Name: Le Style by Capiuz
Duration: 2 min 41 s
Description: https://capiuz.bandcamp.com/album/pleiades

Les Sodomie

https://capiuz.bandcamp.com/album/pleiades

Le Style

Infinito Audio Mixes: Personalbrand x Mente3000 - 09/11/2022

Yesterday, I drank with two friends for the first time in a long time.
It was a very interesting time with them, but I can't remember the proper nouns that came up in that conversation.

221124

https://soundcloud.com/comastasis

https://www.retreatradio.net/sleep-deprived

Tracklist:
Baldurin - Für immer verbuden
Frog Pocket - Fir Faas
nenúhîr - lalaith (feat. werna)
Electric Sewer Age - Chebo
queensnyder - fake skin (prod. exmantera)
Justin Bieber - love yourself (pilgrim remix)
ixabel - Beep X Gran X Shanti Crisis CNS
Age Coin -Raptor
Krimslo & Letres2k - Yttrium
Softmatter - Who Am I 2 U
OXHY — 'Woodland Dance' Live At Ormside (O Fluxo Mastered Version) excerpt
Vilja Vee - Vienna Pneumatic Tube Transport 
Jexxa - Bullets
Comastasis - Photoantithetsis
Bodyguard - Blood Type : 5 Hour Energy
ego mackey - July
Coil - Cold Cell
Vladislav Delay - Isoviha
Patrick Pulsinger, Pamela Kurstin, Hilary Jeffery & Rozemar - Repeat Same Chord In Different Ways 
	x Bebe Rexha & Martin Garrix - In The Name of Love (acapella)
Sinnway - Insect 
Reece Thomas - They Are Wrong Because We Are Breathing 
Am Pictured - Feeling Smallg
Ramirexxx - Crux S (for Christine de Pizan)
PURPURRPURPLE - Physis Techne AW17                
Govana - 1Matik                     
Blastah - Mad World
eric north x misogi x hush x cxrpse x chris vayle - So Sick (cover)
Endless - X4 Version (Inna U Massacooramaan U 703)
CLUBKELLY - MITSUKI (YAMANEKO'S FIRELY 96 MIX)
enchanted lands - The Land Permeated By Spirits

Sleep Deprived #4 w/ Comastasis (30/11/22)

Le troisième épisode de notes for us est consacré à des extraits traduits pour la première fois en français de My dangerous desires - A queer girl dreaming her way home, de Amber Hollibaugh et de la préface écrite par Dorothy Allison.

Avec les voix de : Constance, Sophie, Isis, Uno, Audrey, Amber.

Notes For Us #3 Amber et Dorothy

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Le Style

Capiuz

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