I love you. can i take some portraits of you? 🙏

Feel It In Your Guts

Boudicaaa

This is an un-mastered version of "Happy Together"

credits

Erin Birgy (voice, guitar, vibraphone, drums, drum machine, synthesizer, glass), Zach Burba (guitar, drums, drum machine, bass, chimes, saxophone, voice), Will Murdoch (clarinet, bass, guitar, sampler, synthesizer, bowls. voice), Meg Duffy (guitar), Jacob Zimmerman (saxophone), Aaron Otheim (synthesizer, piano), Andrea Shiavelli (Rhodes), Julien Gasc (piano, drum machine), Clementine March (bass), Ezra Tenenbaum (guitar, write credits "She's History"), Matt Bachmann (bass), Jackson Macintosh (guitar), James Krivchenia (guitar) 

"Happy Together" was recorded between October 2014 & October 2015 in Seattle, WA / Anacortes, WA / Brooklyn, NY 

Produced by Mega Bog 
Engineered by Erin Birgy, Zach Burba, Nicholas Wilbur 
Mixed by James Krivchenia

192014

‘Living’ Out Now -
Big Dada / Stream / Download: https://eera.lnk.to/livingSO

Taken from ‘Reflection Of Youth’ released 3rd November 2017 via Big Dada.

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Living

16 Haiku & Other Stories

Haiku Ten

Lorelle: vocals, electric guitar, synths, combo organ. 
The Obsolete: electric guitar, synths, combo organ. 

Special guests 
Andrea Davì: drums, percussion. 
Fernando Nuti: bass. 
José Orozco Mora: synths & combo organ. 

Recorded by The Obsolete at El Derrumbe in May 2018. 
Mixed by Cooper Crain at JAMDEK 
Mastered by Mikey Young 
Photo by Diego Berruecos 
Artwork by Daniel Castrejón 

All music by Lorena Quintanilla and Alberto González 
All words by Lorena Quintanilla 

P&C 2018 Registros El Derrumbe under exclusive licence to Sonic Cathedral

Lorelle Meets the Obsolete — Líneas En Hojas

Arranged and performed by New Candys. Music and words by Fernando Nuti. Produced by New Candys at Yack Studio (Treviso). Mastered by Jon Astley at Close To The Edge Mastering (Twickenham, UK). Artwork by Fernando Nuti & Diego Menegaldo.

Stars Reach The Abyss

Salar

Public Practice is reanimating the spirit of late ‘70s New York with their intoxicating  brand of no wave-tinged dark disco. The band came in hot with their punchy balance of punk, funk, and pop on the critically acclaimed Distance is a Mirror EP in 2018, paving the way for their highly anticipated freshman record. Now, after a year of intimate and experimental songwriting in their home studio, they have fleshed out the energetic, playfully oblique sound captured on their debut full-length Gentle Grip. 

Together, the foursome creates bold, slinky rhythms and groove-filled hooks that get under your skin and into your dancing shoes. The musicians’ unique chemistry and approach to songwriting is part of what makes their world so intriguing. Magnetic singer and lyricist Sam York and guitarist and principal sonic architect Vince McClelland, who were creative music partners for years prior to Public Practice’s formation, come to the table with an anarchic perspective that aims to eradicate creative barriers by challenging the very idea of what a song can be. Paradoxically, Drew Citron, on bass/vocals/synth, and drummer/producer Scott Rosenthal are uncannily adept at working within the framework of classic pop structures. But instead of clashing, these contrasting styles challenge and complement one another, resulting in an album full of spiraling tensions and unexpected turns.

Inspired by influential New York bands like Liquid Liquid and ESG, the foursome has a natural inclination toward music that sounds rough-hewn. “We were thinking about classic New York dance albums, and the thing that stuck out is that many sounded like they were recorded in less-than-ideal situations,” McClelland says. “There was always something about them that felt somewhat home-cooked.” McClelland has spent the past few years constructing a home studio with carefully chosen and occasionally hand-made equipment in an effort to recreate that “cobbled together” sound. As three quarters of Public Practice are engineers as well as instrumentalists, their collection of gear, combined with the recording rig McClelland built, allowed the band to record Gentle Grip largely at their own hybrid practice space/studio in Brooklyn. “Having a space and setup that is unique, you're always going to have more of a signature sound,” McClelland explains. They spent the better part of 2019 playing with sounds, riffing on McClelland’s demos, and recording a number of songs live to tape. Although a handful of sessions occurred in traditional recording studios, the band’s autonomy and ability to record themselves imbues their music with a sense of freedom and gives it a distinct character — a home-cooked sound that is purely Public Practice.

BUY LP/CD

Public Practice - Compromised (From the 'Gentle Grip' album out 5/15)

Don't Shy Away

Homing

Otra Dimensión

From the many musical lives of artist Glenn Donaldson emerges The Reds, Pinks and Purples, a project that sifts out the purest elements of pop music and in the process chronicles the point of view of an assiduous songwriter. His new album "Uncommon Weather" is both an elusive portrait of San Francisco -- during one of its fluctuations as an untenable place for musicians and artists -- and also a self-portrait of a songwriter who has dispatched another treasured collection of timeless sounding DIY-pop songs. Self-recorded and mostly self-performed, the music on "Uncommon Weather" continuously reckons with the influence of The Television Personalities' Dan Treacy, as well as The Cleaners From Venus, Blueboy, East River Pipe, and the Cherry Red and Flying Nun labels. Beautiful, mysterious and rather perfect pop.

Haiku Ten

Cat Power

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