estupendo!  I love overall the percussive energy and the build up and release near the end. Very cool ending.

I love your use of rhythm, color, texture, and the sense of unpredictable direction to create this wonderfully sensuous piece!

PENDULAR (Homenaje a Claude Debussy) (2018)
 Para violín y piano. (13’ ca)

Obra compuesta en el año 2018. Respondió a un encargo del dúo MANOS A LAS OBRAS, integrado por Haydée Schvartz en piano y Elías Gurevich en violín, para el concierto final de la 10ª temporada de conciertos en Radio Nacional Clásica de Argentina de Manos a las Obras, dedicado a los 100 años de la muerte de Claude Debussy.
Registro en vivo: 17 de Noviembre 2018, Auditorio de Radio Nacional, Buenos Aires, Argentina.
Intérpretes: Haydée Schvartz (piano), Elías Gurevich (violín)


PENDULAR (Tribute to Claude Debussy) (2018)
 For violin and piano. (13 'ca)

Work composed in the year 2018. Responded to an commitment from the duo MANOS A LAS OBRAS, integrated by Haydée Schvartz on piano and Elías Gurevich on violin, for the final concert of the 10th season of concerts at Radio Nacional Clásica in Argentina from Manos a las Obras, dedicated to the 100th anniversary of the death of Claude Debussy.

Live record: November 17, 2018, National Radio Auditorium, Buenos Aires, Argentina.
Performers: Haydée Schvartz (piano), Elías Gurevich (violin)

PENDULAR (Homenaje a Claude Debussy) (2018)

First track from Kind Decade EP by Bels Lontano. Like on HypeM! <3
https://hypem.com/track/2tjwm/Bels+Lontano+-+Florid+entanglements
Lyrics below >>>>

Follow me!
spotify: spoti.fi/2tQUXXU
instagram: www.instagram.com/belslontano/
twitter: twitter.com/belslontano
contact: belslontano@gmail.com

It went all according to plan
We went after the wrong man
And we were so confused
By the way we were abused
And it's not easy to see
When what you love is the love 
For the power of money

Come and come one all
If we can't carry on
They have turned ourselves 
Against our own selves

And you say you can't be loved
Every one can be loved

Florid Entanglements

Live performance at Oberlin 2.26.19
Oberlin New Music Ensemble
Conducted by Tim Weiss at the Oberlin Conservatory Warner Hall

Lyric Rivera, fulte/alto flute/piccolo
T. Colton Potter, oboe/English horn
Caleb Rose, clarinet I
Alex Abreu, clarinet II
Brian Geise, bassoon/contrabassoon
Nicholas Ginsburg, horn
Sam Friedman, trumpet
Evelyn Proffit, trombone
Carson Fratus, percussion I
Eli Geruschat, percussion  II
Amanda Lubin, piano
Esther Roestan, violin I
Simone Hammet-Lynch, violin II
Corley Friesen-Johnson, viola
Luka Stefanovic, cello
Matthew Frerck, contrabass

About the work:

In Spanish there are two verbs for the English verb “to be”, one is ser (to be) and the other one is estar (to be). The difference between the two is the quality of permanence: estar is a transitory state, an accidental element of being, while ser is permanent, ex. I am (ser) a human being, I am (estar) tired. The Spanish word esencia (essence) is descriptive of the ser verb form, the true nature of anything, not accidental or illusory (Merrian-Webster).

I find myself thinking about this a lot in times of change. Living in another country demands an immense effort for adaptation, in which one of the dangers -and almost unavoidable stage- is the feeling of losing oneself. Being at a distance with all the elements that made me myself: my culture, my family, my mother language, made me value all the small-things, those moments, places, persons that have now became lucid memories that I jealously treasure. And, aren’t we all just memories? Those instants that we chose to keep at the surface, and even the ones that remain deep inside, hidden, they shape our being, our feelings, our responses, they become our essence.

