Here's my entry to the competition.  I'm using a Gibson Les Paul (tuned to drop B, EMG 81 in the bridge) into the Pro Tone Keith Merrow Signature Overdrive pedal, an ISP Decimator pedal, then into an FJA-modded Peavey 6505+ head.  The signal is then sent to a Rivera RockCrusher attenuator, and direct into my Focusrite Forte/DAW.  I'm using REAPER for recording, and ReCabinet for cabinet sims (Mesa oversize/Orange 4x12).  The drums are Superior Drummer 2.0, and are identical in both clips.  The amp settings are also identical in both clips, the only difference is the pedal is engaged in the first clip, and turned off in the second.  I used different picking techniques, playing speed etc to try and showcase how well this pedal lets your tone sit in the mix.  Aside from a touch of compression and HPF/LPF, there isn't much on this as far as after-the-fact sweetening.  I wanted the pedal's raw tone to come through.  I'm currently working on some new material with some very talented individuals, but nothing to post... yet.  Hit me up here for more info!

Casket Crusher 1