Wild Weird Weekend -Divine Rights Trip (featuring Jonathan Handley  on Vocals and Lyrics)

Like Tiger would/  makeN a hit(reversion/with guitar)

Gesprochene Steine“ Klagende Steine" - "Sprechende Steine"

Bei einigen meiner zahllosen Spaziergänge durch meine Stadt Hamburg, mein altes Stadtviertel Altona, begegne ich häufig diesen so genannten „Stolpersteinen“ die in manchen alten Straßen in den Fußweg verlegt wurden. 

Sie liegen so unscheinbar da. Ich lese Namen, Geburt und Todestag jener Menschen die hier einst lebten. 
Blicke auf und manchmal steht sogar noch das alte große Gebäude wohin die Steine den Weg weisen.
Sie sind mahnende Gedenksteine von Ereignissen tiefster Finsternis.
In vielen deutschen Städten und Gemeinden auch in Hamburg wo ich lebe, wurde die jüdische Bevölkerung verfolgt, deportiert und ermordet.
Ein sehr dunkles Kapitel meines Landes.
Ich verspüre eine Ohnmacht über das unfassbare Schicksal dieser Menschen.
Ein in Stein gemeißeltes Gedächtnis und Vermächtnis. Sie sind nicht mehr Namenlos. 
Sie haben hier gelebt. 
Dennoch sind diese Menschen für immer verschwunden.
Ihre Stimmen, ihre Künste, ihre Kraft, ihre Bräuche.
Diese Steine mahnen, rufen und sprechen häufig zu mir, wenn ich über diese Steine gehe. So empfinde ich.
Bleibe stehen, verweile, gedenke unser.
Ich höre stumme Schreie, wehklagen. Sehe schemenhaft, umherhuschende dunkle Schatten. 

Dies veranlasste mich zu dieser düsteren und traurigen Komposition.
Denn ich finde keine Worte mehr. 
Die Steine sprachen zu mir. Es sind „Sprechende Steine“
„Singende und klagende Steine“

Vielen Dank für Eure geschätzte Aufmerksamkeit.

SOUNDCLOUD: https://soundcloud.com/cloppenburg-music

Musik :  Björn Cloppenburg  Alle Rechte vorbehalten
Foto	: Björn Cloppenburg
Es wurden für dieses Projekt virtuelle Instrumente der folgenden Firmen verwendet: 
https://soundiron.com  SOUNDIRON : Mercury Children Choir
https://spitfireaudio.com PHOBOS BT / CDT
https://8Dio.com Prepared Piano 
https://orchestratools.com  Organic Voices  Solo Opera



"Spoken Stones" "Wailing Stones" - "Talking Stones"

On some of my countless walks through my city of Hamburg, my old district of Altona, I often come across these so-called "stumbling blocks" that have been laid in the footpaths of some old streets.

They are so inconspicuous. I read the names, dates of birth and death of the people who once lived here. Look up and sometimes even the old big building still stands where the stones point the way.
They are admonishing memorial stones of events of deepest darkness.
In many German cities and communities, including Hamburg where I live, the Jewish population was persecuted, deported and murdered.
A very dark chapter of my country.
I feel powerless over the incomprehensible fate of these people.
A memory and legacy carved in stone. You are no longer nameless.
You lived here.
However, these people are gone forever.
Their voices, their arts, their strength, their customs.
These stones often admonish, call and speak to me when I walk over these stones. That's how I feel.
Stand still, linger, think of us.
I hear silent screams, wails. See vague, scurrying dark shadows.

This prompted me to create this somber and sad composition.
'Cause I can't find the words anymore
The stones spoke to me. They are "talking stones"
"Singing and Wailing Stones"

Thank you for your valued attention.

SOUND CLOUD: https://soundcloud.com/cloppenburg-music

Music : Björn Cloppenburg All rights reserved
Photo:   Björn Cloppenburg
Virtual instruments from the following companies were used for this project:
https://soundiron.com SOUNDIRON : Mercury Children Choir
https://spitfireaudio.com PHOBOS BT / CDT
https://8Dio.com Prepared Piano
https://orchestratools.com Organic Voices Solo Opera

Spoken Stones

ambient, dance, シーケンサーと手弾き即興のミックスです, aum, xynthsizer, animoogz, korgmodule, modelcycles, nanokeystudio, 外の大雨を感じて作りたくなったトラック

DANCING IN THE RAIN

Project 3

Duned

Lyrics:

You’re getting sleepy.  Sleepier than a three toed sloth on qualludes.

