Cameron Rooks  U are incredibly talented and strong. -𝐢𝐧𝐬𝐜𝐥𝐢𝐟𝐞

'America' Go Fight!  
Denounce Roe v. Wade Reversal and The Supreme Court!

A girl can be who she wants to be
Without a word from you
We don’t give damn if you a translation

Me too Joan Jett Gaga Ra Ra
prochoice girlboy boygirl Gaga

We're Kicking ass and full of inspiration
We don't need the world to set a limitation
We’re breaking glass ceilings and having fun
cause and Women don’t need to please any one
and We don’t give a damn or need your validation

Me too Joan Jett Gaga Ra Ra
prochoice girlboy boygirl Gaga

Me too Joan Jett Gaga Ra Ra
prochoice girlboy boygirl Gaga

World Super Moms are pure inspiration
We don't need the world to set a limitation
We don’t care if you think we’re strange
Women and girls wont change
and We don't really care or need your validation

America - Go Fight

Rainbow Color

Rainbow Color by xjoefaitx

Excited to share one of my unreleased (Until Now) tracks with you all.

This is a groovy rework of Alphone Mouzon's "I'm Glad That You're Here" track from 1981. It combines some elements and inspiration from the Doug Willis Percussive Introduction Mix with a twisted rendition that encompasses the classic disco with some trippy tech house vibes. Had a lot of fun putting this one together.

I hope you enjoy!

I'm So Glad You're Here [Sou1ace Rework]

I'm So Glad You're Here [Sou1ace Rework] (feat. Doug Willis)

Soulful Gospel with an RnB twist! It's a testimony!

Used To Be Me

Stream

Use To Be Me

Focus (feat. Gib)

Booty X2

Block Hott

KingPin

Hustle Hard

New Ferrari

Woah!

At just twenty years old, Cameron Rooks already has gained 4-5 years of composing and producing experience on top of mastering the saxophone and teaching himself piano and acoustic guitar. Recently, I sat down with the producer and composer to talk about his new music.   

Sech: What inspired you to start composing music?

Cameron: I was first inspired to start composing music back in highschool. I felt like music was a great outlet and a positive way to express my creativity.

Sech: Who would you say influenced your musical perspective? Any artist or bands in particular that lead you into a specific genre or style/direction?

Cameron: My musical perspective has been influenced by people such as Michael Jackson, OUTKAST, Swizz beats, Dr. Dre, paramore, Aerosmith, and many more. I can’t find myself focusing on just one specific genre because I want my music to reach the ears of many and I want everyone to be able to relate.

Sech: How many years have you been composing?

Cameron: I have been composing music for about 4 to 5 years. One of my fathers co-workers installed a music production software called, “Fruity Loops” on my laptop and I have been hooked on music composing and production ever since.

Sech: What would you say is the difference between composing and producing?

Cameron: Composing is the way one creates an art or foundation which usually consists of drums, bass, and instruments. Producing usually consist of finalizing steps such as mixing, vocals, and reverb to become closer to distribution of your work.

Sech: Who, if anyone, would you like to collaborate with?

Cameron: I would collab with a number of people whether they are artists, DJs, or producers. Just as long as they are serious about their product and their work.

Sech: Are you currently producing any other artists besides yourself?

Cameron: Yes I am always willing to work with artist and DJs who have the same passion for music as I do and want to distribute music that the world would love.

Sech: What genre do you want to focus on? Out of producing or composing,which would you prefer to do as a career?

Cameron: I can’t really say that I have a certain genre I am interested in for a career because in some sessions I may feel like creating a r&b hit while other sessions I might feel like composing a club, rock, techno, drum and bass hit, or sometimes even a game soundtrack or movie score. It all depends on how I feel.

Sech: You said your music varies on the way you feel,would you say life experiences also affect what you compose?Have any pieces directly inspired another piece?
 
Cameron: Yes life experiences can most definitely alter your work performance; for example if you go through a hardship in your life such as a break up with a significant other or experience the loss of a love one then you will be more likely to create Moody music. That’s why it is best to leave all of your problems at the door when creating music, because you want music people can dance to and be joyful whenever they hear your music no matter what state they may be in.

Sech: How do you go about approaching the hindering, daunting writer’s block that many musicians face?
 
Cameron: Whenever writers block does occur I just take a break because you can always come back later and work. During the break I make sure I relax, listen to some other music, grab a bite to eat, or drink.

Sech: Where do you see yourself as an artist/producer in five years? Ten years? 
 
Cameron: Probably on stage performing, having tour dates, or even on stage receiving an award in front of millions for my hard work.

Sech: You started recording and composing at what some would say is a young age–around the age of 14 or 15–when many teens were just trying to keep up in school or adjust to new responsibilities while struggling with their own identities. You must have a huge variety of songs under your belt! Over the past 4-5 years or so, have you been able to tell a difference in your growth as a musician? Have you broadened your scope in what you write or have you narrowed down what direction you’d like your music to go into? 
 
Cameron: I never try to narrow or limit myself , some say the sky is the limit but I want to go beyond the sky and broaden my musical skills. No matter how many mix downs I do of a song I always feel like it could be bigger, better, and use something else.  Although at the same time I can tell there has been a drastic change in my music since I first started out as a novice. For instance, I tweak all of my instruments using Pro Tools so I can receive a unique sound that no one has heard before. And because of this, I have basically a vault full of beats that I am just waiting to mix and match with the right artists.

Sech: What do you feel sets you apart from other artists and producers?
 
Cameron: What sets me apart is that I am always evolving and inventing new sounds so that I won’t just fall in place with other competing artists and producers. Even if I do use a sample for a song I try to tweak it and put my own twist on it; for instance you will probably never hear me make a beat like Kanye’s and Jay Z’s, “Uncle Ottis” and “Paris”. I couldn’t picture myself just dragging out a couple of plain voice samples as a complete beat. The listeners deserve more than that.

Sech: What song of yours was the most challenging to compose thus far? Any favorites or stand out songs that had/have a huge significance on your life?
 
Cameron: There have been a couple; for example, I am working on a song called “Here We Go” that would fit the classic Justin Timberlake and Lil Wayne [feel] but I am still tweaking the sounds for perfection.

Sech: Are you currently writing anything? 
 
Cameron: Yes I always have several projects I work on at one time so if I get stuck on one song I can always come back to it later.

Sech: Any words (or advice) for your fans?
 
Cameron: If you find something you are good at–that is legal–continue doing it and don’t let anybody stop you. Don’t let a hater ever keep you down like the lead in bullets, just do it.

Check out more on Cameron Rooks and his music: http://www.reverbnation.com/cameronrooks , http://www.beats4tracks.com/CameronRooks// , follow him @cameronrooks

Booty X2

Cameron Rooks

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