@facta & @k-lone93 have been on a roll recently. Their Wisdom Teeth label has seen them put out not only excellent music from Tristan Arp, but also Facta's brilliant downtempo album Blush and K-Lone's recent Zissou EP. Both hail from London but are now Bristol-based and they mix up many of the different styles you'd expect from those two musical hotbeds. Everything from 2-step to Baltimore, post-dubstep to deep house gets distilled into their sets and productions, but always with well-swung drums and high-pressure bass. 

The pair kick off the New Year for us with a nimble mix that moves smoothly through glossy house depths, stripped-back broken beats and elastic rhythms. There is always a rich layer of percussion, sweet vocal or elegant melody burrowing deep into your brain while the beats keep your body happy. It's a perfectly persuasive listen that eases you off the sofa and back to the dance floor in no time.

Dekmantel Podcast

Dekmantel Podcast 366 - Facta & K-LONE

Rinse FM Podcast

Wisdom Teeth: K-LONE & Facta - 01 July 2023

Wisdom Teeth with Facta, K-LONE and Cola Ren - 02 September 2023

With their Wisdom Teeth label, British artists Facta and K-LONE are at the vanguard of a sound that mixes New Age-inspired ambient music with loopy tech house and the staggered swing of Bristol techno. Now split between the West Country hotspot and Brighton, the duo have perfected a balance of carefully considered long-players and wicked club EPs, making Wisdom Teeth one of the most essential labels anywhere in the UK right now.

As DJs, their sound leans more towards the clubbier end of Wisdom Teeth—and don't sleep on K-LONE's lovely other labels, Sweet 'n' Tasty (for garage) and Wych (dubstep-ish)—but they've got a slightly softer, slow-and-steady approach than many of their peers from their spiritual home of Bristol. It's clubby, but it's more hypnotic and loopy than loud and banging. The duo jump through a fair amount of sounds—and you'll still get some bass wobbles—touching on tracks from Genius Of Time, Martinez Brothers, Jan Driver, Polygonia and more, bridging not only genres but local scenes and continents. There's a measured and steady touch to the way they DJ, like musicians who know the instruments like the back of their hand, and as always, it's a pure pleasure to hear them put tracks together like only they can.

@facta @k-lone93 @wisdomteeth-uk

Read more at https://ra.co/podcast/908

RA podcast

RA.908 Facta & K-LONE

Juanita's Mix 100 with Ciel @ciel_dj

Q. How would you describe yourself?
A. a music maker with too much sincerity and a passion for sampling, film, and leftist politics

Q. What drew you to the music scene in the beginning and where do you hope to see it in the future?
A. Looking back at my life, I think everything from my birth led me on this path towards music. It was my first love. But as an only child, my experience with music growing up was always very solitary. I yearned to be part of a community radio station with Iikeminded music nerds, and it was working for a radio station eventually during my undergraduate that brought me toward DJing and rave culture. Back then I never thought I could do this full time, but once I got the chance to make a living doing this, I realized the scene was far from perfect, in fact it's very exploitative. I hope in the future we can find a way to fairly compensate music makers for the incredible gift of music they bestow upon the world, without becoming beholden to corrupt corporate & military interests. Artists can be hyper individualistic and self-interested, and I hope we can get better at looking out for each other instead of just our own paycheques.

Q. Tell us a little bit about this mix.
A. I wanted to present a different side of myself to international audiences on such a wonderful mix platform. Perhaps people outside of my home city of Toronto are less familiar with my downtempo sets, but it's been a significant part of my wheelhouse for years, and have gained even wider affection from me since I started doing a downtempo party in Toronto last year. Like I always say, 80-100bpm is the most natural tempo for extended human body movements. I also liked the idea of doing a mix that doesn't build in a predictable way, instead it waxes and wanes like the natural rhythm of life. So many of my favourite mixes build and release tension in a way that's very satisfying to listen to, the sounds intensify to a frenzy before disintegrating into nothingness. I wanted to play with that rise and fall and mix downtempo and dub with double time d&b in a non-linear way that is evocative of our most precious memories and tells stories we've only seen in dreams. Downtempo and dub also seemed like the perfect genres to play in the 100th mix for Juanita's, and in the lead up to my fav April holiday. :) I hope the listeners enjoy it.

Juanita's Mix 100: Ciel

Wisdom Teeth: K-LONE & Facta - 06 April 2024

Join Rhythm Commission for 60 minutes of B﻿roken Beat, Groove & Hip Hop. Expect tunes from JD. Reid, Henry Wu & more.

Rhythm Commission w/ Yahuru - April 2024

Mr Fong Handphone Shop: Mixed by Shelhiel

Drawing from his wider music taste as well as club-rooted sounds, K-LONE journeys freely through hazy R&B, tinkering electronic warmth and ambient house.

crackaud.io x Stan Ray: K-LONE

Jack and Bill go b2b for a disco and boogie special. Expect new unreleased music from Miles Away Records, Planets Records and Melodies International.

Soul Stew - May 2024

Japanese Hip-Hop

Tracklist:
BAD HOP - Hood Gospel
PETZ - Never Stop
VIGORMAN - SOLIPSISM
KIRA - Yoasobi
AYA aka Panda
Elle Teresa
DJ Chari
NENE - Jiai
....
etc...

Hop & Rinse - Jan 2020 - Japanese Hip-Hop

This documents my progress from the time of Samurai Champloo OST to today. Currently playing with DJay and Traktor for iPad. These are the results.

Hop & Rinse - Jan 2020 - Japanese Hip-Hop

Caleb from Tokyo

Recent comments

Elijah Yates Beats

Related tracks