Goodies

Couple Furs For the Cold (Prod. MR. CAR/\\ACK)

Hodgy Beats - Bars (Produced by Mr. Carmack)

i'll be alright (tonight)

PARTYNEXTDOOR ~ Girl From Oakland

2020 (PROD. JNTHN STEIN)

Summers coming!  hope you enjoy this track



duckwrth - time travel (carmack remix)

Free DL! <3

Crush~

www.soundcloud.com/alexanderjlewis
www.soundcloud.com/chasemoore
Chase was childhood homies with Alexander Lewis from Sac.
Me and Chase had this basic beat going and sent it to AL to take it to the next level.
Then after a couple back and forths this was done.
Art by simbayu
FACEBOOK www.facebook.com/simbayu.91
INSTAGRAM @simbayu
BEHANCE: http://behance.net/simbayu

Free DL

Comet (with Alexander Lewis & Chase Moore)

Ojuelegba Remix ft. Drake & Skepta

from 'Nomad Frequencies' [CD|2xLP|DIGITAL]
Denovali Records · den237
available on all formats at [http://denovali.com/johnlemke]

An ardent moulder of sound, John Lemke began carving out a very unique music blend on his debut album 'People Do' (2013) and its follow up EP 'Walizka' (2014). Informed by his work as a sound designer & composer for documentary films and his natural inclination towards fusing rhythm with rich textures and emotive melodies, he set out on a musical path that had been long in the making and is ever evolving.

The quest for unusual, inspiring sound sources has always been at the heart of John's process, however the genesis of his second album 'Nomad Frequencies' was rooted in much more inadvertent circumstances. In the summer of 2014, forced to indefinitely evacuate his Glasgow flat and studio due to structural damage from one hour to the next, with nothing more than a laptop and a bag of clothes, John embarked on a six month odyssey of soul searching, couch surfing and spending an extended period of time in his old hometown of Berlin for the first time in years - it was to be an odyssey that would help ferment and distill the ideas of his second album on which work had just begun. 

A year of particular global turmoil and upheaval, combined with John's personal, albeit very minor, 'displacement', caused a lot of questioning, frustration and anger, which somehow found its way onto the new material: a more confrontational, at times aggressive sound, paired on the other hand with a yearning for harmony, balance and space. Other influences came less from the world of music, but rather in visual form, through the densely textural art of Anselm Kiefer and the political, yet poetic musings of film maker Adam Curtis.

Intent on refining his sound toward a more minimal, bolder style, John set out to limit his sonic palate to a handful of carefully chosen elements. At the centre of this new direction remains the muted piano already introduced on his debut, but in a much more purified and raw form. This organic base is adorned by the warm fuzzing and wavering of analogue synthesisers, tape echoes, meditative tuning forks, field recordings from John's 'exile' period and percussion based on his rigid approach to sampling, which started developing on 'Walizka'. The guiding principle of his orthodox style of recording and sampling is to only use home-made sounds by utilising his own field recordings, applying contact microphones or hydrophones to objects and instruments, running them through different kinds of speakers and re-recording the sounds to arrive at a 'lived in' quality, often misunderstood as plainly 'lo-fi'. Touches of viola and woodwinds parts (Kim Moore of WOLF and Andrew Baker respectively) provide melody fragments and subtle details throughout the journey.

With John's healthy disregard for genre boundaries, the array of influences on 'Nomad Frequencies' is vast, but never over-powering. From the meditative tuning fork that starts proceedings on 'Of Elsewhere', the dub echoes to the hints of minimalism, free jazz explosions to the Lynchian atmospherics, all elements serve nothing more than the album's narrative journey between friction and harmony, best appreciated in its entirety. A rhythmic backbone collides with rich ambience and melody, often infectious and jarring at the same time, forging a soulful whole which most likely only reveals its true self after multiple spins.

Nomad Frequencies

John Lemke - Vessel

Buy on iTunes

Drama (Ft. Drake)

iTunes: http://smarturl.it/TerraEP
Subscribe to Fool's Gold! smarturl.it/FGTV

Whether reshaping LA's dance scene for a new generation with his Athletixx crew, or delving into uncharted beat territory with solo tracks and remixes, California DJ/producer Falcons is a force to be reckoned with. Terra, his debut Fool's Gold EP, showcases four cuts of imaginative, bass-driven songwriting that highlight Falcons' confidence as a producer and collaborator, all while detonating the party like nothing else. After drippy summer jam "Aquafina" sets a tone with rap upstarts GoldLink and Chaz French, Terra bounces from rolling ragga hybrid "Flame," guest-starring UK heroine Stush to the moody title track (built on Falcons' own chopped and screwed vocals), before closing out strong with post-hyphy bomb "Boss Mackin" featuring San Francisco's A-1. Terra is club music as its most elemental. Dig in…

Follow @oaklandFalcons! 
facebook.com/falconsmusic
instagram.com/falconsbeats
twitter.com/falconsbeats

Follow @adamraps!

#LetsPlayFootball

Falcons - Boss Mackin' feat. A-1

Second single from the mini album, "You're Invited" by Gavin Turek (Prod By: TOKiMONSTA)
Available everywhere August 28th.

Gavin Turek (Prod By TOKiMONSTA) - Surrender

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Jeder Gedanke umsonst gedacht

JNTHN STEIN x Brasstracks - Dreaming At The Function

Live drums and trumpets by Ivan and Conor of Brasstracks

Follow us on Twitter:
twitter.com/JNTHNSTEIN
twitter.com/brass_tracks

Produced at @candidmusicgroup

Graphic by @iamivanjackson

jnthnstein.com
candidmusicgroup.com
beatteamsupreme.com

Free Download

Dreaming At The Function ft. Brasstracks

Shout out SPZRKT & Sango.
DL. Play this at your Functions: 
https://www.mediafire.com/?27b1wk1dgwh9537

How Do You Love Me (Chris McClenney Remix)

Video: https://www.youtube.com/watch?v=fyv5CBCnx6Q

iTunes: http://po.st/LoveForThatSO
Spotify: http://po.st/LoveForThatSpotify

@Shura

realeased via @anchorpointrecords

First single off the debut album. 

Video soon. 

Love For That

✿ download here ✿

LUCA LUSH - HOTLINE BLING

Download

K Camp - Lil Bit (GTA Remix)

• Follow me here -
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Goodies

idontdougly