Name: Le Style by Capiuz
Duration: 2 min 41 s
Description: https://capiuz.bandcamp.com/album/pleiades

Authentically Plastic - RAW SPACE

"RAW SPACE" is rooted in chaos and chance, sensuality and intensity - it's an album that's able to sound alarmingly freeform and tightly controlled simultaneously. Already established as a genre-disrupting DJ, and even dubbed "demon of the Nile" by Ugandan politicians after an exuberant performance at Nyege Nyege festival in September 2019, Kampala-based sonic hypnotist Authentically Plastic brings a digger's literacy, an activist's intent, and an artist's playfulness to their jagged debut album.

As both a DJ and a producer, Authentically Plastic is drawn to the idea of chance as a creative tool - to push against the idea of the all-knowing genius, and approach artistry instead as a facilitator, unraveling parallel mismatched rhythmic events. Their musical process is to start with chaos, then attempt to mold those fleshy structures into polyrhythmic mutations, pulling influence from East Africa's innovative musical landscape and augmenting it with an exploratory sense of surrealism.

On opening track 'Aesthetic Terrorism', rough-hewn industrial rhythms chug mechanically against course, dissonant synth blasts and acidic arpeggios. There's a faint sparkle of Detroit's chrome-plated Afro-futurism, but bathed in neon light, reflecting Africa's contemporary electronic revolution. Authentically Plastic's productions have a sense of thematic coherence, but their myriad influences are torched into cinders, leaving inverse impressions and ghost rhythms: the tuned overdriven clatter of 'Anti-Fun' echoes Ugandan kadodi modes, yet simultaneously mirrors the rugged out-zone grit of Container or Speaker Music; standout centerpiece 'Buul Okyelo' meanwhile is as rhythmically cross-eyed as Slikback or Nazar, but juxtaposes kinetic dancefloor thumps with chaotic microtonal ritual cycles.

Writing "RAW SPACE", Authentically Plastic found themselves fascinated by sonic flatness. They realized that in Western art, there's an obsession with depth of field that carries into music, robbing it of intensity. The album is an example of the power that can be reclaimed when you let go of depth, letting sounds rub together carnally and spawn something fresh and unexpected

Spine Jolt

https://capiuz.bandcamp.com/album/pleiades

Le Style

Infinito Audio Mixes: Personalbrand x Mente3000 - 09/11/2022

https://soundcloud.com/comastasis

https://www.retreatradio.net/sleep-deprived

Tracklist:
Baldurin - Für immer verbuden
Frog Pocket - Fir Faas
nenúhîr - lalaith (feat. werna)
Electric Sewer Age - Chebo
queensnyder - fake skin (prod. exmantera)
Justin Bieber - love yourself (pilgrim remix)
ixabel - Beep X Gran X Shanti Crisis CNS
Age Coin -Raptor
Krimslo & Letres2k - Yttrium
Softmatter - Who Am I 2 U
OXHY — 'Woodland Dance' Live At Ormside (O Fluxo Mastered Version) excerpt
Vilja Vee - Vienna Pneumatic Tube Transport 
Jexxa - Bullets
Comastasis - Photoantithetsis
Bodyguard - Blood Type : 5 Hour Energy
ego mackey - July
Coil - Cold Cell
Vladislav Delay - Isoviha
Patrick Pulsinger, Pamela Kurstin, Hilary Jeffery & Rozemar - Repeat Same Chord In Different Ways 
	x Bebe Rexha & Martin Garrix - In The Name of Love (acapella)
Sinnway - Insect 
Reece Thomas - They Are Wrong Because We Are Breathing 
Am Pictured - Feeling Smallg
Ramirexxx - Crux S (for Christine de Pizan)
PURPURRPURPLE - Physis Techne AW17                
Govana - 1Matik                     
Blastah - Mad World
eric north x misogi x hush x cxrpse x chris vayle - So Sick (cover)
Endless - X4 Version (Inna U Massacooramaan U 703)
CLUBKELLY - MITSUKI (YAMANEKO'S FIRELY 96 MIX)
enchanted lands - The Land Permeated By Spirits

Sleep Deprived #4 w/ Comastasis (30/11/22)

Taken from SBKT054: Gorgonn - Six Paths
Release date: 31st January

Artwork and layout by Akihide Monna
Mastered by Raphael Valensi

In Japanese Buddhism, it's believed that when someone dies they are ushered down one of six paths depending on the karma accumulated during their previous lives. A being might end up in the world of humans, animals, demigods, or celestials, but it's also possible to end up reborn as a pitiable hungry ghost, doomed to an existence of insatiable desire, or even worse - be sent to hell, or jigoku. Ruled over by the Japanese lord of death Emma-ō, this hell isn't quite like the Christian hell, it's closer to purgatory, and cleansing the karma can take hundreds of millions of years of excruciating torture in extreme cold or immense fire. Japanese bass alchemist Gorgonn takes these themes as the basis of his debut album "Six Paths", assembling a spiritually weighty set of futurist dubs that consider the possibility that our mortal domain might be closer to hell than we realize.

