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3 Piezas Para Piano No. 1 En Re Bemol Menor

❤️🎶The music unites us all❤️🎶
Sadness / A piece that captures the depth of sorrow and the delicate hope for healing. With moving melodies, atmospheric soundscapes, and emotional intensity, this track takes you into a world of reflection and inner strength. ‘Sadness’ is a reminder that within every melancholy, there lies a quiet beauty. Thank you for diving into this soundscape and sharing this moment with me!
🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️🎶❤️
Sadness / Ein Stück, das die Tiefe von Trauer und die zarte Hoffnung auf Heilung einfängt. Mit bewegenden Melodien, atmosphärischen Klangteppichen und einer emotionalen Intensität entführt dieser Track in eine Welt voller Nachdenklichkeit und innerer Stärke. ‚Sadness‘ ist eine Erinnerung daran, dass in jeder Melancholie auch eine stille Schönheit liegt. Danke, dass ihr in diese Klangwelt eintaucht und diesen Moment mit mir teilt!

Sadness

mels zelkova ain do

The Pièces froides are two sets of piano pieces composed in March 1897 by Erik Satie. Unpublished until 1912 when Ravel played them publicly, they marked Satie's break from the mystical-religious music of his Rosicrucian and Gymnopodies period (1891–95), and were a harbinger of his humoristic piano suites of the 1910s. 

The title Pièces froides, translated as Cold Rooms or Cold Cuts, is a punning allusion to the dire poverty Satie experienced during his last years living in Montmartre. In July 1896, he had been forced to move into an unheated ground floor closet (he called it a "cupboard”. The space was so small that Satie's camp bed all but blocked the door shut, and on frigid nights he kept warm by sleeping fully dressed with the rest of his clothing piled on top of him.

This the second of the two cold pieces: Danses de travers (Crooked Dances)
1. En y regardant à deux fois (Give it a good look)
2. Passer (Go on)
3. Encore (Again)

Here i've arranged the original solo piano for 2 classical guitars, 12-string, celeste, woodwinds & strings.

cover art: Le Repas Frugal by Picasso

Erik Satie, Pièces Froides

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Many thanks to Timothy McGuire who added his beautiful orchestration to my "Promises To Keep" piano composition. It is always a pleasure working with Timothy and to hear more of his wonderful work, you can visit his SoundCloud page by clicking here: https://soundcloud.com/tim_mcguire

Promises To Keep - Timothy McGuire Mix

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(Free WAV Download available here under '••• More'; and eventually as part of my next mystery album)

Greetings to my SC friends. This write-up goes deep into the realms of the bizarre. I’ll be serving up a banquet of probable realities and parallel universes, slow roasted in a ‘law of attraction’ au jus. And we’ll also have another wolf sighting.

First, let’s reintroduce our wolf friends (said to be from a Cherokee tale, and described in greater detail in a liner note a few years back). The one sneaking its way through the crevasses of my brain is the wolf of fear; the one chilling peacefully just behind my heart is the wolf of love. And as previously mentioned… the one I feed the most, grows the largest and has the most influence in my life. That idea is very helpful as we switch from metaphorical thinking to quantum navigation. 

Now for the bizarre part.

There is a theory out there that every possible moment/choice in every possible life (past and future) has already happened, and it’s all housed as snapshots of stored data on a quantum/cosmic state, cloud storage device somewhere. 

But what does that mean to me as a flesh bag?

It means that every time I am about to make a choice in my life, every possible option lies before me. The choice I make then narrows those possibilities down to the reality I experience. But all those other choices continue to play out without my awareness, because in another probability, I took those paths and lived those lives. I am essentially a rapidly expanding resident of parallel universes; but my consciousness is only aware of this one… and only of this very moment in time.

Going further down that rabbit hole, I start playing with ideas like hopping time-lines. For example… if someone told 20 year old Justin that at 55 I would be a happily married, sober, vegetarian musician… I would have stopped playing with that person. But here I am living that life, so maybe that idea is worth visiting. 

But for now, let’s focus on this reality… and how we can bend it to our will. 

If you make your choices out of love (and you aren’t constantly stuffing emotional pork chops into the wolf of fear), your awareness gradually shifts to one of love. The more choices you make out of love, the deeper into that probability you go. Keep doing that long enough, and the other probability becomes nothing more than a distant memory… if it doesn’t simply disappear from your experience altogether.

The same goes for the other side. If I only focus on fearful things, I’m cementing that experience for myself. My choices are made in fear; my experiences confirm that fear; and I ultimately end up living a very fear-driven existence. 

Now if we expand that concept to include the collective consciousness; how powerful our will is, and how we impact each other’s realities… we begin to see how utopian/dystopian variations are born. 

But if we have control over our direct path (through the choices we make, and where we focus our awareness), that suggests we have the power to purposefully choose timelines. Think about that… every possibility existing all at once, and we may literally get to decide which version we want to experience. 

What if we can migrate (or even hop) our awareness to more ideal timelines when we grow tired of the one we’re currently visiting? What if we are in control? What if we are that powerful? I admit, I’m having experiences in my life that make me question if this idea isn’t so far fetched after all.

While you chew on that, I hope you enjoy ‘Putting The Disco In Discombobulated’. :)

DL on SC :)

Putting The Disco In Discombobulated

Astrarium

Colloidal Foam

Jack Wild as Tom Ornshaw:Melody (1971 film)

Ornshaw

my greatest concept album, much more albums on spotify.

Isolation in Modulation

Josh Franco also known as Catching Clouds ( Creator of Synthgaze music ) is a music composer from Highland Park, CA who enjoys composing music for films.  Capturing the emotions and creating an aural mood for each scene is my passion. 

Some call it "Music therapy" or "Space music"

Thank you for listening! 



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Catching Clouds

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