TechHouse / Techno

Exclusively out on Alle Farben´s "Winterheart Blue" Sampler!
https://itunes.apple.com/album/alle-farben-45-winterheart/id825611596

GAMPER & DADONI:
www.facebook.com/gamperanddadoni
CLAPTONE:
https://www.facebook.com/claptone.official
♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫♪♫
FEATURED ON YOUTUBE (Mr Suicide Sheep)
http://youtu.be/_2-5gb75a0U

THANKS TO:
Picture by Till van Loosen Photography
https://www.facebook.com/tillvanloosenphotography

iTunes

Claptone - No Eyes feat. Jaw (GAMPER & DADONI Remix)

Born in Berlin Max Volume attended his first Underground Mega Rave at the age of 2 weeks old for New Year '94 as both his parents were playing there.
Already having D.J'd Successfully Internationally since the age of 16 , he's taken his time to hand craft his own individual sound of organic tribal tech house.
We are proud to present his first release on the family label.

http://www.junodownload.com/artists/Max+Volume/releases/

http://www.beatport.com/release/the-photo-synthesist-ep/1203624

The Photosynthesist EP - PromoMix

BUY THIS TRACK : https://neutralizerhitech.bandcamp.com/track/all-is-mind
Play and enjoy :)

All Is Mind   ૐ 190 ૐ

Pingo Piste 2

KPTN - Notorious Funk

Cheaper Shepherd - Bitch At The Door (KPTN Remix)

words : Bonella Holloway (http://www.bonellaholloway.com/)
drums, effects : Rémi Blanes

La Pizza Au Kebab

"Ténéré Tàqqàl" from the album "Elwan" to be released Feb 10, 2017
Pre-order ELWAN here: http://found.ee/tinariwen_store

Directed by Axel Digoix, produced by Pilule et Pigeon 
p&c 2016 Wedge 

TÉNÉRÉ TAKHAL 

Ténéré tàqqàl 
Eghàrghàr wa n-fissar
Dàgh iknasàn elwan
Azzadàn dàgh-s alimmoz 

Awwànàn ichinkad Adagh
Ibas tidwin igdad iskak
Aherahàghnàt timizzagh
Tiwàr tekenzart idim n-àlyad

A-wa àzzàman àssoheen 
Dàgh idja amsistagh
Azzaràn wi àssohàtnen
Idjmadàn inibdan

Ammun dàgh-nàgh meddàn 
Tàssiknàs tayitte n-nibrar
Tigla tisrawt fàlanàgh
Istàqqàt anmàghdar

What has become of the Ténéré

The Ténéré* has become an upland of thorns
Where elephants fight each other
Crushing tender grass under foot. 

The gazelles have found refuge high in the mountains
The birds no longer return to their nests at night
The camps have all fled.

You can read the bitterness on the faces of the innocents
During this difficult and bruising time 
In which all solidarity has gone. 

The strongest impose their will
And leave the weakest behind
Many have died battling for twisted ends. 
And joy has abandoned us
Exhausted by all this duplicity. 

*  Ténéré is a Tamashek word meaning empty land or desert. The plural of the word is tinariwen.

Ténéré Tàqqàl

Tinariwen - Ténéré Tàqqàl

BUY VINYL: http://www.darkentriesrecords.com/store/vinyl/codek-%e2%80%8e-closer-tam-tam/

Codek is the brainchild of Jean-Marie Salaun who grew up in Paris influenced by the folklore of the inner city. In 1978 he joined art rock group SpionS alongside Gregory Davidow and recorded two singles. Diving into the Paris post punk scene he met Claude Arto and designed the artwork for Claude’s single on Celluloid “Kwai Systeme / Betty Boop.” Robin Scott (M “Pop Music”) had produced the SpionS first single and wanted to collaborate further. With Claude, Jean-Marie wrote “Me Me Me”, intended for a choir, for M. Then SpionS split and Robin was off to Switzerland to record an album to follow-up his hit single. That left Jean-Marie alone in London, where he began working as Codek, a play on the brand name Kodak The “Me Me Me” single was released by MCA Records in 1980. Back in Paris, now with some studio experience, Celluloid Records hired Jean-Marie to produce records for Artefact and Les Orphelins. Over the next 2 years he began working on ideas for the next Codek single “Closer / “Tam Tam”

“Closer” started its life as an electric baseline played by Jean-Marie. Claude Arto sequenced the floating synthesizers. Laurent Grangier and Frédéric Lapierre of reggae band Immigration Act played the horns. The lyrics “Hard to say. Easy to do. We don’t need to say what we do” were a statement on creation as narration expressed Jean-Marie’s ennui, “I’m tired with it.” “Tam Tam” was inspired by Burundi drummers playing on the plaza in front of Beaubourg where the song was recorded. Jean-Marie enlisted one of the drummers from the circle, Georges Atta Dikalo, to lay down percussion for the song. The female singers were from the French Caribbean and added falsetto tribal chants. JM was part of the the African night scene in Paris, remixing Xalam’s “Kanu” and Touré Kunda's “Salaly Muhamed.” Claude achieved complex rhythmic patterns using a modular synthesizer and heavy processing. Jean-Marie recorded himself beating his chest for the thump noises. The recording of “Tam Tam” and “Closer” spanned over two years. They started on 16-track in Studio d'Auteuil, where JM blew the woofers, before resuming in Studio Centre Georges Pompidou with an added 8-track recorder. Jean-Marie was producing other bands, and a lot of this was recorded on "borrowed" studio time. The single was released in 1981 on West African Music, a tiny label from the Ivory Coast, and was re-released a year later by Island Records in the UK (where the  B-side was re-named “Tim Toum”). Both tracks were staples in the DJ sets of Beppe Loda and Daniele Baldelli, finding a spiritual home in the Cosmic scene of Italy.

Both songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The jacket is an exact replica of the 1981 edition with artwork by Angela Boy, inspired by primitive electronics and African paintings. Each copy includes an doubles-sided insert with photos and liner notes by Jean-Marie Salaun.

Closer / Tam Tam

Tam Tam

https://cosmiccrewrec.bandcamp.com/track/bonus-3-yantra-future-shock-200bpm-ccr

Mastered by Parandroid

Future Shock - 200

01 - The Goodbrothers

Chinois Orchestré

Music a Fe Rule

Music a Fe Rule (Part 1)

Neneh Cherry + Afrika Baby Bam - Nina (Produced by Four Tet)24bitwav


Mark Fanciulli returns to Saved following 2012's "Sacrifice" with a 2 track EP.

On the A side is "Presets", a track where the organ locks the groove from the very top.
As the piece progresses and the bass line comes in, the organ then develops into a longer pattern and the pads' pitch bends with a cool, trippy feel. On the break, a bright synth opens up
with processed vocals layered across it which builds atmospherically until the track drops back in.

Over on the flip is "Game Plan" which is built upon a solid percussion and a deep, rumbling bass line that evolves throughout, pulling the listener in closer. The track builds further with a fresh synth that works perfectly alongside the tight-looped vocals until the drums smash back in. 

Mark Fanciulli – Presets (Original)

CRAM JAM SESSION VOL.1 , RECORD @BERLIN , 12/12/20

CRAM JAM Vol. 1

Tech House, Micro House, Minimal 

UNDERGROUND, NO COMMERCIAL 

2025...

KPTN - Notorious Funk

KPTN

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