This poignant, contemplative arrangement of the Ukrainian National Anthem was written for Flute, Oboe, Clarinet in B Flat, Horn in F, and Bassoon.  Sheet music download = 15 pages score plus parts.

Ukrainian National Anthem also known as Shche ne Vmerla Ukrainy i Slava I Voila was composed by Mykhailo Verbytsky (1815-1870).  Moved by recent events with the attack on Ukraine, I created this new re-imagined contemplative music arrangement of Shche ne Vmerla Ukrainy i Slava I Voila for Wind Quintet.  I was so overcome by emotion that I found myself breaking down in tears as I wrote this.  I hope this piece resonates with you. I dedicate this piece to the people of Ukraine.  #standwithukraine

Music Video - https://bit.ly/3KFO8Ot
Link Tree: https://bit.ly/3bIKHHv
SoundCloud: https://bit.ly/3MPV4u7
Sheet Music Plus: https://bit.ly/3CIqXA5
Score Exchange: https://bit.ly/3KKgYxi

Although I have shared my contemplative arrangement of Ukraine’s national anthem Shche ne Vmerla Ukrainy for Woodwind Quintet with my friends on Instagram and Facebook, I decided that I would do an official global release of this poignant, intimate rendition on all musical platforms to keep Ukraine in the forefront of everyone’s minds and hearts.  I have chosen October 14, 2022, as the official release date for this piece.  Pre-save on https://bit.ly/3D4BfNf

Music platforms
Spotify - https://spoti.fi/3EHx371
YouTube - https://bit.ly/3Tfavyk
Apple Music - https://apple.co/3UfOkJQ
Amazon Music - https://amzn.to/3CWmDis
Tidal - https://bit.ly/3CurUfX
Deezer - https://bit.ly/3z2yrh5
iHeart Radio - https://ihr.fm/3EEoFoM
BandCamp - https://bit.ly/3yFF5cV
Songtradr - https://bit.ly/3QuztIm
SoundCloud - https://bit.ly/3CibiYK


(c) 2022 Tito Abeleda

Contact Tito - tito@visionaryquestrecords.com
Visionary Quest Records
https://www.visionaryquestrecords.com

Ukrainian National Anthem (Shce Ne Vmerla Ukrainy) for Wind Quintet

Shce Ne Vmerla Ukrainy for Woodwind Quintet (Ukraine National Anthem)

Pre-save

Analog (feat. $andman) [Tico_1k Remix]

CPPC

Episode 47 of My Imaginary Radio Station Is Here!
Selected and mixed by Jakub Mildner.

Tracklist:
01 - Ronn Matlock - I Can't Forget About You
02 - Sandra Wright - I Come Running Back
03 - Pat Lundi - Party Music
04 - Richard Paradise - Let Me Stay
05 - Allspice Hungry - For Your Love
06 - Luther Vandros - Follow My Love
07 - Archie James - Cavanaugh Stay With Me
08 - Jackie Wilson - Whispers (Gettin' Louder)
09 - The Artistics - Girl I Need You
10 - Gene Chandler-There Goes The Love
11 - Crack Of Dawn - If You Want To Groove
12 - Sammy Acuna - I Never Found A Girl

Mildner Radio Episode 47

Stay With Me

Stretch It Out

Church Of Mabus  Jonathan Hunt  Trick Or Treat Tarot

Eric Adams Declares State of Emergency in NYC Over Migrant Crisis ‘They Are in a Panic’: Ukraine’s Troops Size Up the Enemy Hunter Biden: Twitter explodes over news federal agents have enough to file charges against president's son Signs to watch for if US believes a Russian nuclear attack on Ukraine is imminent Scientists Claim to Have Discovered the "Secret Ingredient for Building Life"

Centralist News Radio News For OCT 7 2022

@ericbjp-insta
mixed by me mastered by @lonespoon

you don't wanna know what's happening [Prod. 13thall]

Sur 2b Up!

HOTEL

At just twenty years old, Cameron Rooks already has gained 4-5 years of composing and producing experience on top of mastering the saxophone and teaching himself piano and acoustic guitar. Recently, I sat down with the producer and composer to talk about his new music.   

Sech: What inspired you to start composing music?

Cameron: I was first inspired to start composing music back in highschool. I felt like music was a great outlet and a positive way to express my creativity.

Sech: Who would you say influenced your musical perspective? Any artist or bands in particular that lead you into a specific genre or style/direction?

