0521 31 Lv 1 Crsh Arg 1 (egress)

@geierausstahl

Archetype - The Ick
Vinyl/Streaming/Digital
- 27.03.24 -

The Ick — a sense of sanity amidst the storm of information. This album by Archetype is an abstract scream for something quite fragile — a polarizing society, disruptive isolation, and the fading collective experience. Utilizing dramatic vocals, industrial trip-hop, and post-punk-leaning electronics, Archetype marks the new moniker by the ever-versatile Viennese Rotterdammer, Leonard Prochazka. Following his manifold of concept-driven, instinctive musical output, Archetype's "The Ick" releases in 2024, following "Strapazen und Genesung" as Geier Aus Stahl on Knekelhuis in 2022.

The Ick

Archetype - Mental Is True

Fr/
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  ҉   
Carpaccio Summer Hits c'est une compilation biénale foutraque !

Vous trouverez une ribambelle d'artistes qui se prêtent à l'exercice de la cover, du remix ou de l'edit, mélangeant humour et virtuosité !

N'oubliez pas la crème, couvrez vous et mangez 5 fruits et légumes par jours !

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on se retrouve sur la plage ou un terrain vague bientôt.
•

Mastering par Guillaume Lespinasse
Photo par Manon Couffon
Graphisme par Paul Souviron

♥
CC team
֍
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Eng/
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  ҉   
Carpaccio Summer Hits is a bi-annual compilation!

100% summer
100% Hits
100% free

We're bringing you a whole host of artists, from covers to remixes and edits, mixing humour and virtuosity!

Don't forget the cream, cover up and eat 5 fruits and vegetables a day!

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See you on the beach or a wasteland soon.
•

Masterised by Guillaume Lespinasse
Picture by Manon Couffon
Graphic design Paul Souviron
♥
CC team
֍

Free DL

06 Las Ketchup - Aserejé (Leonard Lampion Remix) [CC013]

Artist: Hubert Zemler
Title: groove 18
Data premiery: 28.06.2024
Format: digital / cassette (edition of 50) 
Mastering: Mateusz Wysocki
Artwork: Iwona Jarosz

In 2018, Outlines released a cassette by Polish drummer Hubert Zemler in the groove series dedicated to mixing footwork with dub. Zemler brilliantly dismantled this idea by creating two unique hybrids at 160bpm. So when the idea for a groove series created by drummers came up, it was a natural choice for Outlines owner Pawel Dunajko to approach Zemler to take part in the project.

Groove 18.1, subtitled 'OCD Soundsystem', opens with a completely different register and aesthetic to outlines' previously released groove 8. The track begins with a slow minimalist tempo reminiscent of Andy Stott's deep rhythms. Zemler gradually incorporates individual intensity-enhancing sounds to situate a layered synth loop in the central part of the piece. In the final moment of the recording, against the backdrop of an ever-recurring random phrase, the sounds of piano, bass guitar and an effects-driven voice appear, evoking associations with post-classical music and kosmische musik.

The first part of 'groove 18.2 (Cowboy, Cable TV And Roller Skates)' could appear on any of David Holmes' albums for its illustrative nature. In the second part of the recording, all these cinematic ornaments fade away in favour of raw and hypnotic layers built on short synth phrases. In the last part, the density of the track becomes increasingly intense with a rising culmination abruptly ended by a few single sounds reminiscent of Massive Attack's 'Dissolved Girl'.

Groove 18 is Zemler's own vision and his journey back in time to sounds that evoke some form of vintage sentiment and shards of nostalgia. In contrast to the earlier footwork of Groove 8, the leap into the future is made here with an imagination firmly rooted in the past, revitalising and refreshing it. This allows new musical and surprising associations to emerge, where krautrock and post- classical intermingle with Andy Stott, David Holmes and Massive Attack.

Hubert Zemler - groove 18.2 (Cowboy, Cable TV And Roller Skates) preview

Written & Produced by Conna Haraway
Vocals Written & Performed by Sensational
Vocals Written & Performed by L V J
Mastered by Ike Zwanikken
Artwork by Sentient Gallery

Conna Haraway – Cortisol (with L V J)

https://radiopunctum.cz/shows/phonon-swarming

phonon~ swarming (@phononcrew) #17 w/ mʊdʌki (@mudaki)

Tracklist:
Anton Anishchanka - Birds tower (unreleased)
mʊdʌki - Wittine theme (ambient) (Echoes of Wittine soundtrack)
BYDL - (r)evolve
JJ.OK - Scratch (unreleased)
Ancestral Vision - Carpet Portal
Ida Bux - Ambient Jam 3 (unreleased)
Jan Krtička - SPEKTRA (unreleased)
D. Mach - slow wind (unreleased)
Parus - Keragaz excerpt.1 (unreleased)
ℌEXOℜℭℑSMOS - remembranza archivada (phonon~)
yibai - Hatch (EXILES)
sorbitol drops - smoke in the bottle
Abhi - Matter of Hands
mʊdʌki - Wittine Feieromd (Echoes of Wittine soundtrack)
Parus - Keragaz excerpt.2 (unreleased)

phonon~ swarming 05/24 w/ mʊdʌki

CHBB was a project by Beate Bartel and Chris Haas that developed from their collaboration in 1981, while working on the self-titled album 'Liaisons Dangereuses‘. They released their music only on four limited cassettes.

