not yet, space cadet. you've come too far and now you're out of your depth. BRILLIANT LYRICS

martin newell from the cleaners of venus, right?

now THATS how to start a song liking the guitar sound guys x

SWEET DREAMS CAPRICORN QUEEN

bckwards 36

Something Has To Give

Do You Want Me Now

Phantom Youth

Intro Chords

Nothing

That Kind Of Girl

support the band!

Teal

Recorded at Sixtyten Studios
Produced by Steven Warstler
Mastered by Zach Shipps

Vocals, Guitar, and Bass by Tim Korenich
Drums and Percussion by Nelson Overton
Saxophone by Dean Tartaglia
Upright Bass by John Holkeboer
Backing vocals by Alexandria Granados

Music and lyrics by Tim Korenich
except "How We've Grown" by Adam Rich

What'll It Take

From the PARKED IN HELL cassette, Young Man's Fancy out March 18th, 2016.

Recorded and mixed by Jack Shirley at The Atomic Garden 2008.

www.terrymalts.com/parkedinhell

Magic Bullets // Able Bodies

The Brotherhood of Lizards // On Planets Where I Was Young (Bonus Track)

Order LP/CD: http://www.slumberlandrecords.com/catalog/show/308
Order DL: http://smarturl.it/latpitunes

Terry Malts’ third album is a long time coming, 3 years to be precise. But the time was spent well. Between stints of touring and local shows, Bassist/vocalist Phil Benson and guitarist/vocalist Corey Cunningham wrote and re-wrote songs over the course of a year in Los Angeles where Cunningham had moved since the release of their last album, 2013’s "Nobody Realizes This Is Nowhere."

The idea was to broaden the Terry Malts concept and create a kaleidoscopic pop album that has a mixture of moods, each song turning to a different sound inspired by the records the band have loved over the years. The driving punk (Buzzcocks, The Undertones) that has been a cornerstone of the group’s sound sits snugly with songs steeped in indie-pop and power-pop (The Chills, Dwight Twilley).

Once the band was ready to record they enlisted Monte Vallier (Soft Moon, Weekend, Swell) to co-produce at his Ruminator Audio studio in San Francisco. It is the group’s first album recorded in a studio. 2012’s "Killing Time" & "Nobody Realizes This Is Nowhere" were both recorded in various practice spaces by guitarist Corey Cunningham and the group was intent on shaking the lo-fi tag.

The freedom of the studio allowed the band to expand on their sound with the addition of 12-string electric guitars, piano, organ, and sound effects. From driving opener “Used To Be” through jangling ballad “Gentle Eyes” to first single “Seen Everything” and haunting closer “When The Nighttime Comes,” Terry Malts have put the augmented sonic palette in the service of some of their strongest tunes yet. The resulting album, "Lost At The Party," is a lovingly-crafted love letter to pop music in all it’s forms.

Lost At The Party

Terry Malts - Seen Everything

Sugarcube : Don't Say It

Jess Cornelius, the New Zealand-born, Australian-raised, and now Los Angeles-based singer and songwriter, has an intense desire for personal authenticity, which is reflected in her songs as they explore womanhood, relationships, ageing and existence, all delivered through her startling voice. 

“No Difference” was written in Melbourne before moving to Los Angeles while trying to navigate everything going on in her life. The song is part self-help mantra, part blind fatalism. Its video, directed by Thomas Hyland, was filmed in a bathroom in Melbourne and features friends and acquaintances of Cornelius. 

“We wanted to introduce the water element because of its cleansing/rebirthing properties, but water is also destructive, and the image of someone wearing a white suit in a full bathtub implies someone slightly unhinged,” says Cornelius. “We wanted to expand on this idea of rebirth by showing all these women having miniature moments of self-reckoning, which is what I feel people often do in the bathroom. We use the bathroom—and the bathroom mirror—to collect ourselves, to recover, to psych ourselves up, to escape, to self destruct, to castigate ourselves, to tally up our worth, to make deals with ourselves, to re-evaluate, to preen and primp and steel ourselves.”

WATCH “NO DIFFERENCE” VIDEO -
https://youtu.be/XYDbx6L2Wuk

After releasing three critically acclaimed albums with her Melbourne-based band Teeth & Tongue, Cornelius sought out a more personal project. She began performing and recording under her own name, releasing the “Nothing Is Lost” EP (Dot Dash/Remote Control) in 2017. “No Difference” is the first new music Cornelius has released since then. 

Recorded and mixed by Tony Buchen at 64 Sound in Los Angeles in July 2018
Drums - Steven Urgo
Bass -Ryan Weinstein
Guitars and vocals - Jess
Additional guitars, keys, synths, melodica - Tony Buchen

Cover art by Jacob Gardner
Photography by Rachel 'Pony' Cassells

Jess Cornelius

No Difference

https://soundcloud.com/lohrd-snohw

i sip to the bottom now
last drink to our problems
said i should try to tone it down
it seems i’d just forgotten
rainy days they come they go
i feel like texas weather
i know this place don’t feel like home
but it’s just got me tethered

(baby don't you listen well)

i’d hurt myself just to see
but i’m more scared to feel some things
you lit me up like gasoline
when i just wanted privacy

The Brotherhood of Lizards // On Planets Where I Was Young (Bonus Track)

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