TRACE

Ottoaso Ahsove (I Can't Turn Around)

Huge thanks to Mat @no-mates-ensemble for letting me remix his track https://soundcloud.com/no-mates-ensemble/tuscany-experiments-whistling-with-the-dogs-of-mount-amiata
The artwork is also his... All of the sounds except for drums and bass are original and in a few cases manipulated... I dig how Mat pushes the envelope with his journeys into sound

Whistling (and yodeling) with the dogs of Amiata

COOP SYNT

October 20, 2025
I'm very messy, so I couldn't find it, but I did find a lot of other things. So don't ask me about it.

VERZWEIFELTE SUCHE

Babacane (https://soundcloud.com/babacane) - composition, concept, mix and master
FaceOnFigure - drums, vocals
--
Before the Tul prayer begins, it is customary to give free rein to violence, shouts, loud and tense music, worshippers letting themselves go and objects being shattered.
This precipitates a particular psychological state that could be likened to deep relaxation: the opening of the inner listening.
The sermon that follows, different each time, revolves around the articulation of apparent contradictions in a style similar to our Taoism. Thus, in the recording we offer you, the first aphorism recites:
"Supreme peace appears as violence".
This part of the celebration is traditionally accompanied by complex rhythmic music. Each worshipper is invited to dance to the rhythm they perceive, slow for some, fast for others, the whole swirl being considered as supreme harmony, everyone's part of the same ensemble but in a way that is unique to each individual.

The Tul prayer

Assemblage

HOW TO HOLD A GUITAR CORRECTLY

Aaarcaaade

VERSTECKTE LOGIK

modular cooking

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Assemblage

Anthony Cutrera Morales

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ANSOUND Thomas Sander

ANSOUND Thomas Sander

No Mates Ensemble

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