Love the unnerving electronic droning at the end especially 😵‍💫

Anders7

TR193 - Alya Al-Sultani & Mariam Rezaei - 'SISTER' [excerpt]

LA VOCE DELLE PERLE CHE SI SVEGLIANO DI NOTTE
IL PIANOFORTE DI GHIACCIO
IL GESTO CHE INCANTA IL SUOLO

ALATA ONDA 3 SONGS

Ambient Production by Manzobeat - Enjoy, Like & Repost.
Give a Follow - Support is Free.
©Manzobeat.

Walker

mirage switch

B-The Obscene Bird of Night

Remastering of two pieces already posted: "I am yourself" and "Juste avant l'automne"

2 Piano Pieces

Thanks to Clive for reaching out and starting a first-time collaborative experience with him. It's always a treat for me to get to work on integrating a great vocal performance into music.

Vocals & lyrics: @winkandwoo
Music & production: Belial Pelegrim

The Spell Is Undone

The thorn on the rose
Blood spilled
The long sleep that followed
Instilled
The heart of the Kingdom
Cold stone
The will of the people
Unknown

We have become so dumb
Now is the time
The spell is undone
I have been praying
For everyone
Knowing it's time
The spell is undone

The Spell Is Undone | Belial Pelegrim & winkandwoo

Cape Horn

Sing A Song That Sings Forever

Forests Diseased and dying from Global warming and acid rain.
Is it too late ?. Will they be able to recover .
Let's hope so.
The picture is after a large storm that changed the forests of Slovakian High Tatras for ever.

The Forests Are Dying

Nuntius

BOXY / DCOMPOSEUR - KARMA DRAMA - DCOMPOSED - POSITIVE

060423001 TMSMM

Hi guys, I blew my top :-) very liberating :-) .... on a wonderful rock solid track by Paul - actually a base for a hot guitar, but I thought: try it like a freejazzer .... Original track by Paul:
https://soundcloud.com/paploviante-and-friends/freeway-open-collab-offer-paploviante ... image: Valley of Fire, Nevada, USA by Oliver Günther, on unsplash

Passionate // on Freeway by Paploviante // joerxworx sax remix

This is a song that JJ came up with on the electric piano and shared with the rest of us. He's done a significant portion of the songwriting for the Eclectic Collective, and always gives us quality songs, to which are easy to add our voices. When he sent it to us, he had a rough bass on there that sounded like Lust for Life. Ken came up with a killer and appropriate beat, which, if you can picture Lust For Life, included a lot of accentuated bass kicks. So, Josh took and went with that, and came up with a funky bass line. Ken and he kicked it back and forth a few times till they linked up. Then JJ added some funky ass organ and trippy retro synth to spice it up.
  Then it was time to send it to the guitarist. Tez laid down some smoking lead solos throughout, with his signature fiery guitar tone and amazing licks. Then Stephen funked it up even more with a fonky-ass wah guitar track.
  Ken produced and mixed this one for us, and what an excellent job he did, too. This was so much fun to create. We all hope you enjoy listening to our jam as much as we did playing it.

Home's Album

Tonkas and Matchbox Cars - by The Eclectic Collective

Usurper with Alex Drool, Maya Dunietz, Eran Sachs and Ilan Volkov - Untitled (excerpt)

A nice zombie who honors the moment does not allow himself to be terrorized by the future and the past. While two guardian spirits shield him from good advice.

All tracks and Images by Heinz Kobalt  and Artificial Intelligence.

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Nuntius

Anthony Cutrera Morales

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