Esencia - Oberlin New Music Ensemble, conducted by Tim Weiss

composed by me, dedicated to my composition professor Dr. Felder,
performed by me on organ; Zane Merritt, assistant; Mike Serio, piano at normal pitch; Ben Havey, harpsichord at normal pitch, Nick Emmanuel, quarter-tone flat piano; Eric Huebner, quarter-tone flat harpsichord; Tom Kolor, vibraphone with motor; Steve Lattimore, vibraphone; Daniel Bassin, conductor at Lippes Concert Hall in Slee Hall at University at Buffalo, Sept.9th 2019
Die Radikalen Tasten (2019) concerto for organ with keyboard ensemble, incorporated quotations and built its harmonic structure from a South Korean protest song "Marching for Our Beloved", but worked in microtonality. I became fascinated by the 'detuned' like effect produced on the organ when its stops are pulled slowly. Also, certain combinations of stops with the tremolo feature create an 'electronic' like timbre (which you wouldn't expect from conventional organ music) with the reinforcement of harpsichord & vibraphone and extended techniques on piano.

Die Radikalen Tasten (2019) Concerto for Organ with Keyboard Ensemble

A work for Bb clarinet and electronics. Find more info at www.bretbohman.com

Tides (2019) for Bb clarinet and electronics. Composed by Bret Bohman. Performed by Yoshiaki Onishi.

✨Written, produced, and performed by Faerie the Kid ✨
🌜Vocal comping by Josh Frigo🌛
🌞Mixed by Yianni AP🌞
☏ Cover Art by Casey Claros ☏

LYRICS:
Fools once tried to lasso the sun and
Oh what a shame that it couldn't be done and
When the rope fell back to the earth
It left scorch marks in the dirt
Now the fools have fire and a burning desire
To build an empire and connect us through the wires
So they wrap the world in sunburnt ropes
And from this New Earth the Telephone rose

I fall asleep holding the Telephone
Just so that I don't have to feel alone
This plastic world makes me feel right at home
I'll live and die holding the Telephone

I forget everything I've spoke 
Soon as the words leave my throat and 
The Telephone feeds me lines until I choke
Then he laughs like it's a joke
Now there's wires in my veins (Oh no)
Heart is beating in morse code
Eyes reflect the electric glow
Aren't you scared we'll overload?

I fall asleep holding the Telephone
Just so that I don't have to feel alone
This plastic world makes me feel right at home
I'll live and die holding the Telephone

They call, but they don't call me
They talk but I'm just listening
They call, but they don't call me
They call, but they don't call me
They talk but I'm just listening and
They call, but they don't call me

I fall asleep holding the Telephone
Just so that I don't have to feel alone
This plastic world makes me feel right at home
I'll live and die holding the
I'll live and die

They call, but they don't call me
They talk but I'm just listening
They call, but they don't call me
They call, but they don't call me
They talk but I'm just listening 
They call, but they don't call me

Telephone

"I don't love you too"
Written and performed by Faerie the Kid
This is a song I wrote about losing your sense of control in a relationship, romantic or platonic. When things begin to fall apart you cling to anything you can, even if you know that's not what you truly want. At a certain point you are holding onto something that doesn't exist any more except in your mind. 

LYRICS:
Please, don't say it loud
'Cause two feels like a crowd right now.
Please don't go and start a war
but don't leave me ignored
What would you say it for?

I know you don't love me anymore.

Why do I ask if you love me?
when I don't love you too?
Why do I ask if you think I'm pretty?
Shouldn't need to hear it from you.
And loving isn't easy, that's the honest truth.
So why isn't it easy to let go you? 
Say "I don't love you too"?

I know you don't love me anymore.
Well I don't love you too.

The words we don't speak hang like cobwebs in between
separate sides of the same couch
Separate lives in the same house
There's no more butterflies, now they're moths
we're too stale, let's call it off
But we're too scared to say we've had enough
But I've had enough

Why do I ask if you love me?
when I don't love you too?
Why do I ask if you think I'm pretty?
Shouldn't need to hear it from you.
And loving isn't easy, that's the honest truth.
So why isn't it easy to let go you? 
Say "I don't love you too"?

