I made this orchestration of Ravel's piano piece when I was a student at the Escuela Superior de Música, under the guidance of Jorge Torres.

"Menuet sur le Nom de Haydn" (orchestration of Ravel's piece). OCESM, Roberto Beltrán, conductor

"Misterio Bufo" is a sound portrait of different moments that I lived while traveling. This movement is the beginning of the journey.
Carlos Lot, violín 1
Paulina Derbez, violín 2
Rie Watanabe, viola
Bárbara Kamiñska, violoncello

"Misterio Bufo" 1st movement (string quartet)

"Misterio Bufo" is a sound portrait of different moments that I lived while traveling. This movement is an hommage to Hungarian composer Gyorgy Ligeti.
Carlos Lot, violín 1
Paulina Derbez, violín 2
Rie Watanabe, viola
Bárbara Kamiñska, violoncello

"Misterio Bufo" 4th movement (string quartet)

Made in 2005 for a "soirée de poèsie" in Paris. Géneviève Clancy recited the poem and recorded it so that I could put electronic music to it. I worked the piece during my masters under the guidance of Mario Mary.

"Que d'ailleurs" for poet and electroacoustic sounds. Géneviève Clancy, poet.

Inspired by the writings of Jorge Luis Borges about time. The performance was held by the Orquesta de Cámara la Escuela Superior de Músca (2002). One of my early student pieces, made under the guidance of Jorge Torres Sáenz.

"El jardín de los senderos que se bifurcan"- for chamber orchestra

"Misterio Bufo" is a sound portrait of different moments that I lived while traveling. This movement is inspired by the folk music that I listened to in Hungary and Romania.
Carlos Lot, violín 1
Paulina Derbez, violín 2
Rie Watanabe, viola
Bárbara Kamiñska, violoncello

"Misterio Bufo" 2nd movement (string quartet)

Miniature made in 2005 during my Master's in the University of Paris, under the guidance of Mario Mary.

"Merengue" for electronic sounds.

"Not alone" for clarinet with real-time processing. dedicated to Nicole Canham

Ethernauta (2001)

Apprenti Sorcier (Sorcerer's Apprentice/Aprendiz de Brujo) was made for the chapel of the Museum of Art and History of Saint Denis, France. This chapel has a very long reverberation (8 seconds) that I used as part of the composition. 8 speakers are placed around the audience and each sound follows its own trajectory in the architectural space.

"Apprenti Sorcier" (live recording) for 9 speakers in a very reverberant chapel

website: www.carloslopezcharles.com
contact: carloslopezcharles@gmail.com

Carlos Lopez Charles

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