Sometimes enough is simply enough, but the noise of the city never stops.
When you're tense, any additional sound can become torture.
All that helps is to close your eyes and take 3 deep breaths. 

Thank you all for your support! 

Soundrights:
"Dog Barking Single A" by InspectorJ (freesound.org)

Experiment A-2  - Overstimulation

Another track from the "To Sleep in a Sea of Stars" project. My PC was pushed to its limits on this one...
Check out great artwork for this book at Fractalverse.net

All Rights Reserved

Invasion Of The Nightmares

Hell Feeder - Drowning Fears (My Own Cubic Stone Remix)

Nim 2.

All My Yesterdays (Lyrics)

My mind ain't what it used to be
Now playing tricks on me
Places and faces I don't recall

Is this my bed, is this my home
Why these thoughts please Leave me alone
Who am I what's it all coming to

For I once was like you are now
Knew it all never had a doubt
Now my yesterdays are fading away
All my yesterdays fading away

When I wake I think I don't know
Looking for those who passed long ago
Oh why is this happening to me

Its such a strange such a lonely place
Thoughts leave you without a trace 
All my memories are slipping away

For I once was like you are now
Knew it all never had a doubt
Now my yesterdays are fading away
All my yesterdays fading away

I see something warm in your eyes
Struggle with your name I try and recognize
I'm sorry but this isn't me

Hold my hand comfort me
I know you now momentarily
How I wish this moment would last

For I once was like you are now
Knew it all never had a doubt
Now my yesterdays are fading away
All my yesterdays fading 

As song I wrote and recorded for an Alzheimer's charity! A subject very dear to me. Apart from funds raised it was also to highlight awareness to this heartbreaking condition.

Credits
Released Sept, 2021
Written by Michael Duffy
Vocals and Guitar: Michael Duffy
Recorded at Valley Music Studio with Terry McGinty

(c) license: all rights reserved

All My Yesterdays - Original Song

😧 How could it get so far?
😔 The following should apply in the future:
😤 NO MORE USE OF EXPERIMENTAL STUFF !!!
🤓 MAY THE MIND BE WITH YOU !!!

> injected by Dudellic😱Ah! (2021)

Mutant Wars IX

Mutant Wars👹: Episode❗❌ - The Rise Of The Maskperator😷 [Theme Song]

Flow ! - enjoy :-) ...... photo: Fabrício Severo on unsplash

flow

E - Gulls Ascending

Acoustic Guitar Martin 16E, I used on this track with Cello, a bright Piece with Motion on the Strings.

Whispering Heart

Title:
Dusk

1: "Dusk Movement 1", 06:24 (00:00) (OctaTrig, Soma Lyra 8, Soma COSMOS)
2: "Dusk Movement 2", 07:30 (06:24) (OctaTrig, Soma Enner, Soma COSMOS)
3: "Dusk Movement 3", 05:15 (13:54) (OctaTrig, Soma Pipe, Human Voice, Soma COSMOS)
4: "Dusk Movement 4", 07:38 (19:09) (OctaTrig, OpenTheremin, Soma Lyra 8, Soma COSMOS)
5: "Dusk Movement 5", 04:54 (26:47) (OctaTrig, OpenTheremin, Soma Lyra 8, Soma COSMOS)

Dates:
01-Dec-2025 (inception), 03-Dec-2025 (finalised), 04-Dec-2025 (released)

Artists:
Music composed, performed, produced by Norman Freund
Synthesiser programming and concepts by Norman Freund
Artwork by Norman Freund

BandCamp Purchase:
https://normanfreund.bandcamp.com/album/dusk-2

Description:
Dodecahedrons, frequency modulation (FM) networks, free tuning of hardware synthesisers and the sounds of a forest at dusk all come together in this suit, Dusk.

The title is inspired from that magic time when daylight begins to give way to darkness -- dusk. The insects begin to sing,
the forest becomes alive with other sounds. Dusk is an imagined journey into the forest at dusk.

1: Dusk Movement 1
The sun has set, the wind has calmed down, insects and creatures of the forest come out to sing. A normally quiet time except for the chorus from the forest that is slowly building up. A time to reflect on life. In German, we call it the Dämmerstuendchen, a time to sit in semi darkness as light from the sun fads, complemented by sip of a good Australian red wine with a friend. The nocturnal creatures begin to wake and say hello to each other, the bats, owls and possums. 

2: Dusk Movement 2
A distant rhythm of drums are heard, the Cicadas. The birds from tree tops have their brief say. The crickets decide to join in again. Possums scurry from tree to tree. A sugar glider sweeps past.

3: Dusk Movement 3
A breeze picks up, the din of the insects give way to singing trees.

4: Dusk Movement 4
The wind stirs some more, swirling into the caves, awaking the bats, emerge from the cave, flying into the forest.

5: Dusk Movement 5
The wind dies down. The crickets emerge again, the owls fly past. The trees cover the forest in a comforting blanket. Nocturnal marsupials looking for morsels. All settle back to their nests before the sun rises again.

This project has been on the building books and sketch books for a while now. It all started with someone posting an article on the "Mathematical Tiling and Tessellation" FaceBook group about five side shapes (Pentagon) in nature. I was then curious about networking several of these Pentagons for a tuning system, turns out you can connect twelve of these to form a closed surface called a dodecahedron. A very common musical scale in Western music uses twelve notes equally dividing the octave. I started a music project using a scale based upon twelve notes printed on a paper dodecahedron, the notes you would see as you rotated the dodecahedron, that project is still ongoing. This led on to thoughts about how such a shape could lead to a physical instrument -- more trials, more ruminations during my exercise walks. Now, fast forward to Nov/Dec 2025, the pentagon was reduced to a triangle and the closed surface of the dodecahedron was reduced to an open surface triangulation with one pocket.

Eight triangles, eight vertices. My Push2 midi controller, has eight main rotary encoders and eight columns of note pads. An FM synthesiser at it's core has three inputs, a carrier frequency, modulation amplitude and frequency of modulation. Can you see the pattern? The triangles form the topology of the FM synthesis sound generation, the surface the human machine interface. The Push2 as the prototype.

For the full story, see my facebook page at:
https://www.facebook.com/norman.freund.545/
or my BandCamp site.

Find your self a quiet time to listen to Dusk with a set of good headphones or stereo speakers. Lots of timbre evolutions, small detailed changes and an evolving spatial movement of sound voices.

Dusk Movement 2

Maryam, by Les Étoiles Pastel. Four new songs make up the 23-minute EP inspired by female Ascended Masters and Goddesses. Clarinet and synth now trademarks, it is calm but also able to shake with tempo changes, while maintaining the verve of an electronic Gong Bath. Melodies performed and recorded in the Parma hills in June, reworked in November in Paris. Les Étoiles Pastel denotes itself as an avant-garde project in modern transcendental music, the Maryam EP denotes an acquired development of maturity compared to the debut Self-Titled. A clarinet melody acts as a witness between the two records, like the feeling that certain sounds come from a metaphysical dimension.

Maryam

Buy digital Track

Adi Shakti

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Nim 2.

Anthony Cutrera Morales

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WalkingEars

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