Lea Bertucci is a composer, performer and sound artist whose work describes relationships between acoustic phenomena and biological resonance. In recent years, her projects have expanded toward site-responsive and site-specific sonic investigations of architecture. Deeply experimental, her work is unafraid to subvert musical expectation.

DEATH RATTLE, DOG WHISTLE is a series of short pieces for wooden flute, field recordings taken from my window in real time, some works for tape and another piece for organ and saxophone, that Lea Bertucci did for the residency Nel Frattempo during the first lockdown in 2020.

Picture: Daniel Melfi

--> SUPPORT LEA BERTUCCI: https://leabertucci.bandcamp.com

http://lea-bertucci.com​

Lea Bertucci - DEATH RATTLE, DOG WHISTLE (Nel Frattempo Residency 2020)

Carla Boregas was born and raised in São Paulo, Brasil. Interested in
encounters and situations that can occur through sound practices, she
explores the manipulation of synthesizers, bass, pre-recorded and
electroacoustic sounds with a focus on repetition, textures and sensoriality, creating immersive atmospheres and also expansive soundscapes, both in her solo work or in collaboration with other artists.

As a solo artist, she has performed in São Paulo, Tokyo, Toronto and México City. Carla is also part of the transdisciplinary duo Fronte Violeta and RAKTA. Her most recent work is the album “Linha D'Água” (Bokeh Versions/Uk , in partnership with multi-instrumentalist M.Takara.

Support Carla Boregas and find out more about her multifaceted work through the following links:

https://carlaboregas.com/ 
https://www.instagram.com/carlaboregas/ 
https://soundcloud.com/carlaboregas 

www.frontevioleta.com 
https://mtakaracarlaboregas.bandcamp.com 
https://rakta.bandcamp.com

Pena ao mar

Carla Boregas - PENA AO MAR(Nel Frattempo Residency 2020)

PS. album will be released in summer 2022.

Kirke Karja: piano + composition
Ludwig Wandinger: drums
Etienne Renard: double bass
Siim Hiob: recording

Photo by Kaupo Kikkas

György (work in progress): Kirke Karja + Etienne Renard + Ludwig Wandinger

ALVARS ORKESTER
"DECK BRUSH"
Black vinyl LP
Edition of 500
Ufo Mongo / iDEAL 2021

It’s all in a haze… Time and life has happened and memories fade. These recordings were made in 1991 and 1992 when we were proudly surfing our mid teens and spending enormous amounts of time in the studio. Every weekend was spent upstairs at Zwarre’s house with analogue synths, VHS sessions watching splatter moviesand Psychic TV’s ”8Transmissions8”, going through the Paul Kelday and Sound of Pig 
cassettes, reading zines to find out more about bands and labels operating the experimental music world, and dreaming about a life away. Alvars Orkester had been going since ’87 and we had lost a few members so we were down to a duo. We had gone from being kind of all over the place, to investigating how sound affect your mind, and narrow it down. Recording together were magic moments, and it did change me to whoever I am today. These vague memories are dear to me. / Joachim Nordwall, Brännö, August 9th 2021.

ALVARS ORKESTER - Holding Breath Fx (UFOM031IDEAL222 LP)

Guest mix – Suenen tristes territorios 
“Suenen tristes territories,” guest-mix by Ale Hop, invites the listener to travel among wounded and flourishing territories, evocations of land, displacement, migration, exile, and the afterlife. Sounding one and a half hours of contemporary experimental and electroacoustic artists from Colombia, Peru, Bolivia, Chile, Argentina, Mexico and Brazil, and past archive field recordings, as well as ancient music from the Amazonas, Andes and Mesoamerica. 