I know you don't love me anymore.
Well I don't love you too.

If I wore my heart on my sleeve
you'd think I'm a total creep
Like I watch you while you sleep
Like I see you in my dreams
With my heart on my sleeve
maybe you would never leave
just 'cause I dream of you doesn't mean my dreams are sweet

Why do I ask if you love me?
when I don't love you too?
Why do I ask if you think I'm pretty?
Shouldn't need to hear it from you.
And loving isn't easy, that's the honest truth.
So why isn't it easy to let go you? 
Say "I don't love you too"?

I know you don't love me anymore.
Well I don't love you too.
What did you say it for??

I don't love you too!!!

Goldberg Variations in Self-Isolation - Aria

Horidraa 0: Original composition for Ananya Dance Theater's 2016 world premier.

Horidraa 0

Dejate Caer For Violin and Fixed Media (2012)

1. Luz e Sombra (Arranjos - Gilson Fukushima)
2. Málaga (Arranjos - Gabriel Schwartz)
3. Triskle (Arranjos - Santiago Beis)
4. Sevillanas (Arranjos - Gilson Peranzzetta)
5. Ensueño (Arranjos - Glauco Solter)
6. Alegrias (Arranjos - Santiago Beis)
7. Fênix (Arranjos - Sérgio Albach)

Regência; Sérgio Albach
Todas as músicas são de autoria de Murillo Da Rós.
Gravado no Centro Espanhol do Paraná. Mixado e Masterizado no estúdio Clinica Pro Music por Murillo Da Rós e Sérgio Albach. 
Produção de Vídeo - Reinaldo Miura

Músicos
Murillo Da Rós: Violão
Glauco Solter: Baixo
Luciano Madalozzo: Percussão

Orquestra à Base de Sopro de Curitiba (OABS)
Aloísio de Pádua: Sax Barítono
Bruno Brandalise: Tuba
Clayton Rodrigues da Silva: Flauta Transversal
Davi Sartori: Piano
Douglas Chiullo: Trompete
Mário Conde: Guitarra
Otávio Augusto Chagas da Silva: Clarineta
Ozeias Costa: Trompete
Rodrigo Vicaria: Trombone
Sebastião Interlandi Junior: Flauta Transversal
Sérgio Albach: Clarone e Regência
Sérgio Monteiro Freire: Sax Soprano
Gabriel Castro: Sax Tenor

Arranjos
Gilson Fukushima (Arranjos Luz e Sombra)
Gabriel Schwartz (Arranjos Málaga)
Santiago Beis (Arranjos Triskle e Alegrias)
Glauco Solter: (Arranjos Ensueño)
Gilson Peranzzetta (Arranjos Sevillanas)
Sérgio Albach (Arranjos Triskle)

Agradecimentos
Grupo Positivo, Sauí Gestão de Patrocínios, Centro Espanhol do Paraná, Orquestra à Base de Sopro de Curitiba, ICAC, Fundação Cultural de Curitiba e Lei do Incentivo.  Aurélio Baggio, Blanca Hernando Barco, Sérgio Albach, Luciano Madalozzo, Glauco Solter, Gilson Peranzzetta, Santiago Beis, Gilson Fukushima, Gabriel Schwartz, Renata Candelot, Maria Rafaela Luísa Candelot Da Rós, Alexis Morozowscki, Reinaldo Miura, Paulo Bettega, nossas famílias e amigos.

Projeto realizado com recursos do programa de apoio e incentivo à cultura - Fundação Cultural de Curitiba e da Prefeitura Municipal de Curitiba
Incentivador: Colégio Positivo

Alegrias

Argentinian composer and multimedia artist based in L.A.

Esencia - Oberlin New Music Ensemble, conducted by Tim Weiss

Carolina Heredia composer

Recent comments

MUZZAXCOLLECTION

Kristian Josifoski

Jim Lynch

No Mates Ensemble

Related tracks