CHBB

CHBB - Voyage Au Bout De La Nuit

Les sept morceaux de 'Visions' dessinent une balade, une errance sonore aux rencontres étranges qui entremêlent réel et rêverie. Sept tableaux aux accents synth pop et dub où des rythmes oniriques frôlant la faille cosmique se tissent avec des sonorités parfois célestes et éthérées, parfois caverneuses et inquiétantes.

Avec 'Le volcan', Bulie Jordeaux nous invite dans une spirale effervescente de synthés lofis et de voix célestes. Une ascension douce et ardente sur fond de rythmiques reggaeton, qui fait tourner la tête et vibrer les oreilles.

Composé par @bulie-jordeaux
Mix & master par Arsene Roy
Illustration & graphisme par Philippine Bordeaux

Release de l'album & de la cassette le 5 juillet sur @wombwombmusic & @grande-rousse-disques : https://granderoussedisques.bandcamp.com/album/bulie-jordeaux-visions

Release party à Bruxelles le 3 juillet avec @bulie-jordeaux (pop déviante) + Solina Lapsus (Illbient / Crooked minimalism) + @catherine-danger (Experimental dub) <3
https://www.facebook.com/events/456508327008773

ENG : With the seven songs of 'Visions', Bulie Jordeaux draws a stroll, a sound wandering with strange encounters which intertwine reality and reverie. Seven scenes with synth pop and dub accents where dreamlike rhythms bordering on the cosmic fault are woven with sounds that are sometimes celestial and ethereal, sometimes cavernous and disturbing.

With 'Le volcan', Bulie Jordeaux invites us into an effervescent spiral of lofi synths and celestial voices. A gentle and fiery ascent against a backdrop of reggaeton rhythms, which makes your head turn and your ears vibrate.

Composed by @bulie-jordeaux
Mix & master by Arsene Roy
Illustration & graphism by Philippine Bordeaux

Release of the digital album & tape on July 5 on @wombwombmusic & @grande-rousse-disques : https://granderoussedisques.bandcamp.com/album/bulie-jordeaux-visions

Release party in Brussels on July 3 with @bulie-jordeaux (deviant pop) + Solina Lapsus (Illbient / Crooked minimalism) + @catherine-danger (Experimental dub) <3
https://www.facebook.com/events/456508327008773

Bulie Jordeaux - Le Volcan ['Visions' album release]

@reymour
NoLand sounds like a story already experienced. A series of lyrical landscapes infused with deviant pop sonorities.
In the second album on Knekelhuis, Reymour gives us the keys to three years of life's passages through mist and clearings, delving deep into their innermost selves and emotions.
By merging new inspirations with new encounters, they weave and unravel their tale.

NoLand

On a pulse

Reymour - On A Pulse

egosec2

releases November 20, 2020
mastering and lacquer cut :: Mike Grinser (Dubplates + Mastering, Berlin)
mixing assistance on "An Indefinite Lattice" :: Nathan Taylor

all proceeds to NHLC (Honolulu, HI) :: nativehawaiianlegalcorp.org

"Indefinite Lattices, the new 12-inch record by Glyn Maier, is rock music of a very different order. During visits to two mineral-rich sites, Maier collected field recordings of these environments which were then re-synthesized into four extended compositions. At Ringing Rocks in Pennsylvania, a field of boulders make bell-like tones when struck, as well as low-frequency tones that are unhearable by humans. (Scientists have yet to discern why the rocks ring, but believe it may have to do with the freeze-thaw cycle that produced them.) The other site visited by Maier—the fairly remote Kaʻena Point on the coast of O’ahu, Hawaii—was believed to be the departure point for souls leaving this world.

The unstable rhythmic patterns from these spaces, as well as Maier’s tappings, scrapes, and footsteps throughout the two sites, are paired with lullabilic progressions and ghostly effects. Instead of the artist’s personal expressions, the tracks on Indefinite Lattices are envisioned as lithic formations in their own right, as things grown rather than produced. They seem to have peaceful but complex lives of their own. Guided by notions of deep ecology—and an anti-colonialism that recognizes the bloody histories of these two sites—Maier refashions the instrumental utility of electronic music so that the agency of environments is emphasized.

Like watching rocks fall down a cliffside and splashing into a stream, or the humbling calm of a thunderstorm, one is left wondering whether this record is the result of human intention or a combination of natural forces. Treading the line between traditional and experimental approaches to ambient music, Maier edits the contingency of his gear’s electrical signals and the recorded environments into tightly conceived compositions. Indefinite Lattices is documentation of moments in the geological process, but also illustrates the geologic nature of art itself.

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Glyn Maier is a sound & field recordist and conservationist living in the Unorganized Territory of South Oxford, Maine. He previously released music under the alias Lack. "

Indefinite Lattices

Glyn Maier - An Indefinite Lattice (ENM08)

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06 Las Ketchup - Aserejé (Leonard Lampion Remix) [CC013]

𝑪𝒂𝒓𝒑𝒂𝒄𝒄𝒊𝒐 𝑪𝒂𝒕𝒉𝒆𝒅𝒓𝒂𝒍𝒆

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