TRACKLIST:
Hidalgo Banda de alientos de la comunidad de San Bartolo - Toques para difuntos
Meridian Brothers - Coplas Pa cantar Atardecer
Jocy de Oliveira - Solaris 
Edgar Valcárcel - Zampoña Sónica (1968-2006)
Refugio Juarez - Honor Y Gloria (1974)
Rakta - Rubro Êxtase
Ale Hop - Puñales
Gonzo - Ruídos (Á Portuguesa)
Aimée Theriot, Alejandro Tux - Nov[1]
Myrian Makenwa - El Platano
Flávia Goa - Revolta aos opressores
Tomas Tello - Danza Elegante
Mabe Fratti - Entrando al Cuarto de la Duda
Cesareo Guzman, Carmelo Ruiz - Toques De Semana Santa 
Itzel Noyz - Caminata por el Jardín Centenario
Miguel Flores - Iranpabanto
Ricardo Lopez, Marcelino Lopez - Minuete Para El Señor Santiago
Laura Mello - Convida Dezenove
Félix Blume - Fog Horns
Lucrecia Dalt – Seca
Music of indigenous people in Upper Amazon (018)
Aleyda Moreno Ramírez - Improvisation Moon, Venus, Mars and Reus
M.Takara & Carla Boregas  - Bocca Chiusa
Iawa Indians, Music of the Upper Amazon - The Mayantu
Los Cardencheros de Sapioriz - Ya me voy a Morir a los Desiertos 
Sajjra – Huaykoloro
Quenas (triste) – Registered by Heinrich Brüning (1911)
Elysia Crampton Chuquimia   The Totaled Angelica 
Ale Hop - Apophenia (cielo azul)
Yma Sumac   - Hampi
Nê~ï - - Paerdís
Makoto Kawabata, Richard Pinhas, Manongo Mujica, Juan Luis Pereira, Hiroshi Higashi – Campanas
Nicole L'Huillier – Atmospheres
Josefina Barreix - Incorporo

Dublab.com Guest mix "Suenen tristes territorios" (12.07.20)

Sorry for some blablablah in the beginning, music starts around 2.40.

Played some pieces from Ludus Tonalis by Paul Hindemith + used his material in my own improvisations.
Live concert at Philly Joe´s Tallinn Jazz Club on 16th of December 2021.
Sound engineer: Mihkel Pilt

Paul Hindemith + Kirke Karja

Released on May 1st 2022!

Egil Kalman is a Swedish musician/composer primarily playing modular synthesizer and double bass. ”Kingdom of Bells Egil Kalman plays the Synthi 100” is his debut record as a solo artist. 

The record was made during a residency at the Contemporary Music Research Center (KSYME) in Athens in 2019. All the tracks were captured straight from the Synthi 100 as stereo recordings and contain no overdubs. The music showcases both the powerful and raw sound of this rare instrument as well as Kalman’s expansive interests as a musician and composer.  

Mind altering just tuned drones with melodies that echoes traditional Scandinavian folk music flow into abstract soundscapes reminiscent of early electronic music pioneers, but still holds a fresh sound and vibe. Deep synth music from the North! 

Egil Kalman’s playing as a syntheist and double bass player can previously be heard in duos with Zoi Efstathiou and Fredrik Rasten as well as in groups such as Miman, Marthe Lea Band and Alasdair Roberts & Völvur.  

His music aims to dissolve the brittle barriers separating traditional Scandinavian folk- and contemporary electroacoustic music via minimalist compositional techniques and soulful improvisations. Utilizing just intonation tunings, hypnotic forms, synthesized sound mimicking the acoustic and vice versa, his music explores qualities intrinsic to traditional Scandinavian folk music in ways where the musical foundation is felt rather than explicitly heard. Kalman can previously be heard in duos with Zoi Efstathiou and Fredrik Rasten as well as in groups such as Miman, Marthe Lea Band and Alasdair Roberts & Völvur.  

The record was mastered by Rashad Becker and the artwork is made by Allon Kaye.

EGIL KALMAN - CLOUDLESS DAYBREAK (from iDEAL213 LP)

A spectral journey on the timbral matter of speech and a rehearsal on the uprooting of voice from body, and body from origin. 

more on https://oliveira.work/desmonte

headphones recommended.

Commissioned by Festival Novas Frequências 2021, with additional funding by the INITIAL Program at the Senate for Culture and Europe and the Akademie der Künste Berlin.

with Fernanda Lira (recorded voice).

DESMONTE (Zona do Não-Ser)

Five mixes, around five hours of music going from old school industrial to dub to ambient to field recordings and beyond!

@ideal-recordings
@carlaboregas

Tracklist :
Dead Can Dance - Ocean
Jocy de Oliveira - Wave Notation
M. Takara e Carla Boregas - Linha D'Água Ashra Temple - Ocean Tenderness Hiroyuki Onogawa - August In The Water 3D Water Drops Around Your Head
Hiroshi Yoshimura - Water planet
William Basinski - Water Music (excerpt) Neil Young - On the Beach
Joanna Brouk - Playing in the water Dorival Caymmi - É doce morrer no mar

Antes eu não sabia como dizer tudo que eu digo agora

CARLA BOREGAS

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