I adore the intro & development! Artfully playful, with a sense of cunning & inquisitive nature built into the directive!  Brilliant! This would be fantastic for a silent movie...The various stages of instrumental narrative is quite admirable in its atmospheric storytelling! Relaxing & yet engaging! 💯🙌🏻🎥😎😎🤍🖤

Your Mix 3

... just a humble improv on keyboard, with a very cool Delay :-) .... photo by Szabo Viktor, unsplash

Clouds

Rencontre entre deux "moments" pour n'en former qu'un. De l'harmonie et de la dissonance, la musique est un reflet fugace de la vie comme un passage furieux ou apaisé, cette force irrépressible qui renverse, qui bouscule nos merveilleuses existences comme un éternel recommencement.
Merci infiniment à Rosmarino de m'avoir permis d'emprunter un "moment", ce chemin là.
Rosmarino Baia : https://soundcloud.com/rosmarinobaia/un-momento-2-free-download-to-reworkremix

Un Momento - Rosmarino Baia - Jacques Lemaire

Share your thoughts below!

Composed, produced & performed by Srouly Frank

Just You And Me

Just You and me

Closing

Frasi Ossidiana

郭公（Cuckoo）

うき我をさびしがらせよかんこ鳥　芭蕉 (1644-1694)　

Cuckoo, make my melancholy heart lonelier.　Basho (1644-1694)　

Art work: Benji Tran via Pixabay

郭公 (Cuckoo)

Interference by Thom Yorke (my cover)

method: dr 01s; voice; vst (bells'n'chimes); the cover image shows part of the 'ultimate distortion engine' consisting of one exciter module, one piezo pickup (pledging for mono today) and one slate plate (it could be any other more or less sonically transducive material, though, including shaped materials like springs, material with other material spread out on top, etc .... which renders this engine ultimately versatile, incl all the processes feasable during amplification, eqing and gainstaging); white tape pedal;  vst (balalaika): more voices and then some; several eqing instruments (including CS-5 compressor pedal)
narration: 'we' did start the fire, by the way, and keep rekindling it 
title: https://en.wikipedia.org/wiki/Kilroy_was_here
image: part of the 'ultimate distortion engine'; copyright jo richter

poem / copyright jo richter:

[hey you - can you smell it as well - must've been here just a moment ago]

nunamnir was here who tied the first knot
enkidu was here before he was tamed
vaidehi was here who was and was not
sharada was here who names and is named

heraclitus was here, a delian diver's lot
helen was here, booty to be blamed
archimedes was here, circles mark the spot
turanna was here ruling unashamed

heimdallr was here, threshold polyglot
boudica was here, rapists will be maimed
the morrigan was here, kin to thrive, foes to rot
mimir was here, as well he claimed 

il duce was here, traitors will be shot
de beauvoir was here, l'autre appears ingrained
ray kurzweil was here, future is a reboot robot
three sisters were here, looked on and remained

was here

kilroy

E Tumaini, orgulhoso de ser pai, tomou a filha nos braços, e deu-lhe um nome, e a abençoou:

Vê, os homens passam, falham as vontades.
Vê as mãos cansadas, porque nunca alcançam.
Mas tenho esperança que um deus bondoso te encha de alegria,
te dê o seu consolo, luz e fantasia.
E neste chão, onde o maligno vem espalhar maldade,
vais ver crescer o joio, vais sentir saudade.
Mas tenho esperança que um deus bondoso te abra um caminho,
te traga o seu amor, para nunca estares sozinha,
para seres feliz...

And Tumaini, proud to be a father, took his daughter in his arms, gave her a name, and blessed her:

See, men pass by, the wills fail.
See the tired hands, because they never achieve.
But I hope that a kind God will fill you with joy,
give you his consolation, light and fantasy.
And on this ground, where the evil one comes to spread evil,
you will see the weeds grow, you will feel the longing.
But I hope that a kind God will clear a path for you,
bring you his love, so that you'll never be alone,
so that you'll be happy...

Tenho Esperança

P.C.PALEO -indians 10:23:24, 9.32 AM

Izgubljeni Osjećaji 2

Fantasea Con El Recuerdo

White Room (wellness)

ANDERE SICHT

Composition derivated from a piano improvisation.

2024.

❄️ Holiday on Jazz ❄️ HAPPY 2025 ❄️

Endersad Hooleyag

⚡ Synthwave energy unleashed! ⚡ Shock the Algorithm returns with a brand NEW album — Ultraviolet Cosmos.
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

🌌 Available NOW on Bandcamp — grab your digital copy today and step into the neon! 🌌

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

P.C.PALEO -indians 10:23:24, 9.32 AM

Anthony Cutrera Morales

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