CURRENT VIBES - 2

Strangers

Party Tyme 137

Never Wanted To Be That Girl (Made Popular By Carly Pearce & Ashley McBryde) [Vocal Version]

Denim & Rhinestones

Pink Champagne

Trouble

Best Friend Breakup

Rolling Up the Welcome Mat

Mountain With A View

Hope you guys enjoy this remix of Lauren Spencer Smith Back to Friends

Lauren Spencer Smith - Back To Friends (Merki & Jordan Irwin Bootleg)

A gospel-infused contemporary Christian song in a major key, featuring a female lead vocalist with a powerful, soulful delivery. The instrumentation includes a piano providing the main chord progression, a bass guitar laying down a solid rhythmic foundation, and drums with a standard pop/rock beat. A string section adds lush harmonies and swells, particularly during the chorus and bridge sections. The production is clean and polished, with a focus on vocal clarity and a spacious mix. The song builds dynamically, starting with a more intimate feel and expanding with fuller instrumentation and vocal harmonies in the later choruses and outro. The vocal performance includes ad-libs and sustained notes, showcasing the singer's range and emotional expression. The tempo is moderate, creating a heartfelt and uplifting atmosphere.



My Salvation - Anthemic Soul Session

When we were golden

Parking lot haloed in sodium glare,
beer foam drying on my sleeve.
Your laugh ricochets off dented sedans,
a spark jumping cables in my chest.
Chain-link fence chews the moon in half,
we move in the frame of the security cams.
Your boots drag gravel into rhythm,
Jaws clenched on something unspoken.
(Night leans in, smelling blood and flame)

We don’t knock—we break the hinge,
coats split, grip slick, knuckles singe.
Sweat slides hot down collarbones,
eyes cut like hard metal in throats.
(The feedback makes one long scream)

We bite back in the floodlight,
bare teeth, no apology.
Hands up, hearts out, lungs on fire—
the ground shakes because we’re still standing.
We bite back in the floodlight,
let it burn our names clean.
If the roof comes loose tonight,
we go with it—screaming, undefeated.

Outside smells like perfume and raincoats,
someone’s elbow kisses my ribs hard.
Your mouth tastes like copper and mint,
words are lost as the bass creeps in.
Glass singing cracks under all the boots.
Bottle games shattered after they spin
Fists rise, in the air find their roots—
no one here is innocent.
(The street caves in, gravity picks a side)

Monitors bleed, thin wires pulled tight,
I catch your grin through the strobe—
every smile comes with a knife inside.
bodies ram into bodies, no one in control
(The moment snaps, bright and violent)

We bite back in the floodlight,
bare teeth, no apology.
Veins on fire, ears blown wide—
every new hit rewrites history.
We bite back in the floodlight,
let it scorch our skin.
If the walls start breathing smoke,
we want it louder, ready to dive in.

Alley steam blows from a sewer mouth,
Hear the popo coming from blocks away.
Lipstick smeared like a dare on your cheek,
Can't tell the difference between shaking and laughing.
Soaked shirts cling like clothes aren't needed
We lean against brick warm from the dance,
My throat is raw, but still hungry.
The sirens ring louder than the amps.
(High on watching the wreck we made.)

Streetlight stutters, tags us twice,
buzz-count verdict: real tonight.
Tomorrow is a killer, cold, precise,
It keeps its distance—not in this fight
(We're here to beat fear to death)

We bite back in the floodlight,
bare teeth, no apology.
Scars fresh, spirits loud—
the noise is a second home to me.
We bite back in the floodlight,
let it brand us free.
If the dark wants a piece of us,
It's gonna choke if it tries to touch me

(Mic squeal bleeds into open air,
drums fade like a pulse sun setting.
We walk off ringing, hot dripped, alive—
lights dying behind us, but never forgetting.)


Bite Back (Sabotage)

East Atlanta Love Letter

Stan

Soundtrack To Summer 2019

What If I Never Get Over You

Getting Good

Carly Pearce

It Won’t Always Be Like This

You Kissed Me First

Fiercely rooted in the classics, the girl who left her Kentucky home and high school at 16 to take a job at Dollywood has grown into a woman who embraces the genre’s forward progression and is confident in what she wants to say. Lighting a fire with her debut album EVERY LITTLE THING and the PLATINUM-certified history making title track, Carly has since become “Country’s ‘it’ girl” (ABC Radio), touring alongside Blake Shelton, Rascal Flatts and Luke Bryan. With the most CMA Awards nods for any new artist nominee in 2020, Carly led with New Artist of the Year, Song of the Year, Video of the Year and won Musical Event of the Year for her PLATINUM-certified, No. 1 duet with Lee Brice “I Hope You’re Happy Now.” In a year of uncertainty, Carly turned to the comfort of records she’s drawn inspiration from since her childhood dream started to take hold. Like those before who spoke their minds with a little sass and steel guitar – Dolly, The Chicks, Trisha, Reba, Patty Loveless – she leaned on her own intuitions with Top 30-and-rising single “Next Girl,” and a clever new video. Carly explores more of a pivotal year with a seven-song collection called 29 (available now via Big Machine Records), finding creative simpatico with Shane McAnally and Josh Osborne following the unexpected death of her mentor and former producer busbee.  Her catalogue boasts over 1 billion streams, Carly marks a new chapter coming of age. For the latest information and more, visit CarlyPearce.com.

You Kissed Me First

Carly Pearce

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