Name: HIT ME TWICE by Leaders of the Dance Floor
Duration: 3 min 26 s
Description: A soundscape that embraces the nuances of classic disco with a throwback to Chic and a nod to Blondie yet transcending to modern pop space that tells the story of self awareness and never giving up.

cool cluttered production really interesting

PLEASE DON'T MAKE JESUS CRY slight return

Other Plateforms

Parenthèse II

A soundscape that embraces the nuances of classic disco with a throwback to Chic and a nod to Blondie yet transcending to modern pop space that tells the story of self awareness and never giving up.

HIT ME TWICE

CRUEL

Are you wasting your time?
Are you towing the line?
In a small town way.
Are you wasting your time?
Are you plodding along?
As the night time falls.
Are you wasting you're time?
On a well-meaning rhyme.
That no one hears.
Do you ever regret the mistakes that you made when you're young?

You're just wasting my time.
As you're looking around.
For something to do.
You're just wasting my time.
As the hours tick by.
The clock won't stall.
You're just wasting the time.
As the days turn to years.
The bells all toll.
You're just wasting my time.
As a lifetime floats off on the breeze.

You have fun telling me.
That I'm wrong.
Oh, you're over familiar.
You seem to be enjoying; I'm wrong.
Are our views so dissimilar?
All the waste of youth on the young.
Oh, they waste the youth, on the young.

Did you ever take time.
To look back on it all.
And just want to go.
Did you ever consider that.
Most of the time.
It was nothing at all.
Do you ever look back.
And regret the attack.
Or the times you stalled.
Do you ever regret the mistakes that you made when you're young?

Did you always fall down.
On the hard bitter ground.
As the evenings fell.
Did you always give in.
At the slightest of things.
At the fierce well.
Did you run off and hide.
At the tenement snide.
As the background blurred.
Do you ever regret the mistakes that you made when you're young.

Speak so confidently.
But you're wrong.
Somehow, over familiar.
Shouldn't have to remind me i'm wrong.
You leave nothing to simmer.
All the waste of youth on the young.
Oh, they waste the youth, on the young.
You state confidently. 
That I'm wrong.
Oh, you're over familiar.
You seem to be enjoying; I'm wrong.
Are our views so dissimilar?

You have fun telling me.
That I'm wrong.
Oh, you're over familiar.
You seem to be enjoying; I'm wrong.
Are our views so dissimilar?
All the waste of youth on the young.
Oh, they waste the youth, on the young.
Speak so confidently.
But you're wrong.
Somehow, over familiar.
Shouldn't have to remind you i'm wrong.
You leave nothing to simmer.

Wasted Youth

TIME TO GET BUSINESS STRAIGHT
Original song by Nicole Willis & The Soul Investigators
Rock'n roll reinterpretation by Overdrive

Syncopated vocals have become something of a rarity these days. Most singers prefer to create melodic lines that fit perfectly into the tempo of the song -- because it's much simpler, the vocals can be created in one go, on the same day, without too much effort. But every now and then a talented singer comes along who decides to break the tempo of their vocals in an absolutely original way. 

This is the case of soul singer Nicole Willis in the song "Time To Get Business Straight". 

The first time I heard this song, I was absolutely fascinated by the broken rhythm of her vocals. And the way the second part of the song repeated the first part made it clear that those vocals were far from improvised -- on the contrary, each intricate part was designed to be there, as if it were a mathematical structure.

Check out the original version:

https://youtu.be/5fYKRt6ZtJk

I extracted the vocals using Ultimate Vocal Remover and realized that the melodic line fit very well into rock songs. In fact, they were even the provisional vocals for the song "Rocket", before the amazing singer Sumi took over the microphone and did a brilliant job. But the idea of using Nicole's vocals remained and after the good response to the cyberpunk reinterpretation of "I'm Bored", I thought it would be interesting to attempt a rock'n roll reinterpretation of "Time to Get Business Straight".
 
Of course, I tried to get in touch with Nicole Willis during the process of creating the song and after the track was posted on Soundcloud. She currently lives in Finland and is still active as a singer in her sixties. Here's one of her most recent performances:

https://youtu.be/Q9AAF-QRQ5o

Her social networks, on the other hand, seem to be rarely accessed and I've had no success in contacting her. Damn, it would have been an unforgettable collab, I'm sure of it. 😄

Hope you enjoy my rock'n roll version of this soul music classic.

Time To Get Business Straight

The Icelandic winters are long and dark, sinister shadows lurk and after months your mind messes with you. The new track from Icelandic post-rock band Laxá A Friend Of Darkness captures the mood. 

Equal parts harsh and melodic at 8 minutes long the pieces captures the almost interminable harshness at the same time being a post rock instrumental that fills the blackness.

Laxá & Heima Kvartett are:
Jussi Siglarson - Guitar
Bjarne Guðjohnsen - Bass
Matthias Helguson - Drums
Mike Taylor - Keyboards
Lisbeth Heima - Violin
Sif Árnadóttir - Violin
Natasha Guðmundsdóttir - Viola
Ída Sigurðardóttir - Cello

A Friend Of Darkness by Icelandic post-rock band Laxá

Thanks to my Big Bro Robert Grigg for rocking this tune

Wherever We Go -  Robert Grigg & Combstead

All For The Better

Homeless Man

A Big Rock for a music video with a lot of punch.
In this production I played all the instruments.

ROARING OUT LOUD

Introducing Leaders of the Dance Floor a band that effortlessly weaves alternative pop into the fabric of today's diverse music scene. With a distinctive sound characterized by textured guitars, lush melodies, and on-point vocal arrangements, Leaders stands at the forefront of contemporary musical innovation.

Formed 2 years ago the band consist of King. Drawing inspiration from a myriad of influences, they have masterfully crafted a unique sonic landscape that captures the essence of alternative pop while seamlessly integrating it into the modern musical zeitgeist.

At the core of Leader's signature sound are their textured guitars, which serve as both the backbone and the soul of their music. The band's guitarists skillfully blend intricate riffs with atmospheric tones, creating a captivating auditory experience that transcends traditional genre boundaries. This sonic tapestry is further enriched by lush arrangements that add depth and complexity to each composition.

Front and center, the vocals of Leaders of the Dance Floor soars with precision and emotion, delivering lyrics that resonate with authenticity. The band's vocal arrangements are a testament to their dedication to storytelling, as they navigate themes of love, introspection, and the human experience with a poetic finesse.

As trailblazers in the alternative pop scene, LOTDF has garnered a dedicated fanbase for their ability to balance innovation with accessibility. Their music is not just a blend of genres but a journey that invites listeners to explore new realms of sonic expression.

Wheather, Leaders of the Dance Floor, performing live on stage or crafting studio masterpieces,  remains committed to pushing the boundaries of what is possible in music. With each release, they continue to evolve and redefine their sound, leaving an indelible mark on the ever-changing landscape of contemporary music.

In a world where musical boundaries are constantly shifting, Leaders of the Dance Floor stands as a beacon of creativity, seamlessly blending alternative pop elements into the rich tapestry of today's musical mosaic. Get ready to embark on a musical journey like no other – Leaders of the Dance Floor is here to reshape your sonic experience.

HIT ME TWICE

Leaders of the Dance Floor

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