Lars Danielsson

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Aaron Martin - Slow Wake (taken from 'Day Has Ended' split CD)

Lars Danielsson - Pegasus -/Tarantella (2009)/

Nils Frahm - Hammers (Live in Saint-Malo)

Emilie Levienaise-Farrouch is an award-winning French pianist/ composer currently living in London. Spanning film score, bespoke composition and sound design, her work is connected by both its high quality and evocative, meticulous craft - a common sensibility of elegant, instinctual composition. Signed by FatCat’s post-classical imprint 130701 following receipt of a stunning demo in 2014, Levienaise-Farrouch’s first album, ‘Like Water Through the Sand’ is set for a November 2015 release, and – alongside Dmitry Evgrafov’s debut for the imprint - marks an invigorating injection of fresh blood for 130701, introducing a striking new voice to the genre.

Like Water Through The Sand

Emilie Levienaise-Farrouch

Preorder

Emilie Levienaise-Farrouch - 'Scale Of Volatility'

Dmitry Evgrafov & Vika Bogorodskaya — Ride

This composition was first set to a more aggressive style with the Comanche as a basis for a Prelude for Orchestra.  With some help from Suno.com and work in the studio it is now rearranged to an interesting compromise with a merging of the thematic material transported and reformulated.  Jazz elements deliver an interesting interplay with the Western native American themes (why not?). The Rocky Mountains were called the Shining Mountains by the Ute (an Indigenous people of the Great Basin and Colorado Plateau in present-day Utah, western Colorado, and northern New Mexico., U.S.A.). 

Visions of the Shining Mountains

In 1997, I wrote the soundtrack for a movie being produced by members of the Jewish Anti-Defamation League, about Dachau.  For those that don't know, Dachau was the longest operation concentration camp run by the Nazis from 1933 to 1945.  Somewhere in the neighborhood of 30,000 people were systematically tortured and murdered in the camp.  This was to be the main title theme song, but alas, they dropped the project due to lack of money.  I've seen the first 20 minutes or so, and it's a real shame it wasn't finished.

I visited this camp, and I can tell you that it is one of the most unnerving experiences you'll ever have.  You can feel. touch and smell evil there, and the voices of its victims are still heard in and around the camp.   After I visited it, I sat on the curb in the parking lot and cried for a full 2 hours.

Elegy In Shadows

www.lisa-morgenstern.com
produced by Sebstian Plano
mastered by Martyn Heyne
photo by Miguel Murrieta Vásquez

published for Crowdfunding on Startnext 2016
for the upcoming album 'Chameleon'

Levitation [feat. Sebastian Plano]

múm (Gunnar Örn Tynes, Örvar Smárason & Samuli Kosminen) live at Radialsystem on 14 February, 2016.

Together with the percussionist Samuli Kosminen, the founding members of múm, Gunnar Örn Tynes and Örvar Smárason, performed an improvised live score to “Menschen am Sonntag”, a masterpiece of silent film. 

Special thanks to the artists for a great performance, to Jan Gieseke for the amazing sound and to Carlo Grippa for mastering this tune.
Recorded at Radialsystem, Berlin.
Published with permission of the artist.
Photo: Markus Werner

múm plays Menschen am Sonntag @ UM:LAUT - Live Snippet 2

A piece to represent the perception of the acceleration of time as we get older

Summer

21 to 21

Jim Perkins - 21 To 21

All instruments recorded by Peter Juul Kristensen. Mixed by Lars Nilsson.

Lars Danielsson: Cornelia. All instruments recorded by Peter Juul Kristensen, mixed by Lars Nilsson

Lars Danielsson - Blae Aengar

Lars danielsson-liberetto

Written, recorded and mixed by Janek Sprachta at Einraum Studio Berlin.
Violin played by Susanna Lundgren. 
Mastered by Nils Frahm at Durton Studio, Berlin. 

Lars Danielsson, Leszek Możdżer, Zohar Fresco - Asta

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