Hi Carles! That panning is phenomenal!! So don't change anything! I love the sound! This inspires me so much! Can't understand why I tend to liking classical orchestra more lately? :P I found you through Frederick Russ VI. :) Amazing work!! Especially the end! OMG! :) Amazing!!

While I like the expressiveness and all the details in programming you put there what is very cool, I am not sure about the stereo field experience in general. While I can hear that the instruments are panned everything sounds somehow some kind of mono to my ears? Also I can hear some problems with phasing here and there? Any Idea, Carles. Besides that very cool mockup

A great many moments of this don't just sound "realistic", they sound absolutely REAL.  It's hard to believe the strings are mostly Symphonic Orchestra.  I do have one constructive criticism, however, and that's the overall sound.  The panning on the strings is very tiring to the ear, for example, particularly through headphones.  But otherwise you've done something truly amazing here!  Thanks for posting.

MAURICE RAVEL ~ Bolero
(Radio Symphony Orchestra Ljubljana - Direttore Samo Hubad)

Boléro
From Wikipedia, the free encyclopedia

Boléro is a one-movement orchestral piece by Maurice Ravel. Originally composed as a ballet commissioned by Russian ballerina Ida Rubenstein, the piece, which premiered in 1928, is Ravel's most famous musical composition.[2] Before Boléro, Ravel had composed large scale ballets (such as Daphnis et Chloé, composed for the Ballets Russes 1909–1912), suites for the ballet (such as the second orchestral version of Ma Mère l'Oye, 1912), and one-movement dance pieces (such as La Valse, 1906–1920). Apart from such compositions intended for a staged dance performance, Ravel had demonstrated an interest in composing re-styled 
dances, from his earliest successes (the 1895 Menuet and the 1899 Pavane) to his more 
mature works like Le tombeau de Couperin (which takes the format of a dance suite).

Boléro epitomises Ravel's preoccupation with restyling and reinventing dance movements. It was also one of the last pieces he composed before illness forced him into retirement: the two piano concertos and the Don Quichotte à Dulcinée song cycle were the only compositions that followed Boléro.



MAURICE RAVEL ~ Bolero

NutCracker - Waltz of the Flowers

Nutcracker - Russian Dance (Trepak)

Nutcracker - Chinese Dance

Nutcracker - Dance of The Reed Flutes

Nutcracker - Arabian Dance

The Nutcracker Grand Pas De Deux

George Gershwin - Rhapsody In Blue

Mussorgsky - A Night on Bald Mountain

Liszt Un Sospiro

WOODWINDS 
- Berlin WoodWinds 
- Miroslav Philharmonik Oboe
- EQWL SO Bass Clarinet, Contrabassoon 
Effects: Send to EWQL Spaces (S.Cal.Hall.Full Orc TS FR 3.5s)

BRASS 
- Hollywood Brass gold (ALL) 
Effects: 
Send to EWQL Spaces (S.Cal.Hall.Full Orc TS FR 3.5s)
PERCUSSION 
- Spitfire Redux 
- London Chromatic Perc. (Glock) 
Effects: Send to EWQL Spaces (S.Cal.Hall.Full Orc TS FR 3.5s)

STRINGS 
- EWQL Hollywood Strings Gold (ALL) 
- Spitfire Solo Violin (layered occasionally) 
- Project Sam Harp 
Effects: EQ, Send to EWQL Spaces (S.Cal.Hall.Full Orc TS FR 3.5s)

STEREO OUT BUS 
- ToneBoosters Barricade Limiter (+ 6dB)
- Flux Stereo Tool

Dvorak - Symphony No. 9 1st mov.

Carles Piles

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