Gorgonn describes himself as a Japalien exile. He left the country of his birth almost two decades ago, and since then has been working tirelessly to formulate Jamaican dub, noise, techno, and no-wave into a sound he calls "sci-fi steppas". If you've not come across his name before, there's a good chance you've heard his reverberations. An established sound tech who's worked with The Bug, Hype Williams, Seefeel and others, he's part of G36 with Kevin Martin, Dokkebi Q with Kiki Hitomi, and a former member of Devilman with DJ Scotch Egg and Bo Ningen's Taigen Kawabe. Just last year he released the acclaimed "Disentegration Dubs" full-length alongside JK Flesh, the veteran producer who's best known for masterminding Godflesh. All this experience blesses Gorgonn's productions with remarkable sonic force, and "Six Paths" is his most crushing display yet, smelting cannonball bass and osmium beats into sharp-edged soundsystem weapons.

Look no further than opener 'Abyss' for evidence of this: psychedelic synths draw the mind away from the mortal realm, while tangled, distorted beats push us back down to earth, our faces crushed into the grit and gravel. Using tweaked sub bass and unsettling drones, Gorgonn lays out a cinematic backdrop for the album, drawing us into a world that's terrifying, viscous, and nauseatingly familiar. There's a militaristic roll to 'Without Beginning and End', a track that juxtaposes spacey halfstep thrusts with death metal distortion, footwork polyrhythms, and unearthly pads that addresses the crushing endlessness of jigoku. On 'Invisible' meanwhile, Gorgonn torches the skeletal remains of D&B, abstracting familiar rhythmic patterns into fuzzy, ritualistic cycles that sound both ancient and humming with prospective technology. But on the closing track 'Life as a Beast', it sounds as if Gorgonn has come to a conclusion, and in a flurry of acid squelches and doomy foghorn bass blasts, he seems to have accepted that being reincarnated as an animal might be the best anyone can hope for. Who knows, you might end up as a cat.

Six Paths

Gorgonn - When Can I Come Back?

bonebrokk is the personal project of sound artist Marios Naris, born in Larisa, Greece, and culturally raised in a dimension somewhere in between 00's Internet Music Blogs and Athens' underground music scenes. With his own formidable sound, aptly named 'ExoPunk' he creates and plays forward facing dancefloor music. Fast mixing, a variety in tempos and a selection of worldwide adventurous sounds, all characterize his live sets with an extreme focus on keeping the fun factor the number one priority.

mix @bonebrokk
artwork @ancestralvision

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@biancaoblivion x @eliza-legzdina - EZ 4 Me [@futurebounce]
@freddymn - XP44
@fraxinus - Disruptor [Powerplant]
@daramadj - Dracaena [@moretimerecords]
@the-subliminal-kid - All In Your Hands (FT Version) [Peder Mannerfelt Produktion]
@amadeomnk & @oxossibeats - Senta Senta (@cesrv Remix) [@worstbehaviorrecs]
Sliback x @brodinskiofficial - Clutch
@ziyiz - Sprung Skeleton [@kindergartenrecords]
@bedoublensound- Photon [POSTWORLD]

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UNIZONE: BONEBROKK [s04e10] 𝖘𝖊𝖆𝖘𝖔𝖓 𝖋𝖎𝖓𝖆𝖑𝖊

［PREMIERE］
Sabiwa 'Dumpling Machine . XP feat. Nathan L.'
Apr. 20 (Thur.) 22:00 GMT+8

Taiwanese-born experimental electronic producer and performer Sabiwa has teamed up with Taipei-based label Over My Body for the release of her latest EP, ‘Dumpling Machine. XP ’. 

Based in the music hub of Berlin, Sabiwa's journey began with the cello at the age of 12, but it wasn't long before she developed a deep fascination with electronic music, sound design, and field recording.

Today, Sabiwa is known for her ability to create complex textures and abstract patterns by dissecting and blending natural and synthetic sounds with unpredictable results. Her live performances are a true audio-visual experience, with Sabiwa curating live visuals that complement her processed vocals and immersive soundscapes.

Beyond the stage, Sabiwa has lent her unique sound to art performances, documentaries, and a wide range of collaborations with other artists and musicians. Her rise in the electronic music industry has been felt globally, with her presence reaching far beyond her current bases in Berlin, Taipei, and Torino.

In the premiered single 'Dumpling Machine . XP feat. Nathan L.', the artist seamlessly blends noises with distinctive  grooves and intricate rhythms, resulting in an unpredictable and dynamic sound that will leave you wanting more. With its complex patterns and textures, this track showcases Sabiwa's mastery of the art of sound design and curation.

Purchase via Bandcamp : https://reurl.cc/lv28bQ

Premiere: Sabiwa 'Dumpling Machine . XP feat. Nathan L.'

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”. More info and music: https://kioskradio.com  

SATA @ Kiosk Radio 16.05.2023

Take Me Away

My new EP "Destination" is a new stage in my work. There will be more and better things to come. I want to continue developing in the field of electronic music.

Le Style

Capiuz

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