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20min MIX For "8.31THE YES at WOMB with Para One" Part-1

COME!!   http://www.womb.co.jp/#!/calendar/2013/08/31

event

20 min MIX for "8.31 THE YES at WOMB with PARA ONE"Part-2

Out 25/07/11 on 3rd Abstract records.

Rynecologist (Boys noize records) - "Curve is dirty! I'll play that out for sure"

Sharooz (La Bombe) - "Love these bro ! Your sound is fuckin sick!"

Blende (La Bombe) - "great EP man! Will keep it in my bag for future gigs"

S-File (Guys n dolls records) - "Curve is a Bomb! Great EP :)"

Mendoza (Audiolith records) - "Dude, jazzmaxximum is huge! really diggin it, will play it for sure =)"

Modek (Mental groove/Dim mak) - "supercool man! can't decide which I like best: Jazzmaxximum or Curve."

John Roman (Plant music) - "Feelin "Curve" off your EP, great work!!"

Acidroid (Rot10 Musik) - "shiiiit dude new ep is the bomb!! Lovin curve but jazzmaxximum is the dogs bollox!!!! We'll be rinsing that one for a while :)"

Wazabi (Guys n dolls records) - "Curve's amazing,.... Planisfear rmx is also bigbigtime!! Thx man!!"

Clash the disko kids (Singapore) - "hey bro, your Jazzmaxximum is the sickest tune i've heard for this year.could be my no.1 tune of the year!!!"

Vaakuum (Big tooth US) - "Awesome ep! full support"

Oui'wack (PM Music) - "Absolutely killer tracks !Jazzmaximum my favourite !!  things are getting really massive in that track @ 2.40 !"

Peo de Pitte  - "Yeah love all these tunes man, especially Jazzmaximum and Katana :) You have a great personal sound man!!!"

Curve

Release Date: Sept 27, 2011 
Dim Mak Records 
http://facebook.com/felixcartal

Felix Cartal - The Joker (Clouds Remix)

Beatport release: 23/09
All other platforms: 07/10

Malente &amp; Zero Cash - I'll Be There (Modek Remix)

BNR068: SCNTST – MONDAY

Boysnoize Rec proudly presents you our new signing, 17 year old SCNTST from Munich, Germany, someone you definitely should keep an eye on! Bryan Müller started producing due to a critically acclaimed German movie about techno and within a year he developed his sound, which he likes to call "Advanced Techno".

"Monday" is a tooly tech monster, its toms and clever percussive sounds make it a non-obvious rocker, easy to play at any time, very effective. 
"Beachboy" consolidates the suspicion, that his sounding is more than just new techno or house, it's futuristic, new funky German juke. The seduction of the ruminant pitched woman's voice repeating 'nasty' is giving goosebumbs. You end up in a black box, puzzled but releaved by the dissolving hard drum programming in the main part.
Of all the potential lying in SCNTST’s style miscellany, there's nothing that quite tops "Globus" for technoic articulation. It has a sharply defined, techy groove — simple, almost subliminal bassline fill and bright sample cuttings. Once it's speed up the drop out claims most of the mix's attention, leaving ravers time to breath and feel the tension.
The last track of the EP "909 Time" is inspired by his heroes Lone and Legowelt. The Roland TR 909 as the main drum machine and a different approach to the powerful melody, SCNTST’s version is the playful dream version of its inspirational source.
As a digital bonus you get "Stracia", modern techno with an army of flutes sounding off the grid.
SCNTST’s debut EP hopefully is just the beginning and a good reason to like 'Mondays'.

"MONDAY" OUT ON BOYSNOIZE RECORDS, NOVEMBER 07TH

iTunes: http://itunes.apple.com/de/album/monday-ep/id471958735
Facebook: https://www.facebook.com/thescntst
Twitter: http://twitter.com/scntst
myspace: http://www.myspace.com/scntst

Globus

Since 1999, Azzido's first single ‚Dooms Night’ sold more than 250.000 copies. Now he returns with a big club tune „Dooms Day“ on Lektroluv. Attention, essential release!

Release date: 21st of november 2011

TRACKLIST
1. Azzido Da Bass - Dooms Day (Original Mix)
2. Azzido Da Bass - Dooms Day (Tocadisco Remix)
3. Azzido Da Bass - Dooms Day (Sound Of Stereo Remix)
4. Azzido Da Bass - Dooms Day (The Drill Remix)
5. Azzido Da Bass - Dooms Day (Dare2Disco & Future Flash Remix)
6. Azzido Da Bass - Dooms Day (Azzido´s Brazilism Mix)
7. Azzido Da Bass - Dooms Day (Maison Close Remix)
8. Azzido Da Bass - Dooms Day (sirKris Remix)


http://www.lektroluv.be
http://www.azzidodabass.de/

Azzido Da Bass - Dooms Day (Sound Of Stereo Remix)

Azari & III - Reckless With Your Love (Proxy Remix)

Out now on all music stores! …and soon on limited edition vinyl too!