Cameron: My musical perspective has been influenced by people such as Michael Jackson, OUTKAST, Swizz beats, Dr. Dre, paramore, Aerosmith, and many more. I can’t find myself focusing on just one specific genre because I want my music to reach the ears of many and I want everyone to be able to relate.

Sech: How many years have you been composing?

Cameron: I have been composing music for about 4 to 5 years. One of my fathers co-workers installed a music production software called, “Fruity Loops” on my laptop and I have been hooked on music composing and production ever since.

Sech: What would you say is the difference between composing and producing?

Cameron: Composing is the way one creates an art or foundation which usually consists of drums, bass, and instruments. Producing usually consist of finalizing steps such as mixing, vocals, and reverb to become closer to distribution of your work.

Sech: Who, if anyone, would you like to collaborate with?

Cameron: I would collab with a number of people whether they are artists, DJs, or producers. Just as long as they are serious about their product and their work.

Sech: Are you currently producing any other artists besides yourself?

Cameron: Yes I am always willing to work with artist and DJs who have the same passion for music as I do and want to distribute music that the world would love.

Sech: What genre do you want to focus on? Out of producing or composing,which would you prefer to do as a career?

Cameron: I can’t really say that I have a certain genre I am interested in for a career because in some sessions I may feel like creating a r&b hit while other sessions I might feel like composing a club, rock, techno, drum and bass hit, or sometimes even a game soundtrack or movie score. It all depends on how I feel.

Sech: You said your music varies on the way you feel,would you say life experiences also affect what you compose?Have any pieces directly inspired another piece?
 
Cameron: Yes life experiences can most definitely alter your work performance; for example if you go through a hardship in your life such as a break up with a significant other or experience the loss of a love one then you will be more likely to create Moody music. That’s why it is best to leave all of your problems at the door when creating music, because you want music people can dance to and be joyful whenever they hear your music no matter what state they may be in.

Sech: How do you go about approaching the hindering, daunting writer’s block that many musicians face?
 
Cameron: Whenever writers block does occur I just take a break because you can always come back later and work. During the break I make sure I relax, listen to some other music, grab a bite to eat, or drink.

Sech: Where do you see yourself as an artist/producer in five years? Ten years? 
 
Cameron: Probably on stage performing, having tour dates, or even on stage receiving an award in front of millions for my hard work.

Sech: You started recording and composing at what some would say is a young age–around the age of 14 or 15–when many teens were just trying to keep up in school or adjust to new responsibilities while struggling with their own identities. You must have a huge variety of songs under your belt! Over the past 4-5 years or so, have you been able to tell a difference in your growth as a musician? Have you broadened your scope in what you write or have you narrowed down what direction you’d like your music to go into? 
 
Cameron: I never try to narrow or limit myself , some say the sky is the limit but I want to go beyond the sky and broaden my musical skills. No matter how many mix downs I do of a song I always feel like it could be bigger, better, and use something else.  Although at the same time I can tell there has been a drastic change in my music since I first started out as a novice. For instance, I tweak all of my instruments using Pro Tools so I can receive a unique sound that no one has heard before. And because of this, I have basically a vault full of beats that I am just waiting to mix and match with the right artists.

Sech: What do you feel sets you apart from other artists and producers?
 
Cameron: What sets me apart is that I am always evolving and inventing new sounds so that I won’t just fall in place with other competing artists and producers. Even if I do use a sample for a song I try to tweak it and put my own twist on it; for instance you will probably never hear me make a beat like Kanye’s and Jay Z’s, “Uncle Ottis” and “Paris”. I couldn’t picture myself just dragging out a couple of plain voice samples as a complete beat. The listeners deserve more than that.

Sech: What song of yours was the most challenging to compose thus far? Any favorites or stand out songs that had/have a huge significance on your life?
 
Cameron: There have been a couple; for example, I am working on a song called “Here We Go” that would fit the classic Justin Timberlake and Lil Wayne [feel] but I am still tweaking the sounds for perfection.

Sech: Are you currently writing anything? 
 
Cameron: Yes I always have several projects I work on at one time so if I get stuck on one song I can always come back to it later.

Sech: Any words (or advice) for your fans?
 
Cameron: If you find something you are good at–that is legal–continue doing it and don’t let anybody stop you. Don’t let a hater ever keep you down like the lead in bullets, just do it.

Check out more on Cameron Rooks and his music: http://www.reverbnation.com/cameronrooks , http://www.beats4tracks.com/CameronRooks// , follow him @cameronrooks

CPPC

Cameron Rooks

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