Bluesy Radio

This track sort of happened as a digression while while working on The next Exploded Lunch show..

Solid Ghost

A mix of and old style synth rock and a new age with a digital composing into new synth era

Memory of Three

Memory of surreal

Under The Universal 2.

Original Score inspired by the Tade Thompson novel Far from the light of Heaven

eni ebi ri lebi - Goodbye Sinistral

Production: Gebr.K
Music: Pixies
Lyrics: JayKay / Pixies
Guitars, Vocals, Keyboards, Bass: JayKay

Text:
Where is their mind
With the Feet on the air and their head in the Clouds
They try this Little Trick and Spin it
Your head collapses
As you can‘t understand 

Where is their mind

Way down in the Land
You See them marching …See them marching

With the Feet on the ground and fear in their eyes
They don’t Understand his Little Trick
The Heads burst
As the bullets Hit them
Way down on the meadows in the spring

God! Where is their mind
Where is their mind

With the Feet in the dust and the Head on the ground 
A Last  breath whispers „Hunger“
The dictator tries this Little Trick
Down there 
In the east
In his Palast 

Way down in the Land you See Millions suffer

Where is his mind? Where is your mind?
Hey, Where is your mind?!

With your feet on the air and your head on the ground
Try this little trick and spin it
Your head will collapse
But there is nothing in it

Where Is their Mind - Adaption of Pixies' "Where is my mind" by Gebr.K

movement

Gunfight

Ousia

Mallets, arp and some right hand conditioning on Rhodes electric piano sampled tones

Mood Exhibit -  Spry Dew

Dedicated to my grandfather

Made in #Ableton (2019)

Genre;
#Electronic

The Captain

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

Under The Universal 2.

Anthony Cutrera Morales

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