NEW MUSIC - Part 1

'Faith In Strangers' is the title track from Andy Stott's forthcoming album, due for release via Modern Love on November 17th/18th.

Andy Stott - Faith In Strangers

Made with Max/Msp, Logic

Samples used from:
Junior Senior
The Weekend
Joni Mitchell
Frou Frou
Stereolab
Nelly
Steve Miller Band
YG Feat. Tory Lanez
Drake
The Beach Boys
Aaliyah
The Doobie Brothers

Cybele's Reverie, Stereolab (DJ Recut)

7" due early 2016.

More info:
http://acolourfulstorm.com/releases/denial-california-dreaming-the-weatherman

Purchase:
bit.ly/1QZLfnI

Denial - California Dreaming

Silent Radio Transmission April 2016
Broadcast Monthly From Los Angeles

Pinkcourtesyphone // Wistful Wishful Wanton
Five Times Of Dust // Smile with the Eyes
Delroy Edwards // Untitled - B4
Dont // Feeling
Tarcar // Loathing & Fear In December
Blkln // Lafillequi
Les Stagiaires // Airport
Container // Absorb
M1n1s+ry // S@me 0ld M@dness (demo)
Powell // Oh No New York
Killer Nun // Sequence 13
DAF // Als Wär’s Das Letzte Mal
Ugandan Methods // Untitled / Mat Output 1/2
Shadow Lust // Galician Dream Sequence
CTI  // Hammer House
Sound of Mind // Programing
Alejandro Jodorowsky // Holy Mountian Soundtrack 
/ Trance Mutation
Beau Wanzer // Headspace

Silent Radio Transmission // April 2016

Andy Stott - New Romantic

Guest Mix for Strange Holiday on 3RRR fm - Aired 25th September 2016

"I've been meaning to record an all Australian 45s mix for quite a while. The original idea of composing something super concise was abandoned for a one shot recording. To me, this approach feels much the same as alot of the music in the mix ~ Disposable classics."

Tracklist
Up & Coming - Touch Me (And I’m Beautiful)  (Self Release) 1987
Scraps - 1982 (Disembraining Machine) 2012
→ ↑ → - Pop Art (Crystal Ballroom) 1979
Peter Westheimer & Zoe Carides - Pink Trees (Session Records) 1986
Brainbeau - Vat Brained Visions (Good Samaritron) 2014
Horse MacGyver - Spit Shine (Bad Sound) 2011
Carla Dal Forno - Fast Moving Cars (Blackest Ever Black) 2016
Matthew P Hopkins - W & W (Alberts Basement) 2016
Forces - Idolize (Nihilistic Orbs) 2012
Multiple Man - Boiling Down (Detonic Recordings) 2014
Chrome Dome - After Midnight (Nihilistic Orbs) 2011
Steam - Let’s Zucchini (The Red Room) 198?
Soft Toys - Conversation (Arika) 1984
Soft Tigers - M.A.R.I.A. (Bumblebeez 81 Sharapova Mix) (Below Par Records) 2007
Document Swell - Strongish Feelings (Fallopian Tunes) 2014
Orb - Migration 2 (Mikey Young) - (Flightless) 2016
Stag - Going Out (Disembraining Machine) 2012
Whitney Houston's Crypt - Hatoful Boyfriend (Vacant Valley) 2016
TV Colours - The Kids Are All Grown Up (Dream Damage) 2010

Disposable Classics - Strange Holiday Guest Mix

Ex-Aquarium

Cut It Upwards

Australian born, Amsterdam based Steele Bonus is known for the Odd Waves project and his exquisite taste for odd musical flavors.  h
He's curating the upcoming Oz Waves compilation on Efficient Space records. Out end of february!

IFM # 25 - Steele Bonus - Knekelhuis - Intergalactic FM

Brannten Schnüre  - Die Milchlinse. Taken from the album "Muschelsammlung" released on Enfant Terrible / Vrystaete  (Vrystaete06 / 2017).

More information and sound previews here: http://www.enfant-terrible.nl/releases/brannten-schnure-muschelsammlung/

Brannten Schnüre - Die Milchlinse

Mix by @fefeatkinson curated by @am-agency

A field guide To Getting Lost’ Playlist

1. Félicia Atkinson & Jefre Cantu Ledesma / ME / Comme Un Seul Narcisse
2. Alice Coltrane / Jai Rama Chandra / Turiy Sings
3. Delia Derbyshire & Barry Berman / The Dreams  
5. Colour (extract) / Inventions for Radio - Dreams
4. Michèle Mercure / The Intruder / Eye Chant
5. Ectoplasm Girls / Women at Loss / New Feeling Come
6. Joanna Brouk / Diving Deeper, Remembering Love / Hearing Music
7. Sarah Davachi / Wood Green / Barons Court
8. Stine Janvin Motland / Nuisance Body Liquids / In Labour
9. Félicia Atkinson / Valis / Hand in Hand
10. Christina Vantzou / Shadow Sun / N°3
11. Michele Mercure / Proteus and the Marlin / Eye Chant
12. Carla dal Forno / The Garden / The Garden
13. Tara Jane O’Neil / This Morning Glory / Where Shine New Lights
14. Kara-Lis Coverdale / Grafts (extract) / Grafts
15. Body Sculptures / Before She Allows The World to Judge her Face… / The base of All Beauty is the Body
16. La Nuit / Road Snakes / Desert Television
17. Grouper / I’m Clean Now / Paradise Valley

Felicia Atkinson Mix N°24

LP out November 10.

Pre-order vinyl and digital: https://acolourfulstorm.bandcamp.com/album/i-wont-have-to-think-about-you-compiled-by-bayu-and-moopie

I Won't Have To Think About You: Compiled by Bayu and Moopie

Ya Ya Choral - Waiting Time

Upcoming double 12" on Kashual Plastik
Press and Artwork in progress.

C3 F Ingers - Orgy In The Country Homestead With Friends And Bondage

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Spring One - Vivaldi Recomposed - The Four Seasons

Spring 1 (2012)

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You Know What It's Like

The Same Reply

Slavic folk, ambient psychedelia, 20th century minimalism and vocal experiments - Polish band Księżyc floats somewhere between, happily resisting simple genre categorization. The surreal and haunting beauty of their music is amplified by the fairy tale inspired lyrics Remek Hanaj has created.

For this episode, Remek has curated an hour of Eastern European 
avant-folk. It displays some of the creative diversity of the region and its relationship with blending traditional and contemporary ideas.

1. Almost Dead Celebrities - Factory Girl
2. Maarja Nuut - Haned Kadunud / Geese Lost
3. Svitlana Nianio & Illkutan - Kites
4. Maniucha Bikont & Assaf Talmudi - Cipi гуси / Grey Geese
5. Lautari - I’m Going Home
6. Odpoczno - Polka
7. Širom – A Washed Out Boy Taking Fossils from a Frog Sack 
8. Bastarda – Achar  
9. Księżyc – Kapkowa
10. Remek Hanaj feat. Tade Sudnik & Paweł Nowicki – Carpet
11. Pole – Radom 
12. Berjozkele ] – A yingele, a meydele / A little Boy, a Little Girl
13. Iva Bittova – Zeleny vineček / Green Maidenhead

Image: Jan Stanisławski - Orchard (1890)

https://skylab-radio.com/shows/off-the-edge-e7

The Same Reply

Carla dal Forno

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