I am pissed off about the actual world situation,

Mollami !

A medley beetween old school death metal and Polyphia like stuff.   Bass played by Charles Bertoud  Drums played by Mattia degli Agosti

Suicide Waltz

Simone Casagrande: Vocals,Guitars,drums,bass, mixing&mastering

The hard nosed manager

Simone Casagrande: Vocals&Guitars, mixing&mastering

Dying forever

Beside the mask

Roberto Pasolini: Vocals 
Simone Casagrande: Guitars, bass, drums, mixing&mastering

Anxious

Anger

Simone Casagrande: Guitars, bass,vocals editing and mastering
Mixed by Mattia degli Agosti who also played drums and synths

Unexpected

Theories

Gangstalker

Songwriters: Jeffery John Hanneman / Tomas Enrique Araya/Simone Casagrande
Mixed and Mastered @ Illegal Studio
War Ensemble lyrics © Universal Music Publishing Group
Propaganda death ensemble
Burial to be
Corpses rotting through the night
In blood laced misery
Scorched earth the policy
The reason for the singe
The pendulum it shaves the blade
The strafing air blood raid
infiltration push reserves
Encircle the front lines
Supreme art of strategy
Playing on the minds
Bombard till submission
Take all to their graves
Indication of triumph
The number that are dead
Sport the war, war support
The sport is war, total war
When victory's a massacre
The final swing is not a drill
It's how many people I can kill
Be dead friend from above
When darkness falls
Descend into my sights
Your fallen walls
Spearhead break through the lines
Flanked all around
Soldiers of attrition
Forward their ground
Regime prophetic age
Old in its time
Flowing veins run on through
Deep in the Rhine
Center of the web
All battles scored
What is our war crimes
(Era forever more...war)
Propaganda war ensemble
Burial to be
Bones shining in the night
In blood laced misery
Campaign of elimination
Twisted psychology
When victory is to survive
And death is defeat
Sport the war, war support
The sport is total war
When victory's a massacre
When victory is survival
When this end is a slaughter
The final swing is not a drill
It's how many people I can kill

War Ensemble - SLAYER disbanding tribute cover

Inspired by the HIGH POET Dante Alighieri main work which made Italians First.
Here's the lyrics

Per me si va nella città dolente,
per me si va nell'etterno dolore,
per me si va tra la perduta gente.
Giustizia mosse il mio alto fattore;
fecemi la divina potestate,
la somma sapienza e 'l primo amore.
Dinanzi a me non fuor cose create
se non etterne, e io etterno duro.
Lasciate ogni speranza, voi ch'entrate'.


Benvenuto dal tuo passato
nel luogo di funesto rigore
la tua vita hai affidato
al maligno abbindolatore

Pianto ,urla, dolore
ovunque vai
Gioia, affetto, amore
mai più sentirai

Non c'è rispetto tra i dannati
da chi ti cambia i connotati
servendo	i tuoi demoni adorati 

Senti la fiamma che brucia
senza consumarti la carne
la maledizione ti bacia
del rimorso vuoi parlarne?

Torture, psicologiche, fisiche
per sempre avrai
Insulti, rimostranze, critiche
subirai assai 

Non c'è ritorno da quest'orrore
dei dannati sentirai il livore
nella follia perderai l'onore

Oh quanto parve a me gran maraviglia
quand'io vidi tre facce a la sua testa!
L'una dinanzi, e quella era vermiglia; 
l'altr'eran due, che s'aggiugnieno a questa
sovresso 'l mezzo di ciascuna spalla,
e sé giugnieno al loco de la cresta: 
e la destra parea tra bianca e gialla;
la sinistra a vedere era tal, quali
vegnon di là onde 'l Nilo s'avvalla.
Sotto ciascuna uscivan due grand'ali,
quanto si convenia a tanto uccello:
vele di mar non vid'io mai cotali. 
Non avean penne, ma di vispistrello
era lor modo; e quelle svolazzava,
sì che tre venti si movean da ello: 
quindi Cocito tutto s'aggelava.
Con sei occhi piangea, e per tre menti
gocciava 'l pianto e sanguinosa bava.
Da ogne bocca dirompea co' denti
un peccatore, a guisa di maciulla,
sì che tre ne facea così dolenti.

Stremato dall'orgoglio
di perpetrato tradimento
con Satana io ti voglio
in totale accanimento

Fascisti, comunisti, 
supplizianti, qualunquisti
Apologisti, ateisti, 
abbondanti,anticonformisti

Angosciosi ripensamenti
sulle condotte adolescenti
e discorsi magniloquenti

Inferno

I was born in Soncino, an ancient village in Northern Italy on June the 20th 1973.
Since the childhood, I was interested in playing musical instruments, but until the age of 13 I didn't begin to play any., My music teacher at the middle school was used to play:”The final countdown” from the band “Europe” on the accordion. I really like that song.
My father is an accordionist, so I asked him to teach me how to play it.
I practised the accordion for about two years, learning some kind of waltz, too.
In the meantime some of my peers begun listening to metal bands. A couple of them were living closer and listening at extreme volume their favourite songs.
I got interested and went to my neighbours asking to borrow a music-cassette.
I chose: “The number of the Beast” by Iron Maiden and “Ride the lightning” of Metallica.
I loved that music immediately, choosing to leave the accordion to play the guitar.
Firstly I bought a classical guitar and learned the basic techniques within a method created for the Commodore 64.
At the age of 17, I bought my first electric guitar, a very used Kaway Aquarius Custom.
It was impossible to find out musicians in my surroundings to play metal, so I've joined some cover bands.
With the “Nessuno” I played my first gig.

Afterwards, I recorded my first demo tape, helped by a classmate who created drums and bass through his Commodore AMIGA. In that age, there were just a few ways of promotion.
In late 1993 I formed the band Castigo youtu.be/cBBhRG3cpkg . We recorded a 3 tracks demo tape, but after a quarrel, I quitted the band.
Then I joined the death metal band “Aphelion” to play this gig youtu.be/QYvKdm8DlDs . After a couple of years and some gigs the band decided to change his musical style and I disagreed ...

So I tried to play a different kind of music, but I felt it more challenging and less satisfactory. In the middle of 1999 I began with my home recording solo project. It has been quite a disaster. So in 2003, I retired.
I turned back to the classical guitar and dedicated myself to it completely, selling part of my electric instrumentation.

Five years later I changed my mind again, but I didn't want to make the same previous mistakes. Registering on the Facebook network I got in touch with old friends, members of the “Aphelion” band. Talking with them about my desire to record again some tracks I was surprised to understand they wished to help me...and that's it.

CASAGRANDE

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