rabbit happiness

29Sep25
Created 10 years ago. This a slightly polished version of that track 😊

Strutolus

Nur Atmen

STRUCTURAL REFUSE

Be yourself

No, it's not a KLF cover or even a tribute

Last Bus to Voidcentral

TRAMPELFÂD
Laboratory for Contemporary Electronic Experimental Music

Rec.name : " Part 2  LASER SYNTHESIZER "
credit : LIGHTwaves 2025
date : 11-10-2025

Video:
www.youtube.com/watch?v=w3_yn4gVTek

PLEASE VISIT OUR MAIN PAGE :

https://trampelfad.bandcamp.com/album/kesselhaus-factory-2025

KESSELHAUS FACTORY LIVE 10/2025

Freezing Frog

Chris Cross (Cover of Jimmy McGriff)

It’s dark outside
But I’m sure it is morning
I will stay in bed
Don’t need no news or warning
This body doesn’t work
Feel like a bloody jerk
But if you hold me right now
I think some of the bad will turning

Forever and ever
I’ve been buying this awful story
Even you fooled me
I feel ashamed not glory
But if you hold me right now
I think some of the bad will turning

Hold me again,
Pretend that you love me
Just say those words, forever and ever
Only you can break that spell
Save us all from hell

Forever and ever

HOW TO HOLD A GUITAR CORRECTLY

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

STRUCTURAL REFUSE

Anthony Cutrera Morales

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Mesmo

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