TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Dance Music Vol 33 "
credit : ipad 9 ,digitakt 1

date : 16-10-2025
Part One :
https://trampelfad.bandcamp.com/track/whats-that-again

PLEASE VISIT OUR MAIN PAGE :

trampelfad.bandcamp.com
and
maxelzholz.bandcamp.com
Live 10/2025
https://www.youtube.com/watch?v=w3_yn4gVTek

Live 2024 :
https://www.youtube.com/watch?v=Y52VDBHP-cc
Robots 2015 :
https://www.youtube.com/watch?v=8DKtzLNZfvo

IRONBRIGDE 1779

my old friends from teaching in PDX are now teach in mystery school in india called woodstock
she is writing journal for publication
and i read then slept
had nightmare
of hidden hell places on the upper floors!!
be careful
made with stylophones
zoom h1
NCH

saturday morning india school nightmare

Economy

Origin of Code

Just some more solo stuff...
Just kinda floating around at the moment.
Find peace and rest when you can. Believe in it when you cannot. 

Covalent Bond

if you like grooves you have come to the wrong place

I.Y.L.G.Y.H.C.T.T.R.P. (ifyoulikegroovesyouhavecometotherightplace)

when you're using caffeine to squash your nicotine craves

Fugue No.1 Op.54

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

In 1994 i build a few experimental aleatoric Art-Robot Sound Machines:
youtu.be/fRzDNKt1MnE

Rec.name : " Tricks  "
credit :digitakt1 ,ipad9,plugdata

date : 3-11-2025

Live : 10/ 2022
https://www.youtube.com/watch?v=rRIlhgl2oeQ

Sleep Still Sleep

mibgriver

Authentic Lizard Dancer

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Origin of Code

Anthony Cutrera Morales

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