Drink the tears of God as his arms wrap around the entire universe.
Caressing the sacrum that connects the main interstellar passageways.
Ones that appear to us to be nothing more than open space.
Crude images, distorted and pixelated, showing nothing more than the celestial bodies which create or reflect light.  All that does not remains unseen.

Fuddie-Duddies and Fugget Nuggets prattle on about useless platitudes and insipit gobbledygook.  Prigs and fussbudgets.  Hobnobbers and Hoo-didlies.  Fachuchies and fachachies.  Geese and fish.

Troglodyte fetuses perfumed in an iodine solution inside the inoculation chamber.
Hypothesized to create a super hominid race capable of dismembering a human arm at the rate of 9000 foot pounds per second per second per second

Deadly infectious virus spreading and suffocating
Disproportionately affecting poorer areas
Lungs
Bleeding

The Fish And Goose Soirée (Jack's Dream)

Arranged and Performed by Stefano Manotti

Can’t help falling in love (acoustic guitar)

Cast of characters:
Mysterious Decibel--@themysteriousdecibel -MD—lyrics and vocals
TexMex Shaman–@texmex-shaman–Stephen–foundational guitar in first half, solo in the coda, mix, and production
J.J. Terrell–@j-j-terrell– piano, keyboards, and composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara–Ken–drums and percussion, minor backup vocals
Llanpsych–@llanpsych–Tez–guitar solo and fills in the main section
Entheogenic Psychonaught (Josh Clary)–@josh-clary-1–mandolin, four string fretless bass guitar
This latest Eclectic Collective song was probably the most collaborative in a true sense as we've yet released. The song began with Josh trying to piece together a couple of ideas that he'd come up with on the piano. He sent his ideas to JJ, who took out a connecter section that Josh had no intention of making anything of, and turned it into the body of the song. He returned the song to Josh complete with a signature JJ Terrell climactic coda. Then Josh added the bass to JJ's piano, with some help from the always solid drums from Ken. The way it usually goes is that Josh comes up with a scratch bass line to accompany the song, then Ken adds drums, then Josh goes back and adds the bass to fit the beat. Sometimes they go back and forth, but not this time so much. 
  Then, Stephen added the foundational guitar in the first section, and came up with the idea for the coda. Josh added some mandolin to the coda, too, after which Stephen redid the guitar in the coda to make it very dynamic and part the clouds. Tez finally came along and added the fiery solo and the charming fills in the main section. Most of this time, MD had been working on the narrative lyrics and refining his melodic vocals. Finally, Stephen put it all together for us and mixed it in his expert fashion. 
  We hope you enjoy the thrill of the climax, and also get a chuckle out of the lyrics, which are included below. 
  Let me tell you 'bout a dancer yeah!
A mysterious one
She dances to the decibel
She's a A shape shifter from the stars
She doesn't cast no shadow
The light makes things bizarre
She'll mold a new soul in you
And get your grandmother too
She'll bleed you from afar

It's an Early time and a late night
On a mothership deep in flight
Yeah!
It's an Early time and a late night
When the grays are seeing white!

Yeah, you know what I'm talkin' about 

Oh baby you caught me off guard I think it's gonna be a early time and a Late night

Hubba bubba max
Hubble space snacks
I'm playing galaga 
Waiting for climax
It didn't take long
A few setbacks

One and done in the black hole
With the Shape shifting of my gun
The time was short but the blast quaked
It was all over before it begun
The frown Came over her like a storm cloud dropping down torrential rain
The frown came over me some time later when the little fetus from Mars slopped onto the terrain

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

{Get that thing away from me
Stay on your home planet}

Just One minute altered my universe
My reputation outside of the earth
Flys away in a hearse
Now I'm just the minute man of the cosmos
With an infant out there somewhere they call him... space Frankenstein that's what she knows

It's an Early time and a late night
On a mothership deep in flight
It's an Early time and a late night
When the grays are seeing white

Early Time Late Night (The Eclectic Collective)

Run With The Wind Ride With The Stars

9. drainpipes-Brussels250913

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Project 3

Anthony Cutrera Morales

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