Sort of down the almost rock path again- nice

Cool Dick Dale vibes with those chords my friend!!!!!

one my favorite/pullN rug/Ladybug /every inch/loveN it/M bit

A dynamic composition and riveting performance Carlos! Durge

Ooh yeah sooo good ..🙂love those drums so fluid 🤗🔥👏

Murmuration

Ratio

Crossed Horizonts-M.Bonaventure & Loo(p)cy

Roberto B (@user-55822457) and I now present track 12, "Egeia", in our album in progress "Midnight Coffee". We hope you'll enjoy it.

Created in collaboration on 1 July and 1 September 2021 (initial and final mix and recording, respectively, in MAGIX by Roberto B), and 29, 30 and 31 August (intermediate additions, mix and recording in GarageBand and Logic Pro X by Alex M), and posted here on SoundCloud on 3 September 2021 (by Alex M). The used sound effects come from Alex M's own sample - Gentle Early Morning Sea Waves (recorded on 26 August 2021, on the beach in Kariani, Aegean Sea coast, north Greece).

The artwork cover is designed and implemented by Alex M on 29 June 2021 (in Tayasui Sketch in Mac OS), and cropped and annotated by Alex M (in Mac OS Preview) on 30 June 2021.

Thank you so much, Roberto - for the beautiful musical ideas and our collaborations!

Duration: 7:40 minutes

Egeia - Roberto B & Alex M

After almost 3 years, we had a playdate and this is some of what happened...

Richard Carr - violin
Chris Lane - guitar
Joakim Lartey - percussion, documentation and treatments

Hope u enjoy as much as we did.

Facing East [Chris Lane_Richard Carr_Joakim Lartey]

Definitions of the term aporia have varied throughout history. The Oxford English Dictionary includes two forms of the word: the adjective "aporetic", which it defines as "impassable", and "inclined to doubt, or to raise objections"; and the noun form "aporia", which it defines as the "state of the aporetic" and "a perplexity or difficulty". The dictionary entry also includes two early textual uses, which both refer to the term's rhetorical (rather than philosophical) usage.

In George Puttenham's The Arte of English Poesie (1589), aporia is "the Doubtful, [so] called...because often we will seem to caste perils, and make doubts of things when by a plaine manner of speech we might affirm or deny [them]". In a reference from 1657, J. Smith's Mystical Rhetoric, the term becomes "a figure whereby the speaker sheweth that he doubteth, either where to begin for the multitude of matters, or what to do or say in some strange or ambiguous thing" (OED). Herbert Weir Smyth's Greek Grammar (1956) also focuses on the rhetorical usage by defining aporia as "an artifice by which a speaker feigns doubts as to where he shall begin or end or what he shall do or say" (674).

More modern sources, perhaps because they come after the advent of post-structuralism, have chosen to omit the rhetorical usage of the term. In William Harmon's A Handbook to Literature, for example, aporia is identified as "a difficulty, impasse, or point of doubt and indecision", while also noting that critics such as Jacques Derrida have employed the term to "indicate a point of undecidability, which locates the site at which the text most obviously undermines its own rhetorical structure, dismantles, or deconstructs itself" (39). Julian Wolfreys, in his essay "Trauma, Testimony, and Criticism", characterizes trauma as aporia, a wound with unending trail. Valiur Rahaman, in his book Interpretations: Essays in Literary Theory (2011), explained aporia as a creative force in both the artist and their art; it is, for the artist, an edgeless edge of the text or a work of art.
Source: wikipedia

Aporia(ᾰ̓πορῐ́ᾱ)

E bpm 115

Composed, arranged, performed, and produced by
Carlos Vivanco

El Puente De Los Suspiros

Ladybug

Please support me on a streaming platform near you:

Apple Music:
https://music.apple.com/dk/album/sigfus/1598365947?l=da

Spotify:
https://open.spotify.com/album/44yQrvCwAdhdd9oxf1h0ha?si=cdFaKXTXT3m-nE0oBdSMlg

Thank you!

Closer within

From the Album "Punk Funk You"
Distribution On The Way

Punk Punk Punk

Funky Night

Symbiose

MY WEBSITE: https://ramoninc.xyz
LISTEN ON STREAMING PLATFORMS: https://push.fm/fl/when-you-die

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

"When You Die" is a melancholic dive into the ruins of memory. On this album, Ramon Inc. explores the weight of nostalgia, longing, and regret—the ghosts of bad decisions, of loves that could have been different, of people we left behind or who left us broken. An ode to the past that, while seemingly brilliant compared to today's cold reality, is merely a comforting illusion.

Throughout the tracks, genres intertwine in an emotional and sonic narrative that ranges from ethereal synth-pop to vibrant hyperpop, passing through IDM pop, pop and alternative rock, neo-soul/jazz, and cinematic ambient. The journey begins danceably, almost hopeful, but soon delves into introspective, somber, and sensitive atmospheres—like someone looking at old photos trying to understand where everything began to fall apart.

Inspired by artists like Princess Chelsea, MGMT (more specifically, the album Little Dark Age), LA Priest, Sabrina Carpenter (current era), Jungle, TV Girl, CHVRCHES, Roosevelt, Grimes, and Loaded Honey, Ramon builds a universe where the brilliance of the past meets the weight of the present. Violins, pianos, synths, and broken beats serve as the soundtrack to an emotional, intimate, and visceral diary.

Audiovisual producer Kevin Loryan defined it: "When You Die is an incredible IDM album, but people aren't ready for it."
Maybe he's right—maybe this is one of those albums that will only be fully understood in the future.

When You Die isn't about literal death, but about everything that dies inside us over time—and what we do with what's left.

┈┈┈┈┈┈┈✦✧✦┈┈┈┈┈┈┈

THANK U ALL ♡

When You Die

Ego Killed The Rose

Born in México City in 1955, started playing at an early age. In Mexico, I played with bands like  "Atrás del Cosmos", "Queso Sagrado", " Broken Heart", "Decibel", "Bardo Thodol", "Kathmandu Ensemble", Silent Light. In New York City I played with Bands like, "King"s East", "In The Service Of", "Fist of Facts", "Desire", "Dense Undergrowth"," "Matahari", "Like Wow", "Devil's Breakfast", "Muse Mob", "Atlantis 3000", "Monster", "Zenith", "Andromeda Crash" "Night Shade", I also collaborated with Hector Zazou, Harold Budd, Elliott Levin, Dennis Charles, Tetsu Inoue, Bettina Koster. Barbara Gogan, Salvatore Principato, Ken Man, Scott Hartley, Thomas Truax and many others. For many years I also wrote Jingles for a lot of products like Coca-Cola, Pepsi, Mc Donalds, Toyota, Kodak, Payless Shoes, Rothman's, Salsa Tabasco, JC Penny, Liberty Science Center, American Heart Association, MCI, Reebok, AT&T, Fanta, Play Movil, etc, I also made music for Viacom writing music for cartoon networks, Bravo TV, Chanel 1, and MTV. Also wrote music for Bill Moyers (PBS)and also for Fax TV in Germany.

Ladybug

Carlos Vivanco

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