Buy it now on iTunes: http://itunes.apple.com/album/id499561706

Supported by Boys Noize, Switch, Sinden, Crookers, Joakim, Laurent Garnier, Bok Bok, Round Table Knights, Zombie Disco Squad, Christian Martin, Style Of Eye, Douster, Bobmo, Djedjotronic, Noob, Krikor, Rory Phillips, dj Need / Birdy Nam Nam, Bambounou, SCNTST, Mixhell, Strip Steve, Addison Groove, Neoteric, Malente, Scottie B, Nick Catchdubs, Myd, Harvard Bass, Beataucue, Jess & Crabbe, Ben Westbeech, Seiji, Laura Leishman, Discobelle, Distal, BS1 …

—

Maelstrom could be mistaken for the newest kid on the scene, coming out of nowhere and dropping releases on prestigious labels like Dirtybird and BNR Trax in less than one year, but in reality he’s far from being a kid, as a matter of fact he’s more of a daddy. And I mean this more in a 'having a child' way than in a ‘I’m house music’s daddy and I’m gonna make her my bitch' way, except the latter is exactly what he’s about to do with his new “USSR” EP on Sound Pellegrino. Hailing from the quiet yet culturally effervescent city of Nantes, France, Maelstrom has been around for a while, operating in the shadow, DJing all around the world in various underground circles of no-joke techno and breaks. He also has a career as a more abstract UK bass producer under the name Joaan, crafting beautifully deep and haunting beats for 7even recordings. But the “USSR” EP is no deep and haunting business, this is a straightforward, raw and modern take on Miami bass and early electro with a techno twist made by a guy who’s experienced enough to have lived these scenes in their heyday. This is the music the Russian soldier girl in Elton John’s “Nikita” video likes to shake her booty to. 

“USSR” is the more straightforward tracky beat of the bunch. Menacing and merciless like a musical machine gun execution, it also has a groove that says “hey chill this is just music, we ain’t killin anybody, now what are you waiting for, dance m*therf*cker!”, so at the end of the day, it’s all good. We at Sound Pellegrino are super proud to have obtained two brilliant remixes by two heroes of ours for “USSR”. First, The Hacker, whose impact on our lives as electronic music listeners is immeasurable. Whether it is through his classic albums with the goddess Miss Kittin where he defined the standard for dark electronic pop in the early 2000’s or his no-compromise electro material on the solo tip or in collaboration with this year’s big techno sensation (often seen as his protégé) Gesaffelstein, The Hacker always knows how to win our little techno hearts. He flips “USSR” into a serious deep Grenoble banger dripping with integrity and class. The second “USSR” remix is brilliantly executed by South African house music star Aero Manyelo. We’ve been in touch with Manyelo ever since he found out that we played one of his tracks on the Sound Pellegrino podcast. He immediately sent us a good portion of his huge catalog and we were blown away by his unique blend of house, finding influences in Kwaito riddims but also the trademark South African dark motor pitch shifting techno sounds. There’s no doubt his “USSR” remix, in all its originality and vicious efficiency, will be a dancefloor favorite. 

Candidly titled “House Music”, the second track on the EP balances the darkness of “USSR” with a more light-hearted approach and a happier vibe. It also has a clear function for DJs: to serve as a transition from bass to four-to-the-floor house and vice-versa. Simple, functional, brilliant. DJ Dodger Stadium (Body High), Coni (Clek Clek Boom) and Boston Bun (known for his “Lean House” mixtape series) each deliver excellent remixes, Coni on a very deep, subaquatic, 9-minute long slow burner tip, Dodger Stadium in their trademark pumping gangster chicago underground construction 3.0 internetland hard house vibe and Boston Bun on a  sexy sweaty macho backroom acid dance level. 

Last but definitely not least, “Pool Chicks” is the gem of the EP. Like a steroid Sci-fi version of the purest old-school Miami Bass, channelling a pool party on mars hosted by cyborg 2 Live Crews and Tone Locs, “Pool Chicks” has 'early contender for summer hit' written all over it. When listening to those unidentified noises that punctuate the track, we’re still not sure if the title refers to girls at the pool or actual chicken being thrown in a swimming pool though. 

 —Teki Latex

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