Old school meets 2015 with in this crazy world..Love the organ truly dig this song.. SOTDD

... fabulous song; great composition and hooks!

Ese Fuzz  esta con madre y esa chica  suena asombroso.

From "Purgatory / Paradise" — out this fall as an art book and album.

sleepwalking 1

Notes From The Underground

Something Wrong

Spit on you

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Into the Mystic is the fourth track from Far Out, Man! Mexican Psych Rock band Cascabel's debut album released summer 2015. This song features dr. Pony Ramos from Flamingo Sunset on bass and mr. Alan Rabchinsky from Marbeya Sound on drums as well as the original Cascabel crew. Backing vocals by the great & lovely ms. Cris Irezabal

04 Into The Mystic

Wall of Death 'Loveland' is out March 4.

Pre-Order, 'Loveland' on iTunes now: hyperurl.co/loveland

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(c) 2016 Innovative Leisure

Wall of Death - "Blow The Clouds"

PIGS PIGS PIGS PIGS PIGS PIGS PIGS:

Album: FEED THE RATS
Cat no: Launch103
Release date: 20 January

“He who makes a beast of himself gets rid of the pain of being a man”, as a sage wiser and more debauched than most of us once remarked. Such is the headspace of Pigs Pigs Pigs Pigs Pigs Pigs Pigs, whose animalistic headspace is set out by their very moniker, yet who have wasted little time in creating an almighty psychic charge that has blown minds and summoned bedlam in sweat-drenched venues across the UK’s underground and beyond.

“It’s a pretty perfect balance of obnoxiousness, ridiculousness, intensity and theatrics, and somewhere within that spectrum is where our music sits too.” reckons Matthew Baty, whose vein-popping onstage performances and cathartic bellow form a primary ingredient of the Newcastle five-piece’s devastating live shows. “We truly love the emotionally dark bands that we are in (Ommadon, Blown Out, Khunnt). Pigs however provided an opportunity to do something different, something that is fun with a different kind of intensity.”

Playing their first gig supporting Goat at what was only the latter’s second ever show, the band have gigged relentlessly with kindred spirits including The Cosmic Dead and Luminous Bodies, not to mention gracing festivals like Supernormal and Portugal’s Reverence with their feral attack. Yet the time has come for this band to transcend the realm of word-of-mouth phenomenon and be judged on their feverish and demented collision of psych-drone dementia and riff-driven salvation alone. 

The inarguable proof is Feed The Rats, the overwhelming first album the band have created for Rocket Recordings - equal parts righteous repetition, bludgeoning brute force and Sabbathian squalor, its alchemical charge has the power to transform bleary-eyed abandon into small-hours revelation. This three-track, forty-minute monument of chaotic catharsis captures the everything-on-eleven spirit of the band’s live manifestation whilst adding a level of finesse and texture often less easily accessible in a dangerous haze of flying hair, discarded clothes and spilt premium lager. Channeling the grimy trip hazards of Monster Magnet’s ‘Spine Of God’ through a prism of kraut-derived repetition and Part Chimp style bloodymindedness, the resulting hallucinatory vortex appears constantly on the realm of breaking point. 

Yet for Baty, the porcine realm is less about a nihilistic quest for fiery oblivion than one might imagine. “You know, I think we’ve experienced it, many times. It’s those gigs where we can almost sense that everyone in the room is engaged. The energy created is so thick you can almost bite down on it and it feels like there’s no longer any barrier between band and audience. Those are the special shows, where there’s a solidarity and a very visceral bond. That, and being able to smell our amps melting”.

Amps and brains alike, as these psychic omnivores bring seven times the joy, seven times the pain, seven times the dementia and deliverance. 

---

Feed the Rats

Sweet Relief

Pigs Pigs Pigs Pigs Pigs Pigs Pigs – Sweet Relief

Origin of What

TYVEK - Origin of What

Something Else

Psychic Lips

Following a recalibration and consolidation with their recent electronics-inflected album, 2018’s U.E.F., The Oscillation is back with their sixth and most ambitious album to date, Wasted Space. A meditation on the nature of existence in the face of what can be insurmountable odds, Wasted Space finds The Oscillation painting from the darker shades of the kaleidoscopic scale.

“The origins of Wasted Space go back to Monographic in 2016,” muses Demian Castellanos - the mastermind behind The Oscillation. “That was a very bleak and heavy record and I really needed to move out of that mindset. Making U.E.F freed me up to write a coherent collection of narrative songs and compositions. Wasted Space is a partial continuation of a journey started with U.E.F., but one that re-incorporates more song-based ideas again.”

What’s immediately apparent is that Wasted Space sets it stall well away from the prosaic third-eye tropes that have become orthodoxy. Album opener ‘Entity’ establishes the pace with a focus on the dancefloor as much as on the navigation of existence. Fusing muscular grooves with an industrial wall of sound, these are bold steps into wholly new territories.

“There’s an irony at play here,” considers Castellanos. “It’s a twisted party song, albeit a party for one.” But what a party it is. The mutant disco is bolstered by the rhythmic call-and-response of ‘Drop’, a track that eschews conventional methods of dance sensibility for more instinctive and primal urges. This is music that calls out to the suitably attuned. “We’re reaching out on an innate level,” says Castellanos. “It’s a form of wordless communication that transcends the limitations of verbal language and thought processes.”

Wasted Space’s more somatic moments are tempered and balanced by episodes of contemplation and reflection. Fuelled by dreamy, orchestral sweeps and mournful, sustained notes, ‘The Human Shell’ is a deceptive yet redemptive piece that at first glance appears to be resigned to the futility of existence. But look once again and there you’ll find hope. “People will be able to relate to this song,” states Castellanos. “There's a lot of love and empathy in there and it reaches out to say that we’re not alone, that we don’t have to exist independently of each other.”

Bringing Wasted Space to an emphatic conclusion is the epic instrumental ‘Luminous Being’. Ambitious in scope and delivery, it methodically and unequivocally slow releases repressed emotions to throw the wider world into sharper focus. Hedonistic yet reflective, Wasted Space is an album that moves purposely along a high wire as it finds the perfect balance between dealing with life and escaping it. The Oscillation’s finest album yet, Wasted Space is the area to which you’ll return to again and again.

Wasted Space is due for release September 21st.

Wasted Space

The Oscillation - Drop

Dark Light by John Frusciante

The New Wave of Mexican Psychedelia.
For booking, press & information contact us at cascabelmx@gmail.com
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Cascabel are a Psychedelic Rock band based in Mexico City, MX. Blasting a wide variety of sounds from the past and influences including stoner rock, blues, kraut, classic rock, fuzz & soul, all combined to create a sound that is both unique and pioneering within the Mexico City scene.
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Cascabel es una banda de Rock Psicodélico de la Ciudad de México. Combinando una variedad de sonidos del pasado e influencias incluyendo stoner rock, blues, kraut, classic rock, fuzz y soul; crean un sonido que es tanto único como pionero dentro de la escena de ésta enorme ciudad.
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share some love! LIKE US ON FACEBOOK (www.facebook.com/CascabelMX)

Ian - Reverb Guitar & Vocals
Mixo - Guitar, Keys & Bass
Desentis - Guitar, Keys & Bass
Puy - Drums & Percs

04 Into The Mystic

Cascabel

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