Full track of Bruadar Abhainn(best suited to headphones). The piece was created as part of a larger performance work of the same name (Cameron Anderton and Felix Urbina, 2022).

(CREDITS: Gaelic Psalm Singers of the Isle of Lewis, Bannal(waulking songs), and Donald MacPherson (bagpipes)

BRUADAR ABHAINN (FULL HEADPHONE TRACK)

Performed and developed/collaboratively composed by: 
Ana Luisa Díaz de Cossío, violin 
Sara Di Costanzo, bass flute

Reykjavík, 2022

[dialogues]

An experimental exploration of sound through improvisation of extreme extended technique.

S27#7 - Síðumúli

Òran do Lochan Uaine, pre-edit version. 

Performed by the Caput Ensemble, with Elísabet Waage as soloist on detuned concert harp, at Harpa concert hall, Reykjavík, May 2023.
Conducted by Guðni Franzson.

Òran do Lochan Uaine (PRE-EDIT)

Òran do Lochain Uaine performed by the Caput ensemble in Norðurljós, Harpa, as part of the Dark Music Days festival in Reykjavík, 2024. Conducted by Rolf Gupta. 

Harp solo: Elísabet Waage
Bass flute: Sólveig Magnúsdóttir
Vibraphone: Steef van Oosterhout
Strings: Zbigniew Dubik (vln), Þórunn Ósk Marinósdóttir (vla), Sigurður Bjarki Gunnarsson (vc), Hávarður Tryggvason (cb)

Òran Do Lochan Uaine (at Dark Music Days, 2024)

Live session given at Port 9, Reykjavík, as part of the venues independent queer festival during Hinsegindagar (Reykjavík Pride week). 
Cameron Anderton, bassoon & electronics
Asalaus (Ása Önnu Ólafsdóttir), guitar & electronics

Headphones strongly recommended

Live Session, Port 9

Composer, Artist, Bassoonist.
Free improvisation, instrumental composition, electroacoustic and field-recording-based sound art, installation, and performance.

Cameron Anderton

Popular tracks