Without U (Prod. Greaf)

YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE YOU TRIED TO HOLD THE HEART THAT YOU ONCE TORE 

I KNOW YOU'RE TRYING

livestock auctioneers have surprising rhythm

Spotify link: https://open.spotify.com/track/6gdTyrqYY4JXtpK5wt0o0z

artwork by Brendan Tomissi - https://lavasudal.artstation.com/

(at 19:30, on 08/01/19, this piece was played on Resonance FM, hosted by William Hall)

At 1:56, the sounds you hear are cut up from a recording of a terrible performance of one of my pieces. Part of the reason this track exists at all is to try and breathe new life into a bad memory and make it happy again!

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RheXMgb2YgYmVpbmcgc3R1Y2suIEl0IG1vdmVzIGFyb3VuZCBhbGwgb3ZlciB
0aGUgcGxhY2UgYW5kIGlzbid0IHByZWRpY3RhYmxlLCBuZWl0aGVyIG9uZS
B0aGluZyBub3IgdGhlIG90aGVyLCB0aHVzIHRoZSB0aXRsZS4gVGhpcyBzdW
1tZXIsIEkndmUgYmVlbiB0cnlpbmcgdG8gZmluaXNoIHRoaXMgcHJvamVjdC
wgc3BlbmRpbmcgYWdlcyBqdXN0IHN0YXJpbmcgYXQgdGhlIHNjcmVlbiBhb
mQgbGlzdGVuaW5nIHRvIHBhcnRzIG92ZXIgYW5kIG92ZXIgYWdhaW4uIEluIH
RvdGFsLCBJIHJhY2tlZCB1cCBvdmVyIDEwMCBob3VycyB3aGljaCBpcyByaWR
pY3Vsb3VzLg==

buy here!

vacillate

Amphetamine

Loved Ones (Saudades)

New Album Available "Mercury"

http://darrylreeves.bandcamp.com/album/mercury

Hailing from Atlanta, GA, Darryl Reeves is a saxophonist that effortlessly merges the lines between funk, soul & hip-hop, expressed from a platform rooted in jazz. Growing up in a musical family, Reeves attended the Northwestern Performing & Visual Arts Center in Miami. Moved by hip-hop samples originating from jazz, Reeves was led to being influenced by greats such as Charlie Parker and John Coltrane. Reeves studied music at Jackson State University. He subsequently completed his Masters of Music at the University of New Orleans, where he studied with Terence Blanchard and performed on the scene with Delfeayo Marsalis. In 2004, Reeves released the funky and playful Diary of a Bandstand, to ample acclaim. It featured Robert Glasper, Russell Gunn & Quamon Fowler and cemented Reeves' reputation for presenting a new outlook on the sound, style and production of jazz music. Reeves has kept a steady hand in not being limited to any specific genre. Some know him just as well for his production in hip-hop. Reeves caught Ahmir "?uestlove" Thompson's attention with his ingenious jazz-funk remixes of Jay-Z's Black Album, which was spun upon many of the drummer's dj sets. Recently in Atlanta, he has been the music director of many highly acclaimed live sets with Aishah Rashied Hyman's Spreadlove and DJ Kemit. He has performed and recorded with notable artists including Roy Ayers, The O'Jays, Frank McComb, Angie Stone, Kirk Whalum, Jill Scott, Phonte, Toku, Janelle Monae,  Young Jeezy, B.O.B. and T-Pain.


Facebook
http://facebook.com/darrylreevesmusic

Twitter
http://twitter.com/darrylreeves

Official Site
http://www.darrylreeves.com

Darryl Reeves - Mercury - Release Concert - 4.20.12
(Epic Life Music Group)

FREE DOWNLOAD HERE

Donut Man - Dillaquarium Mixtape

Featuring Sean Torres on guitar.
From Debut EP "Scatterbrained" (8/25/20). Available on all streaming platforms. To purchase a physical or digital copy visit: https://melvinbones.bandcamp.com/album/scatterbrained

neYe-eVe records

Amphetamine

Cameron Crowley

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