collected and organized into a catalogue raisonné of the work of a single artist or a school.

In his Meaning in the Visual Arts (1955), Erwin Panofsky explains the difference between a connoisseur and an art historian: "The connoisseur might be defined as a laconic art historian, and the art historian as a loquacious connoisseur."

The English dealer and art historian, Philip Mould says, "it is about noticing things which have specific characteristics of the artists involved, as opposed to general characteristics of the era".[2] He points out the importance of condition and understanding what the artist originally painted (as opposed to how the painting now looks).[3] His colleague, Bendor Grosvenor takes the view that connoisseurship is learned by looking at paintings and cannot be taught in the classroom. He believes that it has become unfashionable in the world of art history and as a result, activities such as producing a catalogue raisonné are undervalued by the art history establishment.[1] Svetlana Alpers confirms the art historians reservations that the identification of individual style in works is "essentially assigned to a group of specialists in the field known as conoisseurs".[4] Nonetheless, Christie's Education offers an MA in the History of Art and the Art Market that includes a seminar on connoisseurship.[5] This covers "the critical skills needed to look at art, write about art, research and evaluate works, including handling and viewing art objects and visiting artists’ studios, conservation labs and museums."

Earlier views of connoisseurship[edit]
During the 18th century, the term was often used as a synonym for a still vaguer man of taste or a pretend critic.

The final masterpiece

Makes noises. #NOISE NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE  NOISE 

Cain Craven

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