Naviar Lab Contributions 2015

not much to say, found a suitable middle eastern percussion set, a synth sound and added a couple of effects. 

More on this 108th Disquiet Junto project (“Create a soundscape for the ancient Syrian city of Palmyra.”) at:

http://disquiet.com/2014/01/23/disquiet0108-freebassel/

More on the Disquiet Junto at:

http://disquiet.com/?p=16588

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

More on the campaign to free Bassel at

http://freebassel.org/


Palmyra Palmyra [disquiet0108-freebassel]

the bracing east wind
cold as a nordic summer;
kicking up white sand

Colin Myles is the author of three haiku poetry collections on Amazon: Scarlet Skyline, Haiku Moments and The Barren Wind. You can find out more about him on his website, Twitter and Instagram pages.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 12th October 2022

haiku by Colin Myles https://twitter.com/colinmyles

picture by Mihail Macri https://unsplash.com/@macrimihail

Wind with Braces [naviarhaiku457 - the bracing east wind]

naviarhaiku476 – Birds in a bare tree
Birds in a bare tree
Dance on windswept branches
Their waiting ballet…

John Hinks, aka FlownBlue, is a prolific and talented composer, and a regular participant in the Haiku challenge. Aside from his solo project, John is also involved in three improvising duos: ‘Windfall Light‘ (with Jim Tetlow), ‘Abstract Blue‘ (with Kevin Buckland) and ‘Light Fragments‘ (with Steve Escott).

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 22nd February 2023

haiku by John Hinks https://soundcloud.com/flownblue

picture by Robbin Huang https://unsplash.com/@ikarishinjigao

Barely a Bird [naviarhaiku476 - Birds in a bare tree]

Jennifer Doty was born and raised in the beautiful wilds of the Ozarks in southern Missouri. She was taught to value literature, music, the arts and spirituality. Her upbringing encouraged creativity, open mindedness and self-expression.

Always attracted to the outdoors, she draws much inspiration for her poetry from nature, as well as human nature. Her interest in poetry and writing as a form of self-expression began in her early teens, only recently is she beginning to publicly share her work.

Jennifer obtained a B.S. in Child, Adult and Family Services and an M.S. in Health Sciences. She has always had a passion for helping others. She raised 2 children and currently spends time helping with her four grandchildren. She enjoys family, writing, travel, photography, painting and working on improving her guitar skills.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

 

Deadline: 22nd March 2023

haiku by Jennifer Doty https://twitter.com/jenncord

picture by Elton Sa https://unsplash.com/@bigeruta

Shadow filler [naviarhaiku480 - filling my shadows]

naviarhaiku491 – morning glow
morning glow
buttercups flutter
at the forest’s edge

Catherine LoFrumento lives in Connecticut with her husband and fur babies. Her poetry has been featured or is forthcoming in various journals and anthologies including: Cattails, Modern Haiku, Frogpond, bottle rockets, Chrysanthemum, Hedgerow Journal, Three Line Poetry, and Poetry Quarterly. You can find more of her work on Twitter: @Catherin03 and on Instagram: @Poetrycatt

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 7th June 2023

Haiku by Catherine LoFrumento https://twitter.com/Catherin03

Picture by Alessandro Capuzzi https://unsplash.com/@aleeecap

Morning, sunshine [naviarhaiku491 - morning glow]

A contemporary of Basho, Den Sutejo was the eldest daughter of a distinguished samurai family living in the mountainous area northwest of Kyoto. After her husband’s death, she became a nun and spent the final years of her life as a Zen devotee.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 15th November 2023

Haiku by: Den Sutejo [Translated by Makoto Ueda] https://wkdhaikutopics.blogspot.com/2007/03/den-sutejo.html

Picture by Gariele Wright https://unsplash.com/photos/closeup-photo-of-pink-petaled-flower-uSkJ0rk9OBE

Mountain of Wind [naviarhaiku514 - gale in the mountains]

HAIKU MUSIC CHALLENGE

naviarhaiku537

Deep in the mountains -
falling into my heart
autumn streams

Shinkei (1406-75) was a renowned renga poet and critic, best known for his two-part work "Sasamegoto" (Murmured Conversations). To find out more about this interesting and largely unknown poet-priest, I recommend reading Heart's Flower - The Life and Poetry of Shinkei by Esperanza Ramirez-Christensen.

