I love this, most satisfying. Reminds me of Parts Spiegel Im Spiegel in mood.

After Infinity

Jeremy J. Saks - After Infinity

Demo track 1.
Feedback and comments welcome. 

VOID

Snowbound

Mix-up in the Green box

August 1485: Richard Plantagenet (Richard III) is the last king of England to be killed in battle (he's the - "a horse, a horse, my kingdom for a horse" guy in the Shakespeare play). Over 500 years later his body was re-interred in Leicester Cathedral having been discovered under a parking lot nearby. Always regarded as an evil murderous tyrant, recent studies reveal his 'hunch-back villain' image may have been exaggerated - mainly due to Shakespeare's portrayal. His spinal curvature, however was clearly verified when his skeleton was discovered...it's well worth visiting the city of Leicester to see for yourself!

[Photo by me - shows Rick 3's reconstruction at a visitor centre just opposite Leicester Cathedral]

Plantagenet Blues

どうかいいことありますように / It would be nice something good would  happen

Album (2022) : "Totem", à ma fille Gabriella. 
* En écoute sur : vincentthomasrey.com/
(© All rights reserved - Blockchain Bitcoin technology)

- L'Ange Dans Le Berceau
- Dans Tes Yeux
- Chariot Céleste
- Petit Ver(t) Dragon
- L'Enfant Qui Marche
- Totem

Pochette : C.L (à venir).

Totem

"Dans Tes Yeux (2022)" (© Extrait) Album "Totem", à ma fille Gabriella.

Percussion from Sound Source fundamentals Metals sample packs
https://soundsourcefundamentals.com/products/sample-pack-008-metals-iii

https://soundsourcefundamentals.com/products/sample-pack-007-metals-ii

https://soundsourcefundamentals.com/products/sample-pack-006-metals-i

Synced Circuitry

Jeremy J. Saks - Synced Circuitry

Yikii - Chorion
Cat. Nr: DN026
Format: DL
Release Date: January 5, 2023
Buy / stream: dansenoire.ffm.to/Chorion

The eerie lullaby of Yikii’s vast creative universe continues with her latest LP, Chorion. Following the anxious beauty of 2021’s ambient, post-club, and avant-pop-inspired Crimson Poem 深紅之詩 album, the Changchun-based artist carries her expansive experiments in harmony and dissonance onto her timeless gothic electroacoustics that operate at the nexus of the past, the present, and the future. Here, avant-garde contemporary classical meets utilitarian videogame composition to create a wholly immersive sonic environment that’s as ravishing as it is terrifying.

Named after the life-giving embryonic membrane that eventually forms the placenta, Chorion takes its conceptual cue from science-fiction writer Andy Weir’s acclaimed short story, The Egg. In it, a god and a dead man on the threshold of reincarnation discuss the notion of a Universal One—the unity of everyone and all things. On Chorion, the idea of whether we are "every human being who ever lived" is presented less as a question and more an inarguable fact, in a soundscape built from a glut of musical material created and collected by Yikii between 2018 and 2021.

Haunting the album cover is a painting of a Rhaphidophoridae—the artist’s entomophobia (an extreme fear of insects) projected onto the spiny silhouette of this blind and unpredictable subterranean cricket, reminiscent of the parasitic arthropods of first-person shooter games like BioShock and Resident Evil. Trained pianist Yikii applies these solitary pursuits of the digital era to her experiments in microtonal music and special tunings, which delve into the dark recesses of the cumulative subconscious. From the queasy hallucinations of her “Dream Cassette” reworking to the acutely physical rhythms of “Melinoë” and “Mongolian Worm,” there’s a twisted interiority to Chorion, where a battery of sonic, conceptual, and emotional material implodes in a dazzling vortex of violent intensity.

Mastered by Rashad Becker
Design by Yikii & Niels Wehrspann

buy / stream

Occult Sand 幽沙

Sapphire Light

I’m walking through the dark woods
Golden moon spies on me through the canopies
Thick white fog surrounds me, hanging in the midnight air
Just like dark crimson blood frozen in my heart
My blue arteries rise like tree branches to the sky

I’m taking careful steps on a green, soft bed of moss
I touch wet leaves and rough bark of dark trees
I don’t remember where I’m going anymore
I can’t recognize any sign in the envious sky
I lost my way a long time ago

There’s nothing left for tomorrow
I dreamed with my eyes wide open
Until they turned royal blue
And my skin turned to gold

I never thought it could end any other way
The cravings of the soul, the longing of the flesh
Living in a strange dreamlike world
Burrowing through snowdrifts
Walking on frozen lakes
The sapphire light lured and deluded me
Until I lost my way


Like a lunatic I flounced between dreams and reality
Nights full of longing damaged my heart 
Like an unsharpened knife
Now I’m wandering deceived by moonlight
Dark blues skies burn like fire behind my eyes
I always keep coming back
Getting lost in the emerald woods
And I can’t turn back anymore
Because I don’t want to

A golden key at the bottom of my drawer
Opens the forbidden door for me
Blue box filled with broken thoughts
Dreams buried under the cherry tree

White star leads me to the forest
I walk down a white path with folded eyes
Looking for your traces
But then I fall from the edge of the cliff
Straight into the ocean
I take my last breath

Sleep does not bring relief
Dark red roses started growing in my dreams
And sapphire light peers from your heart

Sapphire Light

last years was really prolific and inspirational for me. another piece full of atmospheres and very evocative. silence and noise at the same time.
afternoons passed between a spring and a summer that never came to full fruition.

Sapphire Light

Julie With Cappuccinos

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