nightly mission

Recording sessions from 14-08-2025 - 18-08-2025.
presets, mixing, processing and editing: Pier WILL.

"Waiting for your sunshine"
Lyrics and singing: Special Cecilia 
Music: Pier WILL

Everything here is clear, simple and limpid... a voice, a synth, an old piano... enjoy listening. 
Pier WILL◄┤❤️🕊️🙏├►

________________________________________________________________________
🛠 - Made with MOOG & Modular / Multi-tracks / No I.A. / No samples.
🎹 - Composed, arranged, performed, produced by Pier WILL & 4H09
🔲 - Cover art - Pier WILL
🙏 - Acknowledgements - Ableton, AKG, Arturia, Audacity, Cantabile,
Focusrite, Hewlett Packard, Korg, Logitech, Marantz, M-Audio, MSI, Sony, 
SoundCloud, Teac, Techniks, Yamaha.
________________________________________________________________________

Waiting for your sunshine

Dedicated to the little Shrew our cat Yoda just killed playing with it in the garden. I saw it's last breath man. RIP Shrew, sorry buddy...

Lyrics written last night... It's wasn't meant to be about the Shrew but I suppose the best Shrew ever is the perfect representation of what it is about...

All of us and everything as equal (🌌=🐀)=Future
So say a 🫛

The song is 99.9 bars long to pay homage to Sir Shrews final moments...


Mind Microscopic

Tell us a story
One of life
Paint it with pen
Word colourful wife
Marry reality now good fine fjord
Unjulate silently coastal smoothed chord
Pen ponder today
Page approve this great zest
When simple we say
Safe proof of our chest

The treasure is thoughtless
Empty we widen
Wist lightened weight
Anti-matter pen finding
Silence unsealed for this story of ink
Define pictured world as we opposite blink
calm goes the reason
Being it made more
Year for four season'
Quart' beam themed flower

Some paint through cold
The spring full of life
Tone tended phonic of fuse made might
Shown, not told
Perspective of honest
Cloned unique know
Evolution upon us
Brevity braved
Be bulldozer brilliant
D7 saved
Complication resiliant

Duality droned
Treat conflict as thinned
Gruel human race
On your feet like the wind
With leaf power blow
Bow to your psalm
Appreciate zoned locks of name good golden
Elliptical haven
This heaven marks dust
We are woke to this brazen epiphanic life crust

Scene cares to curate
A fearless calmed fuss
Musings are malleable
Truth as new just
Dawn Daisies do daintiest dance as examples
Gaia be grind
Tend system with us
Higher universal bind
Light wisted weight flush
Magnetic mind control
Neuroplastic seed opposite
Beamed optimistic
Make dark microscopic

Oh Ai Oh rise
Oh kind tropic
Mind microscopic
Oh bind the topic
Oh mind microscopic
Oh kind tropic
Oh mind microscopic
Ohhhhhh ohhhhh oh oo Oh



Notes
This song was supposed be about the irony of how thinking too much a lot of the time hides our actual wisdom. I had been considering the reason as "our version of reason" up to the point of our thoughts flow. this can get warped and bias quite easily. What I've found with writing is that it's when I'm at my most relaxed and thinking about nothing at all, is when I get the most complicated lyrical thought flow. I'm considering it's down to switching off my current bias thought which is filled with emotion and reactive to the environment. Where as Buddha mode, which my Grandad would say is us in our subconscious (Bill was an amazing poet) seems to offer a better delivery of the wisdom we have learned via intuitive access. In the moment it feels like a simultaneous firing of everything up there but at the same time is effortless. It's an incredible contrast between a non meditative state and that tranquil one where counterintuitively one would assume your not getting answers.... TBC

The Shrew makes it important as the Shrew lives on instinct... As does Yoda somewhat... He saw a thing moving he's never seen before and acted on instinct. The Shrew was just being a Shrew and being it's instinctual self. Our ability to reason so well has maybe got us out of touch with our instinct way too much and hence we create this bias avatar with regularily very questionable ego based views of reality  (me included obviously)


The Shrew doesn't live in its mind in the sense that it can't be distracted from a mission by a detailed reasoning of its environment and is guided by its instinct. Maybe we do live in our minds too much, my Aunt and spiritual guide always telling me I do anyways...

Time to meditate more maybe and get better at switching off the noise 🔆 Shrew power 🤍

Mind Microscopic 🫡🐀🤍

Dismantled and left behind (2025 remix)

Valve-I'm tired, sleep well

Void Waystation 4

Graphe

August 2025 . The residency has just finished, heading home soon to start work on developing a couple of long format works from all the sound captures. 
These are the 3rd batch of 3 short sketches using field recordings captured around Montegiovi, Tuscany. With these little works I am experimenting freely with what can be produced from each days sounds - manipulating them and stitching them back together with the aim of producing a long format work at the end of the residency. I have done maybe 20 or so  since the beginning of August. The idea is to have them done by the end of the day (or night) then move on to something fresh the next day.
I am truly thankful for this opportunity that has been provided for me by the Salamanca Arts Centre in Tasmania and Cultivate Projects/La Baldi residency in Italy and The USA.
And of course the wonderful people of Montegiovi !

Tuscany Experiments  8 - 10

"Hash Tepee"

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – beats, acoustic and electric guitar, vocals, composition, and production
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – five string fretless bass, organ, composition, and production editing
TexMex Shaman– @texmex-shaman –Stephen– sitar, composition, and production

This was a seed that Chris came up with on his acoustic guitar, adding beats, and some subtle vocals, then shared with Josh and Stephen. They are always excited to work on Chris' songs, because he always comes up with magical tunes.
  Josh was first in line, adding his five string fretless bass, then the organ part. Stephen used Josh's chord structure to come up with his awe-inspiring, monster electric sitar part. After they both laid down their parts, Chris added the electric guitar you hear at the beginning, too. 
  The song was about twice the current length when Chris made it, but Josh chopped off the second half, as the crescendo fits right into the 2/3 slot now. This was mixed as a team effort in BandLab, too, which is a rarity, given both Stephen and Chris are expert producers. 
  This is an example of a song Chris came up with, that was taken to the next level by Josh and Stephen. We hope you enjoy listening to this as much as we enjoyed creating it.

Graphe

Carum

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