A1. Hebbe - Up Town Dub
B1. Hebbe - RSNT
B2. Hebbe - Up Town Dub (J:Kenzo remix)
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DUPLOC044

Hebbe - Up Town Dub (J:Kenzo remix) [DUPLOC044]

ARTWORK - Luke Crump
www.lukecrump.com
www.facebook.com/lukecrumpwork/
www.instagram.com/luke.crump/
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MASTERING - Saif Bari 
@fixedmastering
www.fixedmastering.com
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FREE D/L:
https://www.toneden.io/23-odd-cats/post/metalien

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AUDIUS:
https://audius.co/23oddcats/metalien-470437

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Metalien

reachout4me

Been ages since Ive played with my toys. Decided to see if could make a decent jam before my battery died. This this product. I dont think it turned out too bad.

talk, robot. Groove.

Talk, Robot. Groove.

neverseeheaven

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Sound Theater Archives: Silence the Tongues of Prophecy

If you have the Gravikords, Whirlies and Pyrophones CD/book set, introduced by Tom Waits and nicely produced by Ellipsis Arts, you've already heard the shortened version of this song. This  post is of the original, longer version of Silence the Tongues of Prophecy.

Always fascinated by synthetic speech, as soon as the tech became available (early 1980's) I began building human voice synthesizers. In this recording I use an instrument built around the vintage SP0256-AL2 IC. 

The instrument, in fact, uses two SP0256-AL2s to create a stereo human voice synthesizer. Originally named the "R.A.P." (pre-dates popular rap music and stood for Readily Available Phonemes), I've since re-named it after discovering its circuit-bent personality: the Subliminal Chant Generator.

In the text sheet accompanying the IC I noticed a statement something like, "The SP0256-AL2 needs the control of an external microprocessor to concatenate allophones into words." Immediately I thought, "nah." 

After all, address lines are only voltage levels. I wanted to build a machine with which I could activate allophones manually, by pressing keys on a keyboard, a modern version of the classic 1940's Bell Labs Voder talking machine. 

I did that, and with the addition of the final bending of the circuit (allowing bits to float) the vast realm of subliminal chant appeared.

Here, however, the Subliminal Chant Generator operates in its more overt personality, delivering allophones with clear certainty. The subliminal aspect of the voice synthesis is not presented in this recording but will be in an upcoming post of songs from "Voice of America," a cassette album from my old Sound Theater catalog.

Joining the  Subliminal Chant Generator in this post is one of my first incantors (I'd not yet written about the design, at the time of the recording they couldn't be heard elsewhere). 

That's all you need to know to understand what you'll hear. If you'd like to know more about the instrument, check-out my Facebook post of Dec. 2, 2015 for an up-dated excerpt from my EMI article, "The Subliminal Chant Generator."

Sound Theater Archives: Silence the Tongues of Prophecy

Tom Pritchard- Vocals/Guitars/Keys
Cindy Klippenstein- Bass/vocals
Gabour- Drums

Produced/Recorded/Mixed at Green Needle Records

Stable Boy- By Tom Pritchard a.k.a. Kitten Puppy

Track from DIAL 372 compilation. Was released July 3, 2020 on @bass372

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