von der melody perfekt produziert Respekt

Super boulot. J'ai écouté l'original qui est beaucoup plus dark. Une vrai cover qui ajoute du groove et de la rondeur. Un mélange blues, soul je trouve.

will the real sober shady please stand up thank for this remix

PS Perkins: Guitars, bass, lyre, vocals
Ron Thomas: Autoharps, Drums

Production notes:
---------------------------------------------
Very early on we wanted to use autoharps on this song to create a sort of swirling backdrop, reminiscent of the harps in Indian/Bollywood soundtrack songs of the seventies.

Right away there were challenges because the song is in B flat and is not wholly diatonic to begin with, utilizing a chord built on the augmented lydian scale in the choruses. So rather than transpose the song to a more amenable key (since the chromatic bits weren't going to work no matter what key we used) we instead re-tuned the autoharp. Moving through the strings one by one we tuned them either up or down a half step where applicable to bring them into key. Where the augmented chord hit in the choruses, we excluded those notes so that the autoharp was filling the diatonic parts of the chords and omitting the accidentals. It took us several tries to get it right. In the end we arrived at a chord progression that could be strummed on the autoharp and the modified chords could be played with existing dampers.

We also tuned the lyre so that the top half of the strings included the chromatic augmented notes while the lower register of the lyre was tuned using the diatonic, so the lyre could play the melody all the way through both parts of the song.

The inspiration for this song was essentially fourfold:
--------------------------------------------------------
First, H.P. Lovecraft's terrifying necromancer Joseph Curwen (from "The Case of Charles Dexter Ward") who masked his true identity in order to thwart suspicion from his fellow townsfolk. He has many secrets lurking in his underground catacombs where he performs acts of necromancy most foul, extracting the "salts" of the dead in order to raise them at will and learn the secrets of ancient eldritch deities.

Second, a poem by Rudyard Kipling titled "En-Dor" which was a warning against the rise of spiritualism and the cost of communion with the dead in the early 20th century.

Third, the biblical Saul who traveled in disguise to visit a witch at the city of Endor in order to summon Samuel from the dead and garner advice on defeating the Philistines, but who only prophesies doom for Saul. Saul dies later the next day in the battle of Gilboa.

Lastly, the story of Odysseus communing with the underworld where he enlists the help of Tiresias to have a chat with the dead and secure for himself a safe journey home.

They all seek communion with the dead for one purpose: to gain knowledge which only those who have crossed over between realms might possess. 

Lyrics:
-------------------------------------
A mask may reveal what it’s meant to conceal
From those who are standing beside us
Armor of pride, so we learn to abide
By the monsters which hide deep inside us
The monsters which lurk deep inside us
Oh, how they scratch and they bite us
The monsters which lurk deep inside us

Only to know what the professor knows

Eating black bread, wearing clothes of the dead
The soil soaked in honey around us
For fear if we failed, leave the ogre unveiled
And it’s back in the grave where they found us
Back in the grave where they found us
Freed from the ties which had bound us
Back in the grave where they found us

Only to know what the professor knows

In the catacomb vaults, we extracted the salts
From cadavers to lengthen our youth
Chanting the names at the edge of the flames
And a mirror to show us the truth
A mirror which speaks only truth
See how it seeks not to soothe
A mirror which speaks only truth

Only to know what the professor knows

In the underworld maze, in the night of no days
Concocting the plan we’re devising
Much to endure on the road to En-Dor
And to snatch from Elohim arising
To snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising
Snatch from Elohim arising

BARDS: Of the Shimmering Seraphs

The Professor

Stari Most (Old Bridge) is the name of the legendary 16th century bridge in Mostar (Bosnia and Herzegovina) which was bombed and destroyed during the Yugoslav Wars but later rebuilt thanks to people of peace and good will. 
Free Palestine! Stop genocide in Gaza! 

Stari Most (Vieux Pont) est le nom du légendaire pont du XVIe siècle à Mostar (Bosnie-Herzégovine) qui a été bombardé et détruit pendant les guerres yougoslaves mais reconstruit plus tard grâce aux gens de paix et de bonne volonté.
Palestine libre ! Stop au génocide à Gaza !

Time Zones

Stari Most

Whether you're lost for sleep, or stuck in a haze...

Lost For Sleep

Haze

This is the first track off the new album "There to here (Part 2)" An instrumental with Doors influence. Also available at Spotify: https://open.spotify.com/track/7bld1sXMZIFPQb8S8XaNyl?si=f23eb4eb707a45b3
2	and YouTube at: https://www.youtube.com/watch?v=IaKfktZLon0

There to Here  Pt. 2

Doors Open

Doors Open (Instrumental)

I Need love

His eyes crossed my eyes
Like a laser ray
I've been projected somewhere
Else than on the Earth
Help
I need love
Help
I need love
 
With him I feel like dancing
Barefoot in the light
I feel like walking on the sea
Planing in the air
Help
I need love
Help
I need love
 
Like the Earth needs the Sun
(I need love)
 
Like the stars need the stars
(I need love)
Like the sky needs the sea
(I need love)
Like the summer needs the winter
(I need love)
I need love (x7)
 
As i need music
As I need light
As i need water
As i need air
Just a little love
I need love
Just a little love
I need love
Like the bird needs wings to fly
(I need love)
Like the moon needs the night to shine
(I need love)
I need love

Besoin d’amour - France Gall cover

Lady Gretsch

Recorded in Modesto, Ca.   Featuring Gibson 335 Electric Guitar solo. Harmonica solo. Steinway Brothers Acoustic Piano solo. Gibson SG Electric Guitar Rhythm (Right).  Godin Electric Guitar (Left). Steinway Acoustic Piano Rhythm, and intro. Full kit trap drum set. Percussion Tambourine, Ago go Bells, 22' Zildjan Crash & Ride Cymbal.

Blue on Blue

Black Jack Blues

😢"Les histoires d'amour finissent mal en général" sing🎶 Les Rita Mitsouko... Abra Taylor sings 🎤 her version of events. Hip Pop ambience🎵 to keep up with the mood of the latest tracks... Enjoy 🎧
😢"Les histoires d'amour finissent mal en général" chantent🎶 les Rita Mitsouko... Abra Taylor nous chante🎤 sa version des faits. Ambiance Hip Pop🎵 pour rester dans l'humeur des derniers titres... Enjoy🎧
Original song : https://soundcloud.com/abrataylor/blue-light

Blue Light (Cover & Remix)

Why Would I Care What You Think

Just Like U

✨Hello everyone ✨ Welcome 🎶, Passionate about creativity, music is a universal language, so let's make the most of it. 🤯
Home recording, just for fun, I don't sell my music, My reward is your listening and likes 😎 Thanks for listening! 🤟 Peace ☮...

Blue Light (Cover & Remix)

✨6Carfeli6🤟

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