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BUY Song ON BANDCAMP https://freakyfomobrothers.bandcamp.com/track/hey-blake

L Y R I C S

HEY BLAKE

Hey Blake, where ya going with that hate in your hands?
Hey Blake, Where you going with that fake in your hands?

I’m going go whack my man, cause I need control but he messed around
Going to go jack that boss, gonna run and gun him out of town

Hey Blake, heard you bull’d your man, yeah you bull’d him on down?
Hey Blake, rode the crazy train crushed him in the ground?

"Yes I did I jacked him, see I needed more fame so I bull’d him down"
"Yes I did I smacked him, grabbed that movie script, now he’s basement bound"

One, two, ah one two three four!

TAYLOR SWIFT NARRATION: In our twisted little tale, Barbie and the Minty-Jester stormed the castle,  grabbed the quill of the storyteller, and unleashed a blizzard of phantom charges to claim the crown.  But in doing so,  Queen Khaleesi scorched-smeared her mirror,  and now the winds are howling back.  Karma doesn’t give a damn about gold, glitter, or power —  …oh, and Karma is coming… DRAGONS & ALL!!!

Where you gonna run to, run to now?
Going on way on south, way on south down to gin-bought land
Going snake on south, this ball-busting-mama-is-the-brand!!!!

One, Two, ah One Two Three Four!

BALL-BUSTING-MAMA, BALL-BUSTING-MAMA. BALL-BUSTING-MAMA... yeah!

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“Hey Blake” – A Gender-Flip on a Classic Rock Standard

“Hey Blake” reimagines the legendary narrative of Jimi Hendrix’s Hey Joe through a completely inverted lens — transforming the traditionally male lead into a female protagonist with her own volatile blend of self-absorption, narcissism, and ambition. In Hendrix’s version, the man’s jealousy and betrayal trigger a violent arc. In “Hey Blake,” that energy is recast to explore how ambition, control, and overreach can erupt when power dynamics flip.
By combining a reversed-gender storyline trope with surreal satire, Western-psychedelic flourishes, and a galloping bluegrass backbeat, the track blurs the lines between archetype and absurdity. The characters — from “Blake” to dragons, jesters, and candy castles — live in a fictional universe where arrogance and chaos are universal forces, no matter who holds the crown.
This isn’t just a musical cover — it’s a commentary on the timeless, destructive pull of ego, showing that the role of aggressor is not bound by gender.
________________________________________

Disclaimer: This track is a gender-flipped reinterpretation of a classic rock narrative, created as a work of fiction, parody, and artistic expression. The story, characters, and imagery are fictional or used in a fictitious manner. Any resemblance to actual persons, living or dead, or to real events is coincidental to the satirical and storytelling purpose of the work.
Where the lyrics reference “letters,” “records,” or “filings,” they are artistic interpretations inspired by documents in the public court record, and are not intended as literal or complete representations of those materials. The lyrics and narration reflect the artist’s personal opinions and creative commentary, not statements of fact. This work is intended solely for entertainment and commentary under the protections of the First Amendment and applicable laws governing parody and satire.


The FreakyFomo Brothers are a boundary-bending musical act dedicated to parody and political satire — a sonic carnival where truth meets absurdity. Armed with caricatures, metaphors, and razor-sharp wit, they speak truth to power through songs that make you think, laugh, and maybe squirm a little. Their sound fuses funky, groove-heavy rhythms with bubble-padded, irresistibly catchy hooks, wrapping bold commentary in a candy-coated, danceable package. Every track is a playful jab at the powers that be, disguised as a party you can’t help but join.

Hey Blake

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xaxa

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