Haiku by Shinkei
Picture by Zoe

Submission deadline: 24th April 2024

TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku536)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

Falling Into My Heart

Falling Into My Heart (naviarhaiku537)

HAIKU MUSIC CHALLENGE

naviarhaiku539

The cormorant in the forest;
The cherry blossoms
Along the evening path.

Tan Taigi was a haiku poet of the Edo period. He was a wanderer for most of his life and admired by Yosa Buson for his ability to transcend his eclectic and unconventional lifestyle with sublime poetry.

haiku by Tan Taigi

picture by Redd F

Submission deadline: 8th May 2024
 
TO PARTICIPATE
 
- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku539)”
To submit your track:
- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on Twitter, Facebook or Instagram.
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title.

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.
 
For more information visit http://www.naviarrecords.com/about/naviar-haiku

The Cherry Blossoms

The Cherry Blossoms (naviarhaiku539)

HAIKU MUSIC CHALLENGE

Naviarhaiku 540

Face of the winter pond
doesn't reflect
even a leaf...

Nakamura Kusatao was born in Xiamen (China) in 1901 and moved to Japan in 1904.

He was influenced by contemporary Western philosophy, mostly Friedrich Nietzsche, and his poetry focused on themes of life and humanity. Together with Shuson Kato and Ishida Hakyo, Nakamura Kusatao was a member of the “Human Exploration School”, a group of poets who used haiku to explore and highlight "how human beings should live".

Nakamura Kusatao launched the magazine Banryoku in 1946, and his major collections include Chōshi, Hi no shima, Biden, and Toki.

haiku by Nakamura Kusatao

picture by Miguel Alcântara

Submission deadline: 15th May 2024

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Reflect

Reflect (naviarhaiku540)

Youth is happy because it has the capacity to see beauty. Anyone who keeps the ability to see beauty never grows old.

The 57th assignment is another poem by Takahama Kyoshi, though this time the kigo (season word) refers to springtime

Participants are to create a track inspired by the assigned haiku poem and post it on Naviar’s Soundcloud group Naviar Laboratory (https://soundcloud.com/groups/naviar-laboratory)

Deadline: 11th February 2015

Haiku poem by Takahama Kyoshi

http://en.wikipedia.org/wiki/Kyoshi_Takahama

Picture by Viktor Dobai

https://www.flickr.com/photos/wiiiiktor/with/14329184520/

Shut it [naviarhaiku057 - Shutting my eyes]

This is the 59th experiment of Naviar Haiku.

Participants are to create a track inspired by the assigned haiku poem and post it on Naviar’s Soundcloud group Naviar Laboratory (https://soundcloud.com/groups/naviar-laboratory)

Deadline: 25th February 2015

Haiku poem by Mizuhara Shuoshi

http://everything2.com/title/Mizuhara+Shuoshi

Picture by Jonathan

https://www.flickr.com/photos/pheochromocytoma/

Hellbound [naviarhaiku059 - Heaven is in uproar]

elcome to the 62nd Naviar Haiku’s assignment. The author of the week is one of Naviar’s most regular participants: apart from being a prolific composer, Jason Richardson aka Bassling is also a talented haiku writer.

Participants are to create a track inspired by the assigned haiku poem and post it on Naviar’s Soundcloud group Naviar Laboratory (https://soundcloud.com/groups/naviar-laboratory)

Deadline: 18th March 2015

Poem by Jason Richardson

http://highku.blogspot.co.uk/

Picture by Niklas Sjöblom

https://www.flickr.com/photos/taivasalla/

Summer Song [naviarhaiku062 - Cicadas singing]

Welcome to the 65th experiment of Naviar Haiku. Participants have seven days to create a music composition inspired by the assigned haiku poem and post it on Naviar’s Soundcloud group Naviar Laboratory (https://soundcloud.com/groups/naviar-laboratory)

Deadline:8th April 2015

Poem by Mitsuhashi Toshio

http://wkdhaikutopics.blogspot.co.uk/2007/03/mitsuhashi-toshio.html

Picture by Louis Vest

https://www.flickr.com/photos/oneeighteen/

Lovely, Innit? [naviarhaiku065 - I Do Love]

The Stonecutter - A Japanese folktale
Picture: Aurélien Valette 

Stone's throw [Naviarbook - The stonecutter]

paperweights
on the store’s comicbooks –
spring breeze

The author of the week is Takai Kito, a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson’s most trusted disciples until the death of the great master and was the de facto coordinator of Buson’s haikai group.

haiku by Takai Kito

picture by freestocks

Weighing Paper [naviarhaiku587 - paperweights]


Radio Silence | Deadline 01.07.15

36,400,000. That is the expected number of intelligent civilizations in our galaxy, according to Drake’s famous equation. For the last 78 years, we had been broadcasting everything about us – our radio, our television, our history, our greatest discoveries – to the rest of the galaxy. We had been shouting our existence at the top of our lungs to the rest of the universe, wondering if we were alone. 36 million civilizations, yet in almost a century of listening, we hadn’t heard a thing. We were alone.

That was, until about 5 minutes ago.

The transmission came on every transcendental multiple of hydrogen’s frequency that were listening to. Transcendental harmonics – things like hydrogen’s frequency times pi – don’t appear in nature, so I knew it had to be artificial. The signal pulsed on and off very quickly with incredibly uniform amplitudes; my initial reaction was that this was some sort of binary transmission. I measured 1679 pulses in the one minute that the transmission was active. After that, the silence resumed.

The numbers didn’t make any sense at first. They just seemed to be a random jumble of noise. But the pulses were so perfectly uniform, and on a frequency that was always so silent; they had to come from an artificial source. I looked over the transmission again, and my heart skipped a beat. 1679 – that was the exact length of the Arecibo message sent out 40 years ago. I excitedly started arranging the bits in the original 73x23 rectangle. I didn’t get more than halfway through before my hopes were confirmed. This was the exact same message. The numbers in binary, from 1 to 10. The atomic numbers of the elements that make up life. The formulas for our DNA nucleotides. Someone had been listening to us, and wanted us to know they were there.

Then it came to me – this original message was transmitted only 40 years ago. This means that life must be at most 20 lightyears away. A civilization within talking distance? This would revolutionize every field I have ever worked in – astrophysics, astrobiology, astro-

The signal is beeping again.

This time, it is slow. Deliberate, even. It lasts just under 5 minutes, with a new bit coming in once per second. Though the computers are of course recording it, I start writing them down. 0. 1. 0. 1. 0. 1. 0. 0… I knew immediately this wasn’t the same message as before. My mind races through the possibilities of what this could be. The transmission ends, having transmitted 248 bits. Surely this is too small for a meaningful message. What great message to another civilization can you possibly send with only 248 bits of information? On a computer, the only files that small would be limited to…

Text.

Was it possible? Were they really sending a message to us in our own language? Come to think of it, it’s not that out of the question – we had been transmitting pretty much every language on earth for the last 70 years… I begin to decipher with the first encoding scheme I could think of – ASCII. 0. 1. 0. 1. 0. 1. 0. 0. That’s B… 0. 1. 1 0. 0. 1. 0. 1. E…

As I finish piecing together the message, my stomach sinks like an anchor. The words before me answer everything.

“BE QUIET OR THEY WILL HEAR YOU”



Story by bencbartlett http://redd.it/2j3nxz

Picture by Daniel Spils https://www.flickr.com/photos/danielspils/

You've been heard [soundbook016 - Radio Silence]

A drummer and a thief

25 years of drumming experience, interested in on-line projects to collaborate.
Percussion, electronic drum programming, acoustic drums.

You've been heard [soundbook016 - Radio Silence]

Carlos R

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