Magical music box sounds for babies to soothe and sleep

Magical Music Box Sounds For Babies To Soothe And Sleep

A cheerful song reminding us that joy comes in the morning. Though His anger and chastisement are present, know that it will soon pass once it has served His purpose and been alleviated. Then, Joy Comes In The Morning.


Joy Comes In The Morning

Hiroshi Yoshimura - Something Blue.

Terry Riley - Rainbow In Cologne2

From Idle Worship Cassette and Digital out April 28 2017 on Sounds of the Dawn

Idle Worship

Purchase

Alex Crispin - Idle Worship (Cassette and Digital Out 4/28/17)

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura's music remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura's debut Music for Nine Postcards for the first time outside Japan in collaboration with Hiroshi's widow Yoko Yoshimura, with more fully licensed reissues of Hiroshi's work to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura's artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Postcards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Postcards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building's architecture. This was not mere background music in the prior Japanese “BGM” sense of the word, but “environmental” music, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70's Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space, a new way of listening: sound not as an absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie's furniture music, R. Murray Schafer's concept of the soundscape and Eno’s ambience all greatly informed their work,  but the specific form of tranquil stasis presented on releases like Nine Postcards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of it's construction. This record offers the perfect introduction to Hiroshi's unique and beautiful worldview: it's one that can be listened to - and lived in - endlessly.

Music for Nine Post Cards

Hiroshi Yoshimura (吉村弘) - "Water Copy" from Music for Nine Post Cards (EOS01) OUT 11/17/2017

First track from the new Jon Hassell album 'Listening To Pictures (Pentimento Volume One)' - Out now:
http://smarturl.it/listeningtopictures

pen·ti·men·to / noun
Reappearance in a painting of earlier images, forms, or strokes that have been changed and painted over.

Forty years since its creation, Jon Hassell's Fourth World aesthetic remains a powerful influence on modern electronic music. Continuing his lifelong exploration of the possibilities of recombination and musical gene-splicing, fragments of performance are sampled, looped, overdubbed and re-arranged into beguiling unexpected shapes. Hassell applies the painterly technique of ‘pentimento’ to the arrangements, teasing out texture by the overlaying of sound upon sound, or a carefully timed reveal of the delicate bones pinning the frame of a track together.

The release of this new album also sees the launch of Jon’s own label, Ndeya (pronounced “in-day-ya”), which will be a home for new work as well as well as selected archival releases, including re-presses of classic sides and some astonishing unreleased music.

FURTHER READING ON JON HASSELL:

Fourth World in the 21st century: https://www.residentadvisor.net/features/2984
Brian Eno on Jon Hassell: https://www.theguardian.com/music/2007/nov/09/jazz.urban
https://www.jonhassell.com/

Jon Hassell - Dreaming

Available on our online shop:
https://invisiblecityeditions.com/products/jeff-majors-yoka-boka-for-us-all-ice-015

Also available on Bandcamp:
https://invisible-city-editions.bandcamp.com/album/yoka-boka-for-us-all-ice-015

Invisible City Editions reissues a highly sought after and impossibly rare 1986 private-press spiritual jazz LP from Washington D.C. harpist Jeff Majors. Majors was a devoted personal student of Alice Coltrane’s for three years as a teenager, taking harp and spiritual instruction at her home in the Bay Area just before she established her renowned ashram in Huntington, California. Following his tutelage with Coltrane, he returned to the East Coast, joining Sun Ra acolyte Brother Ah's ensemble The Sounds Of Awareness, playing on their classic spiritual jazz LP Key To Nowhere.

Inspired by a trip to West Africa’s Gambia, For Us All (Yoka Boka) and its title track finds Majors coming fully into his own as an artist, fusing the lofty sensibilities he absorbed from the cosmic jazz masters Coltrane and Brother Ah with an accessible sonic palette drawn from the synth-driven electronic sounds of 1980’s soul music, as well as traditional African instruments. Each song on this album is an inspired vision of the personal and the devotional via the harp’s universal glistening tones, shimmering synths, LinnDrum machine and African percussion. The album opener “Yasmeen” is a pulsing, arpeggiated journey that is genre-defying and absolutely transcendent in its glissando-driven momentum, setting the stage for the album’s unique nexus of sounds, all led by the refined virtuosity of Majors’ harp playing. The rest of the album’s originals and covers (check the sublime arrangement of the Gershwins’ “Summertime”) are equally as unique and compelling.

©℗ Invisible City Editions
ICE 015

Shipping and in shops late 2018
For wholesale orders contact: info@invisiblecityeditions.com or Rush Hour

For Us All (Yoka Boka)

Jeff Majors - Yasmeen (ICE 015)

Lino Capra Vaccina - 06 - Antico Adagio

"Laura" by David Raskin, performed by Erroll Garner in 1954 who is accompanied tonight by me.

http://www.youtube.com/watch?v=ark6RNlnjns&feature=related

Accompanying Erroll on Youtube

Hiroshi Yoshimura

Doubtful G Reproduction™️
.
ex 𝓒alming 𝓦aves

Hiroshi Yoshimura - Something Blue.

𝓜asha 𝓑atsii

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