killing it http://www.ollielife.com/earworms/ep-stream-rush-midnight-1

2012

Listen to the album "Content" on Spotify,  Apple Music and more...
● https://ffm.to/content

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● https://www.instagram.com/mkstnnn
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● https://music.apple.com/us/artist/mkstn/1507784668
● https://soundcloud.com/mkstn

Adorn

Omni Eyes

Spiral of Memories

Dan's Boogie

Cataract Time

Beacon

ROTATIONS

Axis

Dopatine

Bashville on the Sugar

The MySpace Top 8 was never meant to change the music industry. Chillwave was never meant to be a genre—it started as a blogosphere joke. And Bora York was never meant to be a band—it began as a school project. Yet all three took on a life of their own, shaping an era of indie electronic music built on hazy nostalgia, warm synths, and melodic escapism. Now, after six years away, Bora York returns with "Melting on the Moon," a shimmering sonic love letter to the chillwave movement that first inspired them.

"I think I needed to distance myself from it for a while," says songwriter Chris Bartels, who also writes music as Elskavon, Dellwood, and Hi-Fi Cali. "I was trying so hard with this, in my head, being my ‘main’ project, hoping for so much with it. I was putting so much emotional stock into it that it was probably even sucking some of that original creative magic out of it. Bora York was essentially an accident—it started as a school project and turned into something exciting and unique. Then for a while, I tried to keep recreating that. Stepping back for a few years and only writing as I felt led creatively allowed me to let go—to just let it be."

While writing, Chris started curating a playlist he facetiously called "Chillwave Revival," letting himself become fully immersed in and inspired by the sun-faded synths and woozy nostalgia of Toro y Moi, Washed Out, MGMT, and Neon Indian. Before long, that feeling took over. "Melting on the Moon" is the result—a track that embraces the fuzzy textures and dreamlike melodies of early chillwave, yet with an undeniable modern pulse. It’s laced with Chris and Rebekah’s signature vocal chemistry and an irresistible post-chorus synth hook that lingers long after the first listen.

With past syncs in Netflix’s To All the Boys, Mr. Robot, The Middle, Criminal Minds, Target, Honda, and more, Bora York’s music has resonated far and wide. Press accolades from Clash Magazine, Neon Gold, Indie Shuffle, and Earmilk hailed their sound as “sublime,” “summertime radness,” and “impossible not to get swept up in.”

Now, Bora York embraces a new chapter—one that taps into the playfulness, freedom, and MySpace-era nostalgia of their earliest influences while letting the music just be.

Melting on the Moon

Suddenly/Big Empty Country

Suddenly

SpaceWalker Recordings presents the debut release of Lithuanian newcomer Tony Betties produced by Mario Basanov. Alongside the original version we have Pete Herbert, Kolombo, Saalim and Isaac Tichauer on the remix duties.

Tony Betties - You and I (Radio Edit)

"Navy" physical 12" available now for pre-order
http://blueridermusic.tumblr.com/

And digitally on iTunes 
http://itunes.apple.com/album/navy-single/id559739955

Navy (prod. The Internet)

Debut album from Glasgow band Olympic Swimmers. Release 4th June 2012 www.olympicswimmers.co.uk

Knots

From the Melody's Echo Chamber Crystallized 7" 

Melody's Echo Chamber - Endless Shore

Stream @ Spotify: spoti.fi/1KXI7pk
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Rush Midnight is the solo project of Russell Manning, recent bass player for acclaimed new wave revivalist, Twin Shadow, and formally trained jazz musician. Russ is Brooklyn born and bred, and his music tells the sonic story of coming up in a nonstop city.
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Rush Midnight @ FB: on.fb.me/1XPLyrp
Cascine @ FB: on.fb.me/1PUzBOF

Rush Midnight - What We Had (Feat. Doe Paoro)

Alternative pop label based in Los Angeles.

info@cascine.us

Rush Midnight - What We Had (Feat. Doe Paoro)

